boto martha (12 risultati)

Paperback. Condizione: Very Good. 1st Edition. 1st Edition. Paperback. Text in French. Wrappers show some minor shelf wear, otherwise in very good condition.

Softcover; 32 pages; in French; very good condition; light rubbing to covers; no internal marks. (Blank black spine) Foreign shipping may be extra.

252 pp.; 23.5 x 22 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue / quasi catalogue raisonné published in conjunction with show held at Deichtorhallen Hamburg, September 2 - October 30, 1994. Texts by Zdenek Felix, Stefan Germer, Claus Pias and Katerina Vatsella. Documents, in depth, multiples produced by Editionen MAT, Richard Artschwager, Joseph Beuys, Claes Oldenburg, as well as multiples by Arman, John M. Armleder, Hans Arp, Enrico Baj, Stephan Balkenhol, Guillaume Bijl, Ross Bleckner, Barbara Bloom, Bernhard Johannes Blume, Alighiero Boetti, Davide Boriani, Martha Boto, Louise Bourgeois, George Brecht, Marcel Broodthaers, Werner Büttner, Pol Bury, John Cage, Mario Ceroli, Christo, Chryssa, Hanne Darboven, H.R. Demarco, Jessica Diamond, Mark Dion, Marcel Duchamp, Maria Eichhorn, Hans-Peter Feldmann, Robert Filliou, Ian Hamilton Finlay, Peter Fischli & David Weiss, FLATZ, Sylvie Fleury, Günther Förg, Lucio Fontana, Katharina Fritsch, General Idea, Karl Gerstner, Jochen Gerz, Piero Gilardi, Felix Gonzalez-Torres, Rodney Graham, Richard Hamilton, Georg Herold, Damien Hirst, Ottamar Hörl, Rebecca Horn, Ilya Kabakov, Allan Kaprow, Mike Kelley, Jon Kessler, Herbert Kiecol, Martin Kippenberger, Yves Klein, Milan Knizak, Imi Knoebel, Jeff Koons, Joseph Kosuth, Sean Landers, Louise Lawler, Annette Lemieux, Julio Le Parc, Sherrie Levine, Sol LeWitt, Roy Lichtenstein, Heinz Mack, Piero Manzoni, Hans-Jörg Mayer, Paul McCarthy, Olaf Metzel, John Miller, François Morellet, Matt Mullican, Maurizio Nannucci, Bruce Nauman, Daniel Oates, Markus Oehlen, Dennis Oppenheim, Tom Otterness, Nam June Paik, Blinky Palermo, Panamarenko, Giuseppe Penone, Dan Peterman, Lucio Del Pezzo, Sigmar Polke, Man Ray, Patrick Raynaud, Larry Rivers, Mimmo Rotella, Dieter Roth, Gerhard Rühm, Allen Ruppersberg, Reiner Ruthenbeck, Niki de Saint Phalle, Icolas Schoeffer, Cindy Sherman, Robert Smithson, Francisco Sobrino, Jesus Raphael Soto, Daniel Spoerri, Klaus Staeck, Haim Steinbach, Paul Talman, Joe Tilson, Rirkrit Tiravanija, Lincoln Tobier, Rosemarie Trockel, Richard Tuttle, Günther Uecker, Meyer Vaisman, Gregorio Vardanega, Victor Vasarely, Villeglé, Wolf Vostell, Jeff Wall, Franz Erhard Walther, Lawrence Weiner, Tom Wesselmann, Bill Woodrow, Jean Pierre Yvaral, Peter Zimmermann and Heimo Zobernig. Includes bibliographies for each artist. Texts in German. Very Good. Light rubbing corners with light dust soiling of covers, spine and text block edge. Contents are clean and unmarked. Due to large size and weight of this publication additional shipping charges will be required for international orders.

Pictorial black wrappers. Very slight wear, fine. With pencil sketches by Swedish artist Jan Brazda to inside rear cover. Paris 1969. Square 8vo. [32] pp. With a list of 45 exhibits, several illustrated in black & white. Exhibition catalogue. Martha Boto was an Argentinian artist, co-founder of the Group of Non-Figurative Artists of Argentina. She is considered to be a pioneer of kinetic and programmed art.

Brossura. Condizione: Ottimo (Fine). Plaquette della mostra alla Galerie Denise René di Parigi, 11 febbraio - 20 marzo 1969. Testo di Michel Ragon. Con 25 fotografie in bianco e nero in tavole fuori testo e 8 piccole illustrazioni in bianco e nero (Multipli). Elenco delle opere. Biografia. Volume in lingua francese . 8vo. pp. 32 non numerate. . Ottimo (Fine). . . . Seconda esposizione personale di Martha Boto a Parigi dopo quella del 1964 alla Maison des Beaux-Arts. Book.

Paperback. Condizione: Near fine. Book. 265 x 210 mm, 70 pp., invisible bound printed wraps - with a front cover image of Alexander Schoffer's Chronus sculpture. Printed by the Highbury Press, London; typographical design by Philip Steadman. Features: an essay by Frank Popper entitled 'Kinetic Art - Yesterday, Today and Tomorrow', extensively illustrated with works by Vasarely, Tomasello, Tinguely, Kosice, Von Graevenitz, Alexander Calder, Kenneth Martin, Nino Calos, John Healey, Sandu Darie, Frank Malina and Agam; text by Stephen Bann entitled 'Colour Music'; an essay by Reg Gadney entitled 'Aspects of Kinetic Art and Emotion', with 'lumidyne' works by Frank Malina featured alongside the text, as well as 'Spatiodynamic' works by Nicolas Schoffer, and works by Joel Stein, GRAV, Andree Dantu and Martha Boto. The final essay by Stephen Bann is entitled 'Unity and Diversity in Kinetic Art', which focusses on the work of GRAV, Vardanega, Agam, Carlos Cruz-Diez, Auguste Herbin, Victor Vasarely and Francois Morellet. Condition: Near fine.

