Delahaut jo (23 risultati)

29 S. Kartoniert. Sauberes Exemplar ohne Stempel und Anstreichungen. Mit zahlreichen Abbildungen und Tafeln. Unaufgeschnittene Seiten. Einband minimal fleckig. Gut erhalten. Sprache: deu.

softcover. Condizione: Sehr gut. 43 S. Besitzvermerk im Vorsatz. Sprache: Deutsch Gewicht in Gramm: 129.

27 x 21 cm. Condizione: Gut. 98 Seiten ; Überwiegend mit Illustratioen Softcover, Broschur in sehr gutem Zustand, innen wie außen. Bitte beachten Sie unsere Bilder. MIG-07-06C Sprache: Deutsch Gewicht in Gramm: 400.

No 103 out of 333 copies. Paper cover, with see-through dust jacket. 14x11,5 cm. 41 p, ills. -(Some spotting on the front board, but otherwise the booklet is in very good condition.).

Condizione: Good. First Edition. Jo DELAHAUT | ST 115 | Year: 1975 | Medium: screenprint - sérigraphie | Dimensions: 65 × 50 cm | Image Size: 60 × 32 cm | Support: Arches paper - papier Arches | Signature: signed and numbered in pencil - signé(e) et numéroté(e) au crayon | Edition: 300 copies | Editor: Galerie Marguerite Lamy | Catalogue Raisonné: Palm 115 | Condition: in very good condition - en très bon état | Jo DELAHAUT's work "ST 115" from 1975 is a screenprint on Arches paper. It measures 65 × 50 cm. It is signed and numbered in pencil. From an edition of 300. It is referenced as Palm 115 in the catalogue raisonné. | Keywords: Abstract art, Geometric abstract - Art abstrait, Abstrait construit. Jo DELAHAUT (illustratore).…

29 S., 1 Bl. Mit zahlr. ganzs., teils farb. Abb. 8°, illustr. Orig.-Broschur. Ausstellungskatalog (26. Januar-28. April 1979). - Gut erhalten. 800 gr.

weicher Einband. . Broschur, 97 Seiten, 4°. * sehr geringe Gebrauchsspuren am Einband, ansonsten guter Zustand (K38). 400 gr.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. 8° - 16pp - 24 B/w reproductions. Monograph on Jo Delahaut (1911-1992) Belgian painter, one of the key figures of geometric abstraction. First edition, text in French language, captions in French and Flemish. Original boards and dust-jacket. Slightly shading in the upper part, otherwise in very good condition. …

Soft cover. Condizione: Very Good. German-French-Dutch.

Soft cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Hard to find monograph on Jo Delahaut.  Published for an exhibition at PMMK, Ostend (16 December 1989 - 12 February 1990) and Musée de l'Art wallon, Liège (23 March - 22 April 1990). With a great bibliography (citing only one other monograph), reproductions in color and black and white and photographs of Delahaut in and of his studio. A very good copy. Softcover, 30 x 25 cm, 216 pages, illustrated throughout in color and black and white. Dutch/French/German.…

No. 68 of 100 copies, signed by the artist. 6 double pages abstract colour silkscreen prints with large printed text with title page and colophon. Folio, loose as issued in yellow paper wrapper in a purple cloth covered chemise and green cloth slipcase with EF. printed on the cover. In excellent condition. The painter Jo Delahaut (1911-1992) is one of the pivotal figures of the geometric abstraction in Belgium. He was born in Lià ge and studied at the local Art Academy. After an exhibition in Charleroi (1942), he makes his first abstract works and within La Jeune Peinture Belge group show in 1947 he is the only representative of abstract art. Under the influence of the work by Auguste Herbin, he moved increasingly towards the geometric abstraction. In 1952, he established Belgian art circle Art Abstrait along with Pol Bury, Jean Milo, Georges Collignon and Albert Saverys, among others, and became one of the most emblematic figures of so-called "geometrical abstraction". Subsequently, Delahaut established Art abstrait-Formes (1956) and Art Construit (1960). With Bury, he writes the manifesto La Spatialisme in 1954. One of his last major retrospective exhitions was held in the Musà e d'Art wallon in 1990. In this publication, illustrated with double page geometrical abstract silk prints, he publishes some of his ideas about abstract art and the relation between the artist and his art.…

No. 63 of 100 copies. 6 double page abstract colour serigraphs or silkscreen prints by Jo Delahaut with his large printed text with title page and colophon. Folio, loose as issued in yellow paper wrapper in a purple cloth covered chemise and green cloth slipcase with EF. printed on the cover. In excellent condition. The painter Jo Delahaut (1911-1992) is one of the pivotal figures of the geometric abstraction in Belgium. He was born in Lià ge and studied at the local Art Academy. After an exhibition in Charleroi (1942), he makes his first abstract works and within La Jeune Peinture Belge group show in 1947 he is the only representative of abstract art. Under the influence of the work by Auguste Herbin, he moved increasingly towards the geometric abstraction. In 1952, he established Belgian art circle Art Abstrait along with Pol Bury, Jean Milo, Georges Collignon and Albert Saverys, among others, and became one of the most emblematic figures of so-called "geometrical abstraction". Subsequently, Delahaut established Art abstrait-Formes (1956) and Art Construit (1960). With Bury, he writes the manifesto La Spatialisme in 1954. One of his last major retrospective exhitions was held in the Musà e d'Art wallon in 1990. In this publication, illustrated with double page geometrical abstract silk prints, he publishes some of his ideas about abstract art and the relation between the artist and his art.…

No. 46 of 100, signed by Delahaut. 6 double page abstract colour serigraphs or silkscreen prints by Delahaut, printed by his pupil Bernard Villers, large printed text with typography by Jacques Everard with title page and colophon. Folio, loose as issued in pink paper wrapper in a red cloth covered chemise and blue cloth slipcase with AB. printed on the cover. In excellent condition In this publication, illustrated with double page geometrical abstract silk prints, he publishes some of his manIfesto and ideas about abstract art and the relation between the artist and his art. The painter Jo Delahaut (1911-1992) is one of the pivotal figures of the geometric abstraction in Belgium. He was born in Lià ge and studied at the local Art Academy. After an exhibition in Charleroi (1942), he makes his first abstract works and within La Jeune Peinture Belge group show in 1947 he is the only representative of abstract art. Under the influence of the work by Auguste Herbin, he moved increasingly towards the geometric abstraction. In 1952, he established Belgian art circle Art Abstrait along with Pol Bury, Jean Milo, Georges Collignon and Albert Saverys, among others, and became one of the most emblematic figures of so-called "geometrical abstraction". Subsequently, Delahaut established Art abstrait-Formes (1956) and Art Construit (1960). With Bury, he writes the manifesto La Spatialisme in 1954. One of his last major retrospective exhitions was held in the Musà e d'Art wallon in 1990.…

Paperback. Condizione: As New.

98 Seiten u. eine Beilage. Mit zahlreichen teils farbigen Abbildungen. Farbig illustrierte Originalbroschur. 27x21 cm * Jo Delahaut (Vottem, 22 juillet 1911 - Schaerbeek, 20 février 1992) est un artiste belge. Il est une des figures emblématiques de l'abstraction géométrique en Belgique. Formé à l'académie des beaux-arts de Liège, il est l'élève d'Auguste Mambour (1928-1934). Docteur en histoire de l'art de l'Université de Liège, il commence à peindre en 1940 des toiles expressionnistes. Influencé par le style du peintre Auguste Herbin, il construit des formes géométriques statiques dans lesquelles, dans un premier temps, la couleur des surfaces joue le rôle principal. Il devient en 1946-47, le seul peintre à aborder l'abstraction avec un radicalisme inconnu jusqu'alors. Au fil des années, son ½uvre s'épure et on peut dire qu'elle équivaut aux ouvrages américains du « hard edge » et du « minimalisme ». Sociétaire du Salon des réalités nouvelles à Paris en 1946, membre de la Jeune Peinture belge à Bruxelles en 1947, aux côtés de Mig Quinet (1906-2001), Louis Van Lint (1909-1986), Gaston Bertrand (1910-1994), Marc Mendelson (1915-2013), Anne Bonnet (1908-1960), membre fondateur du groupe belge Art Abstrait en 1952, il est coauteur en 1954 du Manifeste spatialiste, avec Pol Bury (1922), entre autres. Son abstraction géométrique était un moyen d'éveiller les mécanismes de l'activité intellectuelle, un métalangage adressé à l'esprit. Nourrissant l'ancestral rapport dialectique entre la forme et la couleur, il utilise la géométrie plane dans son travail car elle est, dit-il : « la plus représentative de l'homme (.). Elle ajoute à la clarté d'un exposé, elle est lisible, compréhensible intuitivement même par ceux qui en ignorent la théorie ». Delahaut écrit énormément sur l'art parce qu'il n'y a dans sa pratique aucune habitude, aucune répétition. Le peintre est un poète usant du champ des couleurs pour dilater le temps et l'espace, coïncider avec ce sentiment d'infini qui est objet de la poésie. Son art est parlant par sa simplicité, sa sensibilité au dynamisme et à l'harmonie des couleurs et des formes. (Quelle Wikipedia) Sprache: Deutsch Gewicht in Gramm: 400.…

Kein Einband. Condizione: Sehr gut. Original-Serigraphie des belgischen Künstlers Jo Delahaut auf kartoniertem Papier (15 x 21,2 cm). Auflage 800 Exemplare. Rückseitig von Jo Delahaut mit Bleistift signiert und nummeriert. Lose in Original-Faltkarte der Galerie Teufel, die mit Neujahrsgruß von Heinz Teufel verschickt wurde. - Original serigraphy by Belgian artist Jo Delahaut on cardboard paper (15 x 21.2 cm). Edition of 800 copies. Signed and numbered in pencil by Jo Delahaut on the reverse. Loose in original folding card from Galerie Teufel, sent with New Year's greetings from Heinz Teufel.…

Hard to find monograph on Jo Delahaut. Published for an exhibition at PMMK, Ostend (16 December 1989 - 12 February 1990) and Musée de l'Art wallon, Liège (23 March - 22 April 1990). With a great bibliography (citing only one other monograph), reproductions in color and black and white and photographs of Delahaut in and of his studio. A very good copy.…

Crédit Communal, Ministère de la Communauté Française, 1990. 30 x 25 cm, 215 pp. Broché, bel exemplaire. Très nombreuses illustrations en couleurs.

Kein Einband. Condizione: Gut bis sehr gut. Jo Delahaut Schaerbeek 1911 - 1992 ohne Titel, 1970 Siebdruck, rückseitig signiert, datiert und limitiert: 54/200 Blattgröße: 18 x 18 cm, inkl. dem originalen und limitierten Katalog der Galerie Teufel, Koblenz, Provenienz: Galerie Teufel, Koblenz Guter Zustand, keine Kratzer, Flecken, Verfärbungen oder Risse , linker unterer Rand etwas berieben Besichtigung und Abholung nach vorheriger Terminvereinbarung gerne möglich. Echtheit wird schriftlich bestätig. Signatur des Verfassers.…

Sans lieu, sans nom d'éditeur, 1983. 28,5 x 28,5 cm. 12 linogravures justifiées b.g. (44/ 100), en feuilles sous chemise à rabats pleine toile d'éditeur. Bel état. 6 linogravures signées Jo Delahaut b.d.,17 x 16. 6 linogravures signées Léon Wuidar b.d., 16,5 x 16,5. Sur papier BFK Rives. Réf : Roger Palm, Jo Delahaut, les estampes, 1952-1992, N°136 page 88. Livres.…

Gerpinnes, Éditions Gravures Tamdem 74, 1991. 42 x 30,5 cm. 6 gravures sur bois et deux ff. de textes, dont un texte de Jo Delahaut sous portfolio pleine toile d'éditeur. Bel état. Gravures signés b.d. et numérotés b.g. 23/50 sur papier velin d'Arches 250 gr. Tirées par Gabriel Belgeonne, assisté de Jean Cotton. Tirage limité à 50 ex. num. et 5 h.c. Réf : Roger Palm, Jo Delahaut, les estampes, 1952-1992, N°187 page 118. Livres.…

Bruxelles, Bernard Villers sériegraphe, Jacques Evrard ( mis en page ) , 1970, in-folio, 35 x 24,5 cm, 32 nn pp , loose as issued, contains 6 double page abstract coloured silksreens with text. Printed in 100 numbered copies, signed by the artist in the colophon. Kept in a pink coloured paper wrapper, in a red cloth portfolio which fits into a blue coloured cloth slipcase. Except for the outer blue slipcase which carries 4 small stains the publication is in perfect condition. Jo Delahaut was born in Liège and studied at the local Art Academy. He became a professor at the famous '' La Cambre '' academy in Brussels. In 1952 he was a co-founder of the Belgian art circle '' Art Abstrait'' and became one of the most emblematical figures of the so called '' geometrical abstraction '' ; the style which he used to produce the silkprints. In this publication , illustrated with double page abstract silk prints, he publishes some of his ideas about abstract art and the relation between the artist and his art. (Text in French). Ce livre est en français.…

Condizione: Fine. Title -Bonne Annee Artist - Jo Delahaut Material - Ink on paper Year - 1959 Size - 8 x 16 cm Extra - Original signed drawing, letter signed by Delahaut a verso. Signed by Illustrator(s).