berrettini pietro (28 risultati)

Loose Leaf. Condizione: New. Reproduction. Original title: Plate 6: Allegory with Hercules chasing off the Harpies as Justice and Plenty aid the poor, from Barberinae aulae fornix German: Tafel 6: Allegorie mit Herkules Jagd weg die Harpies als Gerechtigkeit und Plenty Hilfe der Armen, von Barberinae aulae fornix French: Assiette 6: Allégeance avec Hercules pourchassant les Harpies comme Justice et Plenty pour aider les pauvres, de Barberinae aulae fornix Spanish: Placa 6: Alegoría con Hércules persiguiendo a las arpías como justicia y abundancia ayudar a los pobres, de Barberinae aulae fornix High-quality fine-art reproduction based on an original work from the Met. Creation period: 17th century (ca. 1677). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: Plate 9: Allegory of Temperance with a unicorn and Publius Scipio Africanus at bottom, from Barberinae aulae fornix German: Platte 9: Allegorie der Temperanz mit einem Einhorn und Publius Scipio Africanus unten, aus Barberinae aulae fornix French: Plaque 9: Allégorie de Tempérance avec une licorne et Publius Scipio Africanus en bas, de Barberinae aulae fornix Spanish: Placa 9: Alegoría de Temperancia con un unicornio y Publius Scipio Africanus en la parte inferior, de Barberinae aulae fornix High-quality fine-art reproduction based on an original work from the Met. Creation period: 17th century (ca. 1677). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: Barberinae aulae fornix German: Barberinae aulae fornix French: Barberinae aulae fornix Spanish: Barberinae aulae fornix High-quality fine-art reproduction based on an original work from the Met. Creation period: 17th century (ca. 1677). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: Plate 7: Allegory of Justice with griffin of Manlius Toquatus, from Barberinae aulae fornix German: Platte 7: Allegorie der Gerechtigkeit mit Greif von Manlius Toquatus, aus Barberinae aulae fornix French: Assiette 7: Allégorie de Justice avec griffon de Manlius Toquatus, de Barberinae aulae fornix Spanish: Placa 7: Alegoría de Justicia con grifo de Manlius Toquatus, de Barberinae aulae fornix High-quality fine-art reproduction based on an original work from the Met. Creation period: 17th century (ca. 1677). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

No Binding. Condizione: Very Good. An original antique engraved portrait. Mounted/matted and ready to frame. Attractive, decorative and unusual. C. 1840.

Insieme di 2 l.a.f. + buste, affrancate e viaggiate, dirette alla scrittrice Flora Righi Amante. La prima su carta intestata con logo xilografato "Ex Libris Rina Maria Pierazzi. Col vento e contro il vento" 12 righe: "A te Flora un modesto omaggio di chi ti vuol bene". La seconda su carta intestata "Salotto di Cordelia": "A te cara Flora con la tua luminosa anima di artista sai dare conto alla mia poesia . impareggiabile . di bellezza quella tu sei".

Roma, 1741 (ma anastatica recente) riproduzione di sei tavole (I/VI) di cm. 50 x 33.

Hardcover. Condizione: Gut bis sehr gut. Anatomical plates. Berrettini, Pietro (called Pietro da Cortona) - Petraglia, Francesco. "Tabulae anatomicae ex archetypis egregii pictoris Petri Berrettini Cortonensis expressae in aes incisae opus chirurgis et pictoribus apprime necessarium alteram hanc editionem recensuit nothas iconas expunxit perpetuas explicationes adjecit Franciscus Petraglia .". Rome: Monaldini, 1788. Large folio (45,5:31,5 cm). XV, (1), 104 pp., XXVII full-page plates (engraved by L. Ciamberlano - monogram on plates I and IV - after Berrettini's drawings; each ca. 38:25 cm). With engraved vignettes on title page and page 1 (depicting surgical procedures) and engraved initial on the same page. Printed on bluish paper. Accompanying text by F. Petraglia. Half-parchment binding from the time with title label on the spine. Binding bumped at the corners. Parchment covering of the spine somewhat soiled. Inside clean and well preserved. The engravings are richly printed.

