waldemar cordeiro (8 risultati)

Softcover, staple-bound, 48 pages, in English; very good condition, light wear to covers, no internal marks. Foreign shipping may be extra.

Mit zahlr. Abb. Geheftet. Condizione: Gut. 47 S. Ein gutes und sauberes Exemplar. - WALDEMAR CORDEIRO & FRANZ MON Tobi Maier -- FORMS UNKNOWN: ON WALDEMAR CORDEIRO'S EARLY THEORY AND PRACTICE OF ABSTRACTION Adele Nelson -- A TECHNOLOGICAL DIFFERENCE, NOT A DIFFERENCE OF METHOD. -- WALDEMAR CORDEIRO AND THE NEW TENDENCIES Margit Rosen -- THE RUPTURA GROUP MANIFEST -- WALDEMAR CORDEIRO Luis Perez-Oramas -- ABOUT CONCRETE POETRY (1969) Franz Mon -- FRANZ MON An Interview with Tobi Maier -- OTHER WAYS OF READING Jonas (J) Magnusson and Cecilia Grönberg. ISBN 9783940064196 Sprache: Englisch Gewicht in Gramm: 198.

Encuadernación de tapa blanda. Condizione: Regular. Buenas condiciones. Wears to front covers and general handling marks. Creases to the corners. Textos críticos y manifiestos históricos. Algunos en portugués otros en castellano.

Condizione: Neu. Waldemar Cordeiro & Franz Mon | Franz/Cordeiro, Waldemar Mon | Broschüre | 48 S. | Englisch | 2011 | Spector Books OHG | EAN 9783940064196 | Verantwortliche Person für die EU: Spector Books OHG, Jan Wenzel, Harkortstr. 10, 04107 Leipzig, wenzel[at]spectorbooks[dot]com | Anbieter: preigu.

Encuadernación de tapa blanda. Condizione: Como Nuevo. Edição Facsimilar do catálogo da mostra Projeto Construtivo Brasileiro na Arte. 356 páginas. Acompanha uma pequena separata com textos de Aracy Amaral, Ivo Mesquita e Claudio Filus.

Encuadernación de tapa dura. Condizione: Bien.

Softcover. Condizione: Very good condition. First edition. Square Octavo. (8 1/4"). 70pp. Original color illustrated white wraps with red and gray lettering on cover, protected by modern mylar. Project Arte Brasileira. Designed by Paula Nogueira. With texts by Neto, Codeiro and Gullar. Illustrated with twenty-three full page color and b/w reproductions of artworks with accompanying text on facing pages. Includes work by Abraham Palatnik, Ivan Serpa, Almir Mavifnier, Mary Vieira, Waldemar Cordeiro, Antonio Maluf, Luis Sacilotto, Geraldo de Barros, Kazmer Fejer, Lothar Charoux, Judith Lauand, Hermelindo Fiaminghi, Franz Weissmann, Lygia Pape, Décio Vieira, Lygia Clark, Hélio Oiticica and others. "The Brazilian art project presents a new perspective of exhibitions. It is important to note that the didactic procedure often tends to play a role of almost reducing the living potential of the works, by submitting them to a 'simplified' or 'accessible' view. This overview of Brazilian art, which covers from Academicism to the present day in the form of illustrative panels and critical-conceptual texts for each work, offers to the spectator the most significant examples of Brazilian art, so that he, the spectator, will be able to stop at each module and observe the passages and developments of the language of art. This dynamic and comprehensive form of information is intended to bring the viewer closer to the work, arouse their curiosity for the rich and original repertoire of Brazilian art. Like a book, its modules are like chapters that a reader devours and absorbs. This is, therefore, a historical and rigorous reading that, fulfilling its program of progressive and wide itinerancy to the largest possible number of Brazilian cities, for a period of three consecutive years, will meet the demand for information on the subject, until today very lacking." (Introduction) Text in Portuguese. Some light foxing of wraps. Block with light age-toning along edges, not affecting images.

Waldemar Cordeiro, Hércules Barsotti, José Lino Grünewald, Ronaldo Azeredo, Paulo Leminski, Pedro Xisto, Ferreira Gullar, Edgar Braga, Augusto de Campos, Haroldo de Campos, Décio Pignatari y Luís Sacilotto. (illustratore). Augusto de Campos, Haroldo de Campos e Décio Pignatari. Invençao. Revista de Arte de Vanguarda. São Paulo, Edições Invençao, 1962 - 1967. Con dedicatoria de Augusto de Campos. Revista completa en 5 números. Invenção: Revista de Arte de Vanguarda (1962-1967) fue el órgano oficial de difusión del grupo Noigandres y el principal vehículo para la internacionalización de la Poesía Concreta brasileña. Considerada una de las revistas más importantes de la vanguardia poética latinoamericana del siglo XX. Invenção ayudó a consolidar el movimiento de la poesía concreta en Brasil y se convirtió en un punto de referencia para la renovación estética en la literatura y las artes visuales en los años 60. Algunos de los artistas colaboradores: Waldemar Cordeiro, Hércules Barsotti, José Lino Grünewald, Ronaldo Azeredo, Paulo Leminski, Pedro Xisto, Ferreira Gullar, Edgar Braga, Augusto de Campos, Haroldo de Campos, Décio Pignatari y Luís Sacilotto.