Dora maurer (32 risultati)

Softcover/Paperback. Condizione: Very Good. Dóra Maurer. 13 Traces. Zürich, Switzerland: Innen, 2019. Staple-bound softcover. 28pages. New. 13 Traces documents the curves and folds of a bed sheet like minimalist works of linear abstraction. Like the crevasses and peaks of a bed of sand sculpted by the wind, Traces is the evidence of something passed, or someone an abstracted echo of intimacy shared. Dóra Maurer is a highly-acclaimed multidisciplinary and conceptual artist most well known for avant garde geometric and abstract works of the '70s. Of her photographs, it is said that "many of her works break down simple actions so the viewer can really view the piece as movement, not a photograph of movement.".…

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Very Good. Text in German and English. Very Good with light wear to covers and no marks to text. Art Box 13; 4to 11" - 13" tall; 28 pages.

Soft cover. Condizione: As New. 1st Edition. Softcover. Measures 3.25 x 4.75 in. Objectified Outline, a leporello by Dóra Maurer, one of Hungary's most influential artists, features eight silver prints depicting chalk-painted outlines on a rotating woman's body. This leporello explores the abstract representation of femininity and the perception of the female body. It emphasizes Maurer's unique perspective on these themes, capturing the fluidity and transformation of the figure through the dynamic movement of the body. The work references her early conceptual piece from 1981, also titled Objectified Outline, which similarly delves into the perception of the female body and its abstract form, presenting it as a subject of both artistic and social inquiry.…

Softcover. Condizione: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Softcover. English. See images for condition. About the book >.>.> Among the key concepts that dominate the life's work of D?ra Maurer, two in particular stand out: trace-leav ing and displacement. It would be only a slight exaggera-tion to say that all of Maurer's works are connected in some way to these two closely interrelated concepts. Her works can be described as visualisations of mov-ing elements and planes, as complex analyses of the structures of traces generated through movement. Moreover, in a broader sense, her entire ?uvre can be interpreted as permanent motion: a configuration of various groups of works, mediums, colours and planes that counterpoint and supplement each other, merge into and interweave with one another, and sometimes reveal an almost musical structure, in which the rigidity of the (mathematical) system is relieved by the playful-ness of her experimentation and by the poetry in her harmonies of colour The two basic concepts, trace-leaving and displace-ment, are connected in that they both presuppose interactions and correlations, in her works. Maurer m. …

Paperback. Condizione: Very Good. Text in English. Very Good with light wear to covers and no marks to text. Art Box 13; 4to 11" - 13" tall; 79 pages.

Paperback. Condizione: Very Good. First Edition; First Printing. First Edition, with no additional printings stated. Paperback Edition. Very Good with light wear to covers and no marks to text. Art/A3; 4to 11" - 13" tall; 186 pages.

Hardcover. Condizione: Like New. Immediate dispatch from Somerset. Book in excellent unread/unused condition. Hardcover. English. See images for condition. About the book >.>.> From 1965-66 on, I felt that my metaphorical technique of representation and approximation, the inflated monopoly of an arbitrarily chosen aspect was growing ever more inauthentic. An exit plan seemed feasible in a form of abstraction, so I looked for an acceptable switch of connection. While translating Anton Webern's lecture series on The Path to the New Music, I became acquainted with the princi-ples of the serial composition system of the Viennese School and the emergence and motives of dodecaphony. This was in such concordance with the way in which 1, too, would work that I wanted to transfer it directly to the realm of image-making. The distance, however, between my metaphorical-emotional practice and serial composition was too big. I had no tools," D?ra Maurer explains in her essay on struc-tural filmmaking. And this is Anton Webern: "So, what is music? Music is language. A human being wants to expressideas in this language, but not ideas that can be translated into concepts - musical ideas." The notion that film is another l.…

Softcover, unpaginated; in English and Hungarian; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condizione: Very Good. Text in Hungarian. Very Good with light wear to covers and no marks to text. Art Box 13; 4to 11" - 13" tall; 260 pages.

Hardcover. Condizione: New. No Jacket. 1st Edition. First edition 2017, first printing, no previous printings listed. Published on occasion of the exhibition by Elizabeth Dee Gallery / Ministry of Foreign Affairs and Trade of Hungary/Balassi Institute. Softcover without DJ as issued. Condition new, square tight and crisp book, spine not creased, sharp corners, no edgewear, no markings of any kind, no names, no underlinings, no highlights, no bent page corners, not a reminder. 4to, 186 pages, illustrated throughour. …

Softcover, 136 pages, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condizione: Very Good.

Taschenbuch. Condizione: Neu. Neu -Dóra Maurer ist eine der wichtigsten Akteurinnen der ungarischen Gegenwartskunst sowie international