Bidaut jayne hinds (24 risultati)

Hardcover. Condizione: Very Good. No Jacket. Classic ferrotype studies for nude figures and insect. Photographs and comments with poetry included by Jayne Hinds Bidaut. No dust jacket as issues. Titles on the spine and cover rubbed. Block as new.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. This book is in very good condition; no remainder marks. Dustjacket does have some shelfwear; corner bump to bottom corner. Inside pages are clean. ; Southwestern & Mexican Photography Series, Wittliff Collections at Texas State University-San Marcos; 12.10 X 10.20 X 1.10 inch; 192 pages.…

Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 180pp., with essay by John Wood, blue cloth, gold lettering on spine, corners slightly bumped, jacket intact, slight wear and creasing to corners, internally crisp and clean. A very good copy. Size: 12.25" x 10". Art.

Hardcover with dustjacket; 192 pages, very good condition small crimp to dj at top of spine; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. Tall black hardcover with gold-color lettering on spine, 192 pp., jacket with illustrations on front and rear panels. A book with minimal wear, unmarked, tight binding. Jacket with very light wear on top edges and minor scratch on spine in nice condition overall. Jayne Hinds Bidaut is a native Texan. Her inventive photography has been exhibited throughout the world and has been acquired by numerous prestigious institutions. ** This folio-size book weighs 4 lbs (1.8 kg). Extra charges for priority and international shipping.**.…

Hardcover. Condizione: Good. Condizione sovraccoperta: Good w/Protective Cover. First Edition. Text is clean and tight in binding, no ownership or other markings. Size: Folio - over 12" - 15" tall.

Hardcover. Condizione: Fine. First Edition. First Edition. Fine as issued without dustjacket. Essay by Eugenia Parry. A beautiful production with ribbon marker. Book.

4°, Leinen. 223 pp. Red cloth with with inlaid tintype on front cover. A good copy. Sprache: Englisch Gewicht in Gramm: 1550.

Hardcover. Condizione: Fine. No Dust Jacket as Issued. 1st. Edition, 1st. Printing 1999, Red cloth hardcover with tipped-on photo plate to the front cover, 223 page book.Illustrated with full page toned black & white images by the artist. Condition : Fine. Size: 4to - over 9¾ - 12" tall. Book.

Hardcover. Condizione: Fine. Condizione sovraccoperta: No dust jacket as issued. 1st Edition. First edition, first and only printing. Hardcover. Fine red cloth, with debossed title and tipped-in plate on front cover, with a black woven book mark sewn in, no dust jacket as issued. Photographs by Jayne Hinds Bidaut, including images from the series Academy Figures, Insects and Stereo Nudes. Text by Eugenia Parry. Also includes brief biographies of Bidaut and Parry. 224 pp. (cut to rounded-edges) with 107 four-color plates. 10-1/4 x 7-3/4 inches. Fine (very slight rubbing to debossed author's name on spine, else fine). From the publisher: "Reviving the lost art of tintype, Bidaut is the only woman working successfully in this medium. Publishing on the heals of her fisrt sold out exhibition in New York, Jayne Hinds Bidaut's photographs portray two studies: one of rare and exotic insects, the other of classically posed and draped nudes.".…

Hardcover. Condizione: New.

Hardcover. Condizione: Fine. No Jacket. Original red cloth in publisher's black clamshell box. Signed by author on title page, but lacking the original tintype by Bidaut which was signed and numbered by her. A tiny bit of loss to lettering on spine, otherwise Fine. Some shelf rubbing to box. Signed by Author(s).…

Condizione: Wie neu. 4°. 27 x 20 cm. 223 (1) Seiten. Original-Leinenband. 1. Auflage. Englischsprachige Ausgabe. Mit zahlreichen Schwarz-Weiß-Fotografien. Neuwertiges Exemplar. First edition. English language edition. With many photographs in b/w. Original cloth binding. Mint copy.

Hardcover. Condizione: Very Good. Graphis Inc., New York, NY (1999). First and only printing. Fine red cloth with tipped-in plate on front cover, with a black woven book mark sewn in; original mylar cover has protected the boards but lettering on spine is worn. 224 pages (cut to rounded-edges) with 107 four-color plates. No internal markings except for a small pencilled poem on the rear dedication page (which may have some association value). NOT ex-library. Book.…

Condizione: Very Good.

Hardcover. Condizione: New.

Hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

Condizione: gut. 1999. Tintypes. Essay by Eugenia Parry. Book design by Massimo Acanfora, B. Martin Pedersen. Editor: Nicole Ray. Production: Dana Shimizu. In deutscher Sprache. pages.

Hardcover. Condizione: Fine. Condizione sovraccoperta: No Dust Jacket as Issued. 1st Edition. SIGNED LIMITED EDITION with a TINTYPE, 91 of 100 copies. Signed by the photographer, Jayne Hinds Bidaut, on title page; includes original tintype of Acridoxena sp. (Crown-of-Thorns Katydid). The original tintype is mounted on paper attached to the inside of the box;the paper is signed and numbered by Bidaut. Black-stamped red cloth with pictorial onlay; housed in black cloth clamshell box. Note: the actual tintype is darker than what is shown in this listing. Signed by Author(s).…

Hardcover (Original Cloth). Condizione: Fine. No Dust Jacket. First Edition. BIDAUT, JAYNE HINDS. Tintypes, No. 45 of an edition of 100, quarto, Graphis, 1999, pp. 224, red cloth boards in a black cloth-covered wooden clamshell box, essay by Eugenia Parry, with a dedication by the artist and an original tintype of a butterfly (2.5x3.5 inches) signed by the artist. Fine in scuffed clamshell.A mostly forgotten phenomenon, the tintype is a thin piece of sheet iron enameled black or brown-black with a collodion coating to hold an image. It was the first photographic process that was widely available to anybody, with itinerant practitioners of the art selling their work for little money. The tintype brought the first instances of people mugging and generally making fools of themselves in front of a camera, so it is interesting to come upon a serious artist working in this mediumIn her explanatory essay, Parry takes us through the thinking that brought Bidaut to the tintype as her means of expression. "Modern chemistries wouldn't do. . She chose ferrotype (also called tintype) in which 'The Dark - felt beautiful-,' for the dusky shadings of the process impart to everything captured the aura of perpetual twilight. . Returning to ferrotype, photographically retrograde, was also an act of deliberate preservation 'against the strange disease of modern life.' "The book is largely made up of toned and color plates reproducing Bidaut's work: academy figures, insects and stereo nudes. Bidaut's hand-written inscription on the last page says: Dec. 23, 1999 This book is dedicated to my parents - without whom none of this would have been possible and in celebration of their fiftieth wedding anniversary. Jayne Special Limited Edition, first issue in this format. Size: Quarto. 224. Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. All edges clean, neat and free of foxing. Quantity Available: 1. Shipped Weight: 2-3 kilos. Category: Photography; United States; 1990s; Art & Design. ISBN: 1888001798. ISBN/EAN: 9781888001792. Pictures of this item not already displayed here available upon request. Inventory No: 50520.…

Condizione: leido. tela roja, fotografia. idioma ingles 220.

Hardcover. Condizione: Good + to fine condition. Limited edition. 49/100. Signed Jayne Hinds Bidaut on title page and on limitation page underneath original tintype laid to printed limitation leaf of handmade paper, pasted to inside back cover of clamshell box; stiff, transparent tissue guard laid in. Quarto. 223 (1)pp. Original red cloth with offset reproduction of tintype laid to debossed square of cover, black lettering on cover and spine, blind-stamped publisher's name; housed in black cloth blind-stamped clamshell box. Black endpapers and ribbon marker. With facsimile of handwritten dedication to her parents at rear. "Jayne Hinds Bidaut is a contemporary American fine artist who lives and works in New York and Connecticut. Jayne is best known for mastering the once antiquated process of the tintype. Her fine art monograph, Tintypes, Jayne Hinds Bidaut (1999), encompasses 108 images from her "Academy Figures", "Insects", and "Stereoscopic Nudes" series." (Joseph Bellows Gallery). Notes relating to the essay, short biographical statments and acknowledgments at rear. Clamshell box rubbed, else in fine condition.…