Soft cover. Condizione: Very Good. 1st Edition. Superb copy of a well done and thorough magazine on kinetic art and concrete poetry. One page dog-eared else excellent with slightest handling and shelfwear.

Paperback. Condizione: Near fine. Book. 265 x 210 mm, 64 pp. in printed stapled wraps. Front cover image ('Portrait of Andree Dantu by Richard Hardwick: three phases of a Dantu polaroid light mobile') in colour, contents illustrated with both colour and b/w images. Three issues of Image (usually a 'careers' magazine for young graduates) were effectively taken over by important Cambridge academics of the day, all with a specific interest in concrete poetry and kinetic art: Philip Steadman, Stephen Bann and Reg Gadney. The issues of Image dedicated to kinetic and concrete poetry were particularly noteworthy for their commitment to translation and reprinting 'lost' texts, an imaginative use of layout and photography, and enlightening academic essays on their given subjects. This particular issue is entirely dedicated to kinetic art and concrete poetry (as the title suggests), and the editorial (which is idiosyncratically placed in the middle of the publication) reads: 'This issue of IMAGE is largely devoted to Kinetic Art: art, that is, incorporating real movement as opposed to the painted or static illusion of movement.' It is illustrated with a photograph of the editors and contributors - Stephen Bann, Reg Gadney, Frank Popper, Phil Steadman and Citroen - strolling through Paris. The issue features an essay by the concrete poetry specialist Stephen Bann, entitled 'Communication and Structure in Concrete Poetry', which comes with a reprinted letter from Ian Hamilton Finlay to Pierre Garnier, dated September 17th 1963. Translated by Bann are extracts from 'Manifesto for a new poetry, visual and phonic' by the concrete poet Pierre Garnier: 'The word is an element. / The word is a material. / The word is an object.' Also included in this section is a manifesto by Eugen Gomringer, entitled 'from line to consideration', and translated by Mike Weaver. It was 'first printed in augenblick no 2 agis verlag baden-baden 1954'. Works by Augusto de Campos, Ronaldo Azeredo, Decio Pignatari and Haraldo de Campos are also reprinted here. The second academic essay featured is a text by Mike Weaver entitled 'Concrete and Kinetic: the poem as Functional Object', which is illustrated with reproduced typestracts by Dom Sylvester Houedard. Also featured is a text by the editor Philip Steadman, entitled 'Colour Music and the Art of Lumia, and an essay by Reg Gadney entitled 'An Introduction: Kinetic Art', which is illustrated with images of works by Alexander Calder and Alexander Schoffer's Chronus sculptures. There are artist profiles of Frank Malina (by Reg Gadney); Gregoria Vardanega (by Stephen Bann); Martha Boto (by R.G); J-M. Cruxent (by S.B); Andree Dantu (by R.G); Knud Hvidberg and William Soya (by R.G); Nino Calos (by R.G). Condition: near fine (contents fine minor rubbing to covers).

Présentation par Michel Ragon. Catalogue de l'exposition présentée à Paris à la Galerie Denise René du 11 février au 20 mars 1969. Un volume (21x21 cm) broché, (36) pages sur papier couché. 34 photographies des sculptures de Martha Boto hors texte par André Morain. Liste des oeuvres exposées. Très bon état. Livres.

Paris, 5. IV. 1965, Fol. 1 Seite. An den Kunsthändler Carl Laszlo (1923-2013), schickt ihm verschiedene Arbeitsproben mit der Aussicht auf eine Zusammenarbeit. - Boto war Mitbegründerin der Gruppe der "Nichtfigurativen Künstler Argentiniens". Sie gilt als Pionierin der kinetischen und programmierten Kunst, ist berühmt für ihre Plexiglas-Skulpturen, später experimentierte sie z.B. auch mit Elektromotoren. 1956 trat sie der Künstlergruppe "Arte Nuevo" (Konkrete Kunst) bei. 1959 zog sie nach Paris, im selben Jahr die erste Teilnahme an der Biennale de Paris.

First edition, first printing. Folded unbound leaves in card covers, as issued. Illustrated throughout with black and white photographs of the artists and their work. A very good copy, the covers firm with a little creasing to the spine tips and toning to the spine and panel edges. The contents, with the pencilled ownership inscription of James Booth (former Professor of English at the University of Hull and biographer, editor and former colleague of Philip Larkin) on the inside front cover and occasional foxing spots or toning to the margins, are otherwise clean and bright. An unusual catalogue for an exhibition on kinetic art which was curated by Theo Crosby and Caroline Tisdall at the Hayward Gallery in London, 25th September - 22nd November 1970, and featured a wide range of both established and emerging artists who were engaging with kinetic art in many varied ways. The novel and unfixed nature of the binding cleverly incorporates the theme of the exhibition into the catalogue. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

Sin Encuadernar. Condizione: Muy bien. MARTHA BOTO (1925 - 2004) - Serigrafía original firmada y numerada al dorso: 45 / 100. Medidas: 40 x 30 cms. Serigrafía impresa por ANFA (Artistas no figurativos argentinos) en 1956. Firmado por el autor.