William russell flint illustrator (14 risultati)

Hardcover. Condizione: Very Good. 1st Edition. A good copy of this modern prose edition, first thus, using some of the colour drawings made for the Russell Flint edition of The Canterbury Tales first published in 1913. 245 pages, 12 colour plates. In red cloth binding, pages very clean and bright, original owner's initials and date on front endpaper, minor wear externally including slight faying to head and tail of spine. Russell Flint (illustratore). …

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. First Edition. More than Shadows: A Biography of W. Russell Flint by Arnold Palmer (1st Edition) A firm square copy, old tape residue to endpapers from an old clear fitted cover. Price-clipped dust jacket with dust-rubbed covers, a large open tear to cover and spine at bottom corner, very shallow chipping to spine top edge. Faint spots of dampstain to back cover spine side. Clear fitted cover. 136 illustration plates of Flint's works. List of Plates, 8 in colour. Biographical Summary. List of Exhibitions. List of books illustrated by the Artist. William Russell Flint(Illustrator) (illustratore). BOOK.…

Condizione: Very Good. First edition hard back binding in publisher's original black cloth covered boards, blocked and lettered copper back and copper vignette to the front board. 8vo. 10'' x 6½''. Contains (xvi), 44 pp followed by 136 plats, 8 in colour. Very Good condition book in Good condition dust wrapper with small chips and closed tears to the edges, not price clipped, 15s. Dust wrapper protected. Member of the P.B.F.A. BIO (Résumé, Memoir).…

Hardcover. Condizione: Very Good. 1st Edition. 1913 1st edition thus, First printed in the Riccardi Press Books, extra crown quarto, 1909; now reprinted in small crown quarto, 1913. Maroon cloth, gilt titles and decoration, top edge gilt, others untrimmed. 10 colour pasted-down plates, with tissue guards, by W. Russell Flint. Condition: Very Good. A few light marks to cloth. Feps browned. Pages clean and bright. Size: 9.5x6.5in / 24x17cm. 66pp. Weight: 395g. Provenance: From the library of Charlie Watts. Exeter May 2026 Auction. ?Bearnes Hampton & Littlewood are proud and delighted to have been entrusted with the sale of the Collection of the Late Charlie and Shirley Watts. The drummer of the greatest Rock and Roll band and the love of his life, the talented horse breeder and sculptress Shirley chose Devonshire as their retreat - and it was at Halsdon House, near the village of Dolton that they lived out their lives together in rural happiness? Watts was an incorrigible bibliophile and Christie?s have already held two remarkable sales of some of his most desirable tomes - famously successful auctions of Literature and Jazz, which they described as ?a fitting tribute to the exquisite taste of the legendary Rolling Stones drummer, Charlie Watts.. W. Russell Flint (illustratore).…

Condizione: Near Fine. Second impression hard back binding in publisher's original donkey brown cloth covers, gilt title and author lettering to the spine. Landscape 4to. 11½'' x 13¼''. Contains 104 printed pages including chronology and bibliography with monochrome and colour illustrations and archive photographs throughout. Fine condition book in in very near Fine condition dust wrapper, not price clipped, £35.00. Dust wrapper supplied in archive acetate film protection. Member of the P.B.F.A. ISBN 0715393065 ART [British].…

Hardcover. Condizione: Very Good. Limited Edition. The Idyls of Theocritus (Vol 1) Andrew Lang (Limited, #214) W. R. Flint, Art A firm square copy with sunned spine and cover edges. Owner's 1940 gift inscription to ffe. Volume 1, THE IDYLS OF THEOCRITUS only. (Volume 2, BION & MOSCHUS not present). Limited Edition. One of 500 copies. This is copy #214 of 500 copies. Rendered into English prose by Andrew Lang. Cloth-backed paper-covered boards, gilt top edges, rough-cut fore and bottom edges. (Spelled as IDYLS on the cover and title page, American English). Short pastoral poems. William Russell Flint(Illustrator) (illustratore). BOOK. …

Uniform matching hard back binding in publisher's original beige linen-backed boards, printed cream paper title labels to the spines and to the front covers, top edges gilt, others untrimmed. 4to. 10¾'' x 8''. Hand written number 108 of 500 Limited Edition copies printed on hand-made Riccardi paper. Contains 2 volumes [xxxvi], 92pp; [xii], 28pp, 20 mounted colour plates by Sir William Russell Flint each with a tissue-guard with a caption in red. An excellent copy preserved in a custom made cloth covered slip case. Heavy 2 volumes weighing 2 kg, extra postage will be requested over and above our default setting for destinations outside the UK. Member of the P.B.F.A. ART [British]. …

Hardcover. Condizione: Very Good. 1st Edition. 1955. One of 105 copies bound in white alum-tanned sheepskin and signed by Flint. Color frontispiece, color title vignette and numerous full-page and vignette illustrations from crayon drawings by Flint. With an extra suite of 8 sepia plates in their original envelope and housed in the publisher's slipcase of full marbled cloth. Spine tanned and slipcase with light peeling at the corners. A very good copy, with an ALS from Flint to Lord Horder, who had complimented Flint on this publication. Signed by Author(s).…

A beautifully produced edition of Herrick's poetry, illustrated by Sir William Russell Flint, in the special deluxe binding with extra plates. Number 11 of 105 specially bound copies (from a total edition of 550 copies), signed by the artist with 8 extra plates in the original separate sleeve; 4to; hand-coloured frontispiece, hand-coloured vignette to title, sepia collotype reproductions of paintings and drawings by Sir William Russell Flint, printed in black, blue, red and green in Perpetua type on handmade paper; original white sheepskin by Sangorski & Sutcliffe with gilt block of a cockerel on two circles with RH in the centre, gilt lettered, original slightly worn marbled slipcase, light toning to spine; a very good copy. …