Condizione: Good. THE BAROQUE ART MANIFESTO4to (200x144 mm). [16], 420, [4] pp. Collation: ?-??4 A-Ee4 Fff6 [?]2. Jesuits' emblem on title page. Woodcut headpieces and initials. Later stiff vellum with inked title on spine. Faded manuscript note and Giuseppe Arconati Visconti purple stamp at the bottom of the title page. Small tear anciently repaired on title page not affecting the text, some light staining and foxing.FIRST EDITION, in the issue with the rare added four pages containing a note of the typographer on the reception of the book (Lo stampatore dopo alcune copie pubblicate del Libro) and a letter in praise of the work, dated May 13, 1652, from the painter Giovanni Francesco Barbieri, called Guercino, which was printed separately and inserted only in a few copies, of this milestone treatise on Baroque painting and sculpture, written together by a Jesuit theologian and a painter. The authors appear in the title with the anagrams Odomenegico Lelonotti and Britio Prenetteri.They provide both a description and a justification of Baroque aesthetics. Emphasizing the importance accorded to image over word and the salvific value of art, Ottonelli points out the theological path towards salvation, while Pietro da Cortona brings his technical skills into play and provides artistic examples to illustrate this path.The very professional role of the two authors perfectly synthesizes the spirit of Baroque, which, in accordance with Counter-Reformation dictates, combines a high religious and moral purpose with the expressiveness and sensuality derived from a genuine cult of the image.This apparently extravagant collaboration between a theologian and a painter should actually be framed in the broader context of the artistic patronage of the time and the role played in it by the Jesuits. The latter were indeed at the center of the cultural life of the seventeenth century, but due to a chronic lack of money they were constantly in search of rich patrons in order to have their churches built and decorated. Just as the Jesuit Gian Paolo Oliva was one of Gian Lorenzo Bernini's closest and most influential friends, so Ottonelli played an important role in Pietro da Cortona's artistic career, for it was he who got him the commission to paint Palazzo Barberini.Giovanni Domenico Ottonelli, a native of Fanano in the Apennines of Modena, entered the novitiate in 1603. He taught rhetoric, was rector in Recanati and Fermo, and from 1640 to his death was director of the Marian Congregation of the artists in Florence. Among his many works is an important treatise on theater, Della cristiana moderatione del theatro (Florence, 1616-49). He died in Florence in 1670.Pietro Berrettini, known as Pietro da Cortona after the name of his hometown, was one of the leading Italian painters and architects of the Baroque period. Active especially during the pontificate of Urban VIII, he designed Castel Gandolfo and was involved in the work of the churches of Santi Luca e Martina, Santa Maria della Pace, and Santa Maria in Via Lata. Between 1633 and 1639 he was responsible for the frescoes that decorates Palazzo Barberini. He was also the author of valuable anatomical plates, published only posthumously in 1741. He died in Rome in May 1669.Melzi, II, pp. 264-265; Italian Union Catalogue, IT\ICCU\RMRE\002076; Cicognara, no. 222, De Backer-Sommervogel, VI, col. 12; Schlosser Magnino, 1967, pp. 616-618; G.D. Ottonelli, Trattato della pittura e scultura, uso et abuso loro, 1652, V. Casale, ed., Treviso, 1973. Book.

Hardcover. Condizione: Very Good. 1st Edition. Two rare suites of engravings depicting Pietro da Cortona s celebrated frescoes in the salone of Palazzo Barberini and the Pitti Palace, then the residence of the Duke of Etro.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1727 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 74 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 74 Volume 137 Language: Italian.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1727 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 78 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 78 Volume 136 Language: Italian.

