Villiger hannah (38 risultati)

Condizione: sehr gut. 55 S., Abb., 31 cm, Text Deutsch und Französisch, Einbandrückseite leicht fleckig. Sprache: Deutsch.

Hardcover without dustjacket as issued, 56 pages, in German and French; good condition, covers very scuffed; abrasion to first blank page from removed sticker; no internal marks. Foreign shipping may be extra.

Condizione: Good. Original blue boards, illustrated with numerous photographs in colour, text in German and English, 4to.; Still shrinkwrapped.

Condizione: Good. Original blue boards, illustrated with numerous photographs in colour, text in German and English, 4to.

4to, 324pp. Colour and black & white illustrations. A very good hardback copy in like dust jacket.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardcover exhibition catalog without dustjacket as issued, 56 pages, in german and French; very good condition, bump on top corner, light rubbing to covers; no internal marks.

First edition, 2001. Texts in English, German. 324 pages. Illustrated throughout. Boards. Very good in dustjacket.

Condizione: New.

Hardcover. Quarto. Hardcover. No jacket as issued. 72 pages : color illustrations ; 29 cm. VG. Ex-lib with minimal markings. Sticker on spine and inside rear board paste down.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: USED Good. german text.

72 S. Hardcover. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sehr gut erhalten. Sprache: fra.

Untere rechte Ecken leicht bestossen, sonst tadellos. Hardcover / Original Pappband. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

4°, gebundene Ausgabe. 55 Seiten. Einband etwas berieben und stellenweise geschmutzt; Schnitt hat leichte Lagerungsspuren; sonst gut erhalten; Abgleich des Titelbildes bitte bei nika-books. 9783906700816 Sprache: Französisch Gewicht in Gramm: 556.

hardcover. Condizione: Gut. 324 Seiten; 9783908247487.3 Gewicht in Gramm: 4.

farbig illustr. Orig.Kart. geb. 8° 126 S. mit zahlr. Abbildungen (guter frischer Zustand, neuwertig noch in Folie).

Erste Auflage. 30 x 24 cm. 54 S., 1 Blatt. OPappband. Einbandkanten minimal lichtrandig, privater Stempel des Vorbesitzers auf dem Innendeckel. Sonst sehr gutes Exemplar. Katalog zur Biennale Sao Paulo 1994. Durchgehend mit meist ganzseitigen, farbigen Abbildungen versehen. Text in deutscher und französischer Sprache.…

Erste Auflage. 31 x 25 cm. 54 S., 1 Blatt. OPappband. Einband marginal angestaubt, sonst gutes Exemplar. Texte in Deutsch und Französisch. Mit Beiträgen von Christoph Doswald, Ludmila Vachtova, Theodora Vischer und Max Wechsler. Durchgehend mit meist farbigen Abbildungen versehen.

Orig.Kart. geb. 4° Hardcover Orig.Umschl., guter frischer Zustand 324 S. mit ca. 400 farbigen Fotos + enthält Werkverzeichnis Fotografie mit 480 Fotos.

HRD. Condizione: As New. Condition: Practically as new on the inside, but somewhat worn cover.

broschiert. Condizione: Sehr gut. (16) S. Sprache: Deutsch Gewicht in Gramm: 79.

Original-Halbleinenband, 4°, 48 Seiten.Mehssprachige Ausgabe Einband leicht vergilbt. Exlibris, sonst guter Zustand.

Hardcover. Condizione: As New. Swiss artist Hannah Villiger (1951-1997) was trained as a sculptor and always considered her work sculpture. Her artistic medium, however, was photography. In the early-1980s Villiger's own body became the focus of her work: it appears fragmented, distorted, twisted beyond recognition. Villiger developed her own unique way of working: Polaroid shots that she enlarged to a size of approximately one square meter (40 x 40 inches). With the Polaroid camera she circled around her own body using the straightforwardness of the medium. The "blindness" of the camera redefined the structure and the volume of her body parts. This first international monograph, with catalogue raisonnà , reveals Villiger as a radical predecessor of many of today's artists who create images of their own bodies. In her in-depth essay Claudia Spinelli traces the outlines of Hannah Villiger's personal and artistic development and poignantly examines the crucial relationship between Villiger's life and her work. Griselda Pollock's essay takes a close look at Villiger as a woman and an artist, highlighting the visionary power of the work. Pollock lucidly discusses the problems and obstacles Villiger, as a female-identified artist, had to face in a phallocentric, patriarchal visual culture. David Levi-Strauss ponders the intricate relationship of sculpture, photography and the human body in the work, whose daring and radical formal concepts and innovations remain as cutting-edge as ever. Edited by Jolanda Bucher and Eric Hattan. Essays by Jean-Christophe Ammann, Bice Curiger, Annelie Pohlen, Griselda Pollock, Claudia Spinelli, David Levi Strauss and Hannah Villiger. 150 color and 300 b&w. 9.5 x 12.5 in.…

4°. 55 S., zahlr. Ill. Pp.

Condizione: Very Good. Hardcover, very good condition, light tan on edge of the pages, 28x24.5cm, 72pp.

Condizione: Used: Like New. Hardcover as new.

Softcover. Condizione: gut. 1994. Hannah Villiger Pipilotti Rist. 22. internationale Biennale von Sao Paulo 1994. In deutscher Sprache. pages.

4to. pp. 324. profusely illus. (mostly in colour). bds. dw. First Edition.