Auty giles (49 risultati)

Condizione: Good. Light wear to boards. Content is clean and bright. Good DJ with some edge wear and minor tears.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: New.

hardcover. Condizione: Good. Condizione sovraccoperta: Includes dust jacket. This is a used book in good condition and may show some signs of use or wear . This is a used book in good condition and may show some signs of use or wear .

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: Near Fine. No Dust Jacket. First Edition; First Edition. Well Illustrated Catalogue of an Exhibition of 41 Paintings by Geraldine Girvan. All the paintings are illustrated with fine colour plates, and there are Introductory texts by Chris Beeles, and Giles Auty. (a Price list is loosely inserted) . Light wear to covers. A near fine copy.; Paperback; Octavo Oblong Original Saddle Stapled Wrappers.…

Condizione: New.

Paperback. Condizione: new. Paperback. "Giles Auty was one of only four outstanding art critics in Britain in the past forty years" -- Paul Johnson, The Spectator, February 17, 1996 When I switched course in mid-career from being a painter to a writer I certainly experienced a few nervous moments. Would I ever feel as confident about writing as I did with a paintbrush in my hands? Then purely by chance, after years of wondering, I met an Italian Professor of English at a cocktail party in Venice. "I can't believe I've met you" he told me "because I am always holding your writing up as a model for my students." How thrilled my late father, a noted English scholar himself, would have been to know that I was at least trying to maintain family standards. "G. K. Chesterton surely had essays such as these in mind when he wrote, 'No criticism of Rembrandt is as good as Rembrandt; but it can be so written as to make a man go back and look at his pictures.' Giles Auty, well-known as art critic and painter, is gifted with a writing style that shuns impenetrability. It challenges us to go back and take a fresh look, not just at Rembrandt, or Signorelli, but at political correctness, global warming, post-modernism, democracy, our education system, Catholicism, the media, and life itself. He does this in an entertaining way, and even dares to suggest answers." -- Fr Paul Stenhouse, Editor of Annals Australia “Giles Auty was one of only four outstanding art critics in Britain in the past forty years”  — Paul Johnson , The Spectator,  February 17, 1996 When I switched course in mid-career from being a painter to a writer I certainly experienced a few nervous moments.  Would I ever feel as confident about writing as I did with a paintbrush in my hands?  Then purely by chance, after years of wondering, I met an Italian Professor of English at a cocktail party in Venice.  “I can’t believe I’ve met you” he told me “because I am always holding your writing up as a model for my students.”   How thrilled my late father, a noted English scholar himself, would have been to know that I was at least trying to maintain family standards. “G. K. Chesterton surely had essays such as these in mind when he wrote, ‘No criticism of Rembrandt is as good as Rembrandt; but it can be so written as to make a man go back and look at his pictures.’ Giles Auty, well-known as art critic and painter, is gifted with a writing style that shuns impenetrability. It challenges us to go back and take a fresh look, not just at Rembrandt, or Signorelli, but at political correctness, global warming, post-modernism, democracy, our education system, Catholicism, the media, and life itself. He does this in an entertaining way, and even dares to suggest answers.” — Fr Paul Stenhouse, Editor of Annals Australia Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condizione: New. In English.

PF. Condizione: New.

Paperback. Condizione: Near Fine. 1st. 123 pages, colour illustrations; 25 cm. Exhibition catalogue. Near fine. Firm binding, clean inside copy. Age toning. Size: 8vo.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Softcover. Condizione: Fair. A reference copy from an artist's studio library. Name on ffep, paint traces on wraps & in the margins of several pages, little skinned patch in lower margin of foreword.

First edition, first printing. Fine paperback exhibition catalogue.

Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Apparent First. HEAVY. 279pp, bibliography, notes, chronology, num col ills. Or pictorial boards in jacket. Minor scuffs to bottom corners of jacket, slightest of edge wear and last few pages creased at bottom corner. This copy has a presentation page for Pfizer Animal Health as a memento of the Buiatrics Congress in Sydney (1998) bound in at the front- nopublishersdate so presuming publication contemporary with presentation date. Monograph on a contemporary of Arthur Streeton. Llewelyn Jones work was first acquried by the Art Gallery of New South Wales in 1990 and he continued painting unitl 1927. Size: 4to.…

First edition, first printing. Large format. Very good large format paperback exhibition catalogue.

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. First Edition. Jacket has moderate general wear and no tears. Bump to bottom corners of boards. A very few small spots to top edges of page-block. Inscribed by Giles Auty to former owner on ffep. Internally clean. Binding tight. Undated (1998?) 290pp Size: 250mm x 310mm. Book.…

Soft cover. Condizione: Fine. Qto., 8 pages, 14 colour illustrations. A Fine copy.

Soft cover. Condizione: Near Fine. Small Qto., 12 pages, colour illustrated. A clean, Near Fine copy.

Pictorial wrappers. Very fine. London, Academy Editions / New York, St. Martin's Press, 1988. 8vo. 80 pp. Richly illustrated in colour.

Taschenbuch. Condizione: Neu. Neuware - 'Giles Auty was one of only four outstanding art critics in Britain in the past forty years' -- Paul Johnson, The Spectator, February 17, 1996 When I switched course in mid-career from being a painter to a writer I certainly experienced a few nervous moments. Would I ever feel as confident about writing as I did with a paintbrush in my hands Then purely by chance, after years of wondering, I met an Italian Professor of English at a cocktail party in Venice. 'I can't believe I've met you' he told me 'because I am always holding your writing up as a model for my students.' How thrilled my late father, a noted English scholar himself, would have been to know that I was at least trying to maintain family standards. 'G. K. Chesterton surely had essays such as these in mind when he wrote, 'No criticism of Rembrandt is as good as Rembrandt; but it can be so written as to make a man go back and look at his pictures.' Giles Auty, well-known as art critic and painter, is gifted with a writing style that shuns impenetrability. It challenges us to go back and take a fresh look, not just at Rembrandt, or Signorelli, but at political correctness, global warming, post-modernism, democracy, our education system, Catholicism, the media, and life itself. He does this in an entertaining way, and even dares to suggest answers.' -- Fr Paul Stenhouse, Editor of Annals Australia. …

Soft cover. Condizione: Near Fine. Not Indicated. Color Plates (illustratore).

Soft cover. Condizione: Very Good. 1st Edition. 8vo. Original card covers. 124 pp. 86 colour and b/w plates, price list loosely inserted.

Hardback. Condizione: Fine. First Edition. Hardback. Dust Jacket. 4to. Copiously illustrated in colour throughout. Signed typed letter loosely inserted from one of the the authors to: ' Lord McAlpine at the Gritti Palace in Venice.' ISBN: 0-646-34886-8 No date (1998) Some very slight chips and nicks at edges of dust jacket otherwise F in NF.…

280pp. folio. Original laminated boards in dustwrapper, a near fine copy. Beautifully illustrated in colour and b/w. First edition.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition.

Condizione: New. &Uumlber den AutorGiles Auty was born in Kent but educated as a boarder in Essex. He worked originally as a painter but in mid-career switched to writing art criticism. In England he played representative cricket with various future sta.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. 200 illustrations, half of which are in colour. 31 x 25 cm. 279 pp. Heavy book may require extra postage.