Condizione: Fine. First edition hard back binding in publisher's original quarter beige buckram over blue and grey printed paper covered boards, blue and gilt title and author lettering label to the spine, top edge gilt. Tall folio. 14'' x 10½''. Hand written number 27 of 500 Limited Edition copies. Contains (xvi), 188 printed pages with 134 sepia and tone plates and illustrations, bibliography, index of plates, complete with additional SIGNED mounted print of the ballerina, Moira Shearer, the star of the Red Shoes, in a separate envelope to the side of the slip case, the plate of which has been destroyed, preventing any reprinting of the print. SIGNED by the artist to the limitation leaf 'W. Russell Flint.' Pictorial book plate of W. and P. J. Kupfer to the front paste down. Fine condition book in Fine condition glassine dust wrapper, housed in glassine covered slip case with light rubbing to the extremities. Heavy volume weighing 3 kg, extra postage will be requested over and above our default setting for destinations outside the UK. Member of the P.B.F.A. ART [British]. …

Printed address, headed notepaper. Two pages, 8vo, good condition. Russell Flint is responding to a letter from Mackenzie (attached, copy Typed Letter, one page, 4to, 26 April 1949- saying that he (Mackenzie) has circularised friends in the Press asking them to urge readers to buy water-colours as "a jolly good investment". Mackenzie also comments on the neglect of the teaching of water-colour painting in the schools, and its consequences. Russell Flint approves and has wanted to meet up but been busy with the RA Private View et al. He comments that "Our schools follow the meretricious Continental notion of using blatant colours for 'water-colours'". He explains the "freshness" of French water-colours ("tempera of poster colours" as opposed to Englsih use of "transparent genuine water-colours"). Children would be attracted by the "gay colour" and art schools are teaching "the wrong feeling for colour". He is sending Mackenzie a book about himself.…

Selected, arranged and illustrated by Sir William Russell Flint. London : The Golden Cockerel Press, 1955. Small quarto, 275 x 190 mm; number 341 of 445 (of a total of 550) copies bound in cream parchment over blue cloth boards (bright and unrubbed), spine titled in gilt, upper board blocked in gilt, top-edge gilt; pp. 128; set in Perpetua and printed in black, red, blue and green on handmade paper, illustrated with two watercolour paintings and 40 crayon drawings; very light spotting to front pastedown and free-endpaper, otherwise internally excellent; a fine copy, housed in the originalblue cloth slipcase (top edge lightly marked, else very good). Scottish artist Sir William Russell Flint's self-funded tribute to the seventeenth-century lyrical poet Robert Herrick (1591-1674), produced on his behalf by the Golden Cockerel Press. Cock-a-Hoop 199.…

Privately Printed . and published by the Medici Society. [1970]. Folio. Original quarter red morocco, lettered in gilt, grey cloth boards, top edges gilt, marbled endpapers; many illustrations after drawings and paintings by William Russell Flint, text printed in black, red and blue; vertical crease to rear endpaper otherwise a fine copy, preserved in the original blue cloth slipcase.Limited edition of only 1,000 numbered copies for sale; signed by William Russell Flint's son, as Flint senior died during production of this volume of autobiography. Before he died however, William Russell Flint initialled, in pencil, the endpapers (front and back) for all copies of this book.…

No. 61 OF 500 COPIES. 260 x 194 mm. (10 1/4 x 7 5/8"). 6 p.l., 16, [1] pp. Pleasing olive brown crushed morocco by Bumpus (stamp-signed on front turn-in), covers framed with three sets of triple fillets, raised bands, spine compartments similarly framed, gilt titling and turn-ins, all edges gilt. Vignette on title page and colophon, both in blue, and 10 fine color plates by Russell Flint, mounted on stiff paper, each of the plates accompanied by a tissue guard and an additional captioned paper guard. Tomkinson, p. 148. âSpine faded to a soft hazel brown (as usual with green), boards with just a hint of the same fading, very slight rubbing to a small portion of the joints, usual offsetting from turn-ins to endleaves, one tissue guard with one-inch strip torn at head edge, but still a very appealing copy, the attractive binding lustrous and with no significant wear, and the interior clean and fresh. Containing, in Houfe's words, "brilliant" figures that are "finely modeled" and that show "elements of a Burne-Jones influence by way of Byam Shaw," this is the first of a series of luxury editions produced by Sir William Russell Flint (1880-1969) for the Riccardi Press of the Medici Society between 1905-24. As Tomkinson relates, the Riccardi Press "was adopted in 1909 by the Medici Society at 7 Grafton Street, London; the books [were] printed at the Chiswick Press (under the supervision of Charles T. Jacobi until his retirement in 1922) and published by Philip Lee Warner, who was Publisher to the Medici Society until his death in 1925 . . . . The aim of the Press has been to produce finely printed books at reasonable prices and for sale through the ordinary channels of trade. . . . All editions are strictly limited, and the type is distributed after the edition has been printed." Although Riccardi Press books do not rank with Kelmscotts or Ashendenes, those with plates after Flint have considerable appeal, and as an inaugural publication, the present volume represents a significant achievement. Although simple in design, our binding reflects the typically well-executed and generally undervalued work produced with the Bumpus name for a substantial period, beginning in the latter part of the 19th century. Packer says that the Bumpus bindings emanated from the bookselling firm of John and Edward Bumpus, which was founded in 1780, and the Bumpus name still held an honored place among London binderies well into the 20th century. …