Hardcover. Condizione: New. Condizione sovraccoperta: No Dust Jacket as Issued. 1st Edition. Museum edition, six separate books, with 75 free standing prints. 21st Editions released 6 volumes of The Journal of Contemporary Photography (from 1998 to 2003). Each volume of this museum edition features images from many of the world's most highly respected contemporary photographers and criticism, poetry, and fiction from many of the world's most acclaimed writers. The Museum Editions contain original hand-pulled photogravures and color planographs (waterless lithographs) that illuminate the essays and commentaries found in each book. The Museum Editions are bound in Moroccan goatskin, Japanese silks and Italian fabrics, and are cased in a matching portfolio box. They are fully signed on the limitation page by the artists included in each volume. Each book measures approximately 15.25 x 13.75 inches and the clamshell box measures approximately 16.875 x 14.75 inches. In addition, The Museum Editions are accompanied by a portfolio that includes an additional set of unbound, individually signed photogravures and planographs, allowing the collector the opportunity to frame and display all the fine prints included in each volume. The six volumes are: Volume 1 - EditionXIV/L (14 of 50). The book is signed by the following artists whose work is featured in the book: Bernard Faucon, Michael Kenna, Holly Wright, Luis Gonzales Palma, Keith Carter, Duane Michaels, Steven Albahari, Mark Klett, Sandy Skoglund, Jock Sturgis, Ernestine Ruben, Willie Middlebrook, John Metoyer, Olivia Parker, Leonard Baskin, and Patrick Bailey-Maitre-Grand. The matching portfolio contains 16 fully signed, free-standing photogravures and woodcut. Volume 2 - Edition XXVII/L (27 of 50). The book is signed by the following artists whose work is featured in the book: Adam Fuss, Jaume Blassi, Bill Jacobson, Joyce Tenneson, Kenro Izu, Vik Muniz, Cy DeCosse, John Dugdale, Tom Baril, Joan Fonteuberta, Arthur Tress, Robert ParkeHarrison, and Sheila Metzner. The matching portfolio contains 15 fully signed, free-standing photogravures. Volume 3 - Edition XXXVII/L (37 of 50). Signed by John Dugdale and features the following: Annunciation, Christ Out Liberator, The Clandestine Mind, I Could Not See To See, Longing, Mourning Tulips, Wonder Stings Me More Than Bee, and Three White Peaches. The matching portfolio contains 7 fully signed, free-standing photogravures. Volume 4 - EditionXXX/L (30 of 50). Signed by Cy Decosse and features the following: King of the Night, Sunflower, Fritillaria, Cultered Pearl, Squash, Flowers & Dill, Water Lilly, Tuscan Lemons, and Queen of the Night. The matching portfolio contains 7 fully signed, free-standing photogravures. Volume 5 - Edition XXIV/L (24 of 50). Signed by the following artists whose work is featured in the book: Sally Mann, Michal Macku, Connie Imboden, Vincent Serbin, Sheila Metzner, Andrea Modica, Josephine Sacabo, John Metoyer, David Levinthal, Stephen Berkman, Kelly Grider, Keith Carter, Christopher Pekoe, and Don Gregorio Anton. The matching portfolio contains 14 fully signed, free-standing photogravures. Volume 6 - Edition XIVI/L (14 of 50). Signed by the following artists whose work is featured in the book: S. J. Staniski, Carol Munder, Toni Catany, Brigitte Carnochan, Wouter Deruytter, Robert Stivers, Don Hong Oai, Jayne Hinds Bidaut, Ariane Lopez-Huici, Tony Catany, Christopher Bucklow, Flor Garduno, Greg Gorman, Dimitris Yeros, Jerry Spagnoli, and Phillip Trager. Volume 6 comes with an additional signed and numbered book (3 total pieces as published). The matching portfolio contains 16 fully signed, free-standing photogravures. The books and clamshell boxes are in MINT condition and are still housed in the cardboard shipping cartons. Images of the actual book will be provided upon request. Signed by Author(s).…

Condizione: Near Fine. 1st Edition. First edition. Signed on title page; includes original tintype [edition 37 of 100] The original tintype is mounted on paper attached to the inside of the box; the paper is signed and numbered by Bidaut. 224 pp. [107 four-color plates from Bidaut's "Academy Figures", "Insects", and "Stereoscopic Nudes" series]. 4to. Publisher's red cloth, photo tipped onto covers; fine. In black cloth drop box with very light shelf wear, else a near fine copy 224 pp. [107 four-color plates from Bidaut's ?Academy Figures?, ?Insects?, and ?Stereoscopic Nudes? series]. 4to First edition. Signed on title page; includes original tintype [edition 37 of 100] The original tintype is mounted on paper attached to the inside of the box; the paper is signed and numbered by Bidaut. Signed.…