Condizione: Good. Stipple and line engraving. 49.5 x 34.4 cm. (sheet). Drystamp of the publisher. Very Good. Light foxing in the margin areas. "Storia della pittura dal suo risorgimento in Italia, dimostrata coi monumenti della Reale Galleria di Firenze." OCLC no. 83041262.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1732 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 86 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 86 Volume 165 Language: Italian.

First Edition - Primera edición. Roma, Gio. Jacomo Rossi, s.a. (1680). En gran folio. Medida de las láminas: (desde 485 x 375 a 485 x 750)mm. 16 magníficas láminas grabadas incluyendo la portada, todas plegadas excepto una. [Junto con:] CORTONA, Pietro Berrettini da (inventor). Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit Florentiæ in ædibus Sereniss. Magni Ducis Hetruriæ in tribus cameris Iovis, Martis, et Veneris. Curâ, & sumptibus Ioannis Iacobi de Rubeis, cum Priuilegio Summi Pontificis conccesso Anno MDCXCI. die 22. Octobris. Roma, Io. Iacob. de Rubeis, s.a. (1691). Medida de las láminas: (desde 485 x 375 a 485 x 800)mm. 25 láminas, 10 de ellas plegadas a gran tamaño, grabadas por Gerardin, Bloemart, Spierre, P. Simon, Iac. Blondeau, C. de la Haye, L. Visscher, etc., sobre dibujos de Cortona. 2 obras en un volumen. En gran folio (485 x 375)mm. Encuadernación del siglo XIX en holandesa con puntas, rozada. -I: Serie completa de 16 láminas, incluyendo portada grabada. Las láminas ilustran los frescos pintados por Pietro da Cortona en la Galería de Eneas, el Palacio Pamphili de la Piazza Navona de Roma, entre 1651 y 1654. El príncipe Camilio Pamphili encargó la realización de las láminas a Carlo Cesio, alumno de Cortona, que fueron publicadas por Rossi en 1680. -II: Serie completa de 25 láminas. Falto de portada tipográfica. Las láminas muestran las decoraciones realizadas entre 1641 y 1647 por Pietro da Cortona en el Palacio Pitti, en Florencia, para el Gran-Duque Fernando II. La decoración, ideada por Francesco Rondinelli, muestra al gobernante ideal en varias etapas de su vida (cada etapa gobernada por un planeta). Muy rara reunión de las dos obras que ilustran los frescos realizados por Cortona para decorar los palacios del Príncipe Panfilio en Roma y Pitti en Florenzia. Pietro Berettini da Cortona (1596-1669) fue un pintor italiano del período inicial del Barroco, conocido fundamentalmente por sus frescos. Se puede decir que representa el máximo exponente del arte decorativo del Barroco pleno, haciendo olvidar a artistas anteriores como Giovanni da San Giovanni y oscureciendo a competidores como Giovanni Lanfranco. En 1633-1639, lleva a cabo por encargo del papa Urbano VIII (Maffeo Barberini) su fresco más famoso: Alegoría de la Divina Providencia (conocida como Gloria de los Barberini), que se encuentra en el techo del gran salón del Palacio de los Barberini, en Roma. Ejemplar limpio. Alguna mancha ocasional, generalmente en el margen o al verso. 485x375mm. (19x14¾").

Incisione originale su rame (cm. 25,7x37,5 più margini bianchi) tratta dalle rarissime 'Tabulae anatomicae' stampate in prima edizione da Antonio De Rossi ed illustrate con note da Gaetano Petrioli. Carta vergellata con filigrana. Ottimo stato di conservazione.

Incisione originale su rame (cm. 25,6x37,5 più margini bianchi) tratta dalle rarissime 'Tabulae anatomicae' stampate in prima edizione da Antonio De Rossi ed illustrate con note da Gaetano Petrioli. Carta vergellata con filigrana. Ottimo stato di conservazione.

Incisione originale su rame (cm. 26x38 più margini bianchi) tratta dalle rarissime 'Tabulae anatomicae' stampate in prima edizione da Antonio De Rossi ed illustrate con note da Gaetano Petrioli. Carta vergellata con filigrana. Ottimo stato di conservazione.

Incisione originale su rame (cm. 25,7x38 più margini bianchi) tratta dalle rarissime 'Tabulae anatomicae' stampate in prima edizione da Antonio De Rossi ed illustrate con note da Gaetano Petrioli. Carta vergellata con filigrana. Ottimo stato di conservazione.

Incisione originale su rame (cm. 25,5x37,5 più margini bianchi) tratta dalle rarissime 'Tabulae anatomicae' stampate in prima edizione da Antonio De Rossi ed illustrate con note da Gaetano Petrioli. Carta vergellata. Ottimo stato di conservazione.

Incisione originale su rame (cm. 25,5x37,5 più margini bianchi) tratta dalle rarissime 'Tabulae anatomicae' stampate in prima edizione da Antonio De Rossi ed illustrate con note da Gaetano Petrioli. Carta vergellata con filigrana. Ottimo stato di conservazione.

Incisione originale su rame (cm. 25,5x37,8 più margini bianchi) tratta dalle rarissime 'Tabulae anatomicae' stampate in prima edizione da Antonio De Rossi ed illustrate con note da Gaetano Petrioli. Carta vergellata con filigrana. Un minuscolo foro di tarlo nell'angolo superiore destro, peraltro ottimo stato di conservazione.

Incisione originale su rame (cm. 25,5x37,5 più margini bianchi) tratta dalle rarissime 'Tabulae anatomicae' stampate in prima edizione da Antonio De Rossi ed illustrate con note da Gaetano Petrioli. Carta vergellata con filigrana. Ottimo stato di conservazione.

Incisione originale su rame (cm. 25,5x37,5 più margini bianchi) tratta dalle rarissime 'Tabulae anatomicae' stampate in prima edizione da Antonio De Rossi ed illustrate con note da Gaetano Petrioli. Carta vergellata con filigrana. Ottimo stato di conservazione.

Leather Bound. Condizione: New. Language: Italian. Language: Italian. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1727. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian, Vol:- Volume 137, Pages:- 74, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 137 74 74.

Leather Bound. Condizione: New. Language: ita. Language: ita. Presenting an Exquisite Leather-Bound Edition, expertly crafted by the prestigious organization "Rare Biblio" with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1727. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - ita, Vol:- Volume 136, Pages:- 78, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 136 78 78.

Leather Bound. Condizione: New. Language: ita. Language: ita. Presenting an Exquisite Leather-Bound Edition, expertly crafted by the prestigious organization "Rare Biblio" with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1732. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - ita, Vol:- Volume 165, Pages:- 86, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 165 86 86.

Condizione: 0. Der der Beuteveruntreuung beschuldigte römische Konsul Publius Cornelius Scipio Africanus, wohl mit Frau und Tochter sowie mit zwei seiner Feinde, auf kostbare Gefäße weisend.- Mit halbkreisförmiger Rahmung nach Berrettinis Lünette-Fresko.- Innerhalb des Plattenrandes beschnitten, im unteren Rand fehlt dadurch die Adresse des Verlegers Jacob de Rubeis. 2 Außenecken alt ergänzt, dabei die Anfangsbuchstaben der Signaturzeile von alter Hand ergänzt. Leicht angestaubt.- Berrettini, Pietro (Cortona 1597 - 1669 Rome). Hostium corpora Scipio Ferro vincere vuluit, Animos continentia vincere voluit. Copper engraving by C. Bloemart after Berrettini for de Rubeis. Rome, c. 1660. 21 x 30.5 cm. The Roman consul Publius Cornelius Scipio Africanus accused of embezzlement, probably with wife and daughter as well as with two of his enemies, pointing at precious vessels - With semicircular framing after Berrettini's lunette fresco - Trimmed within the platemark, thus missing the address of the publisher Jacob de Rubeis in the lower margin. 2 outer corners added by old, the initial letters of the signature line added by old hand. Slightly dusty. Sprache: Deutsch Gewicht in Gramm: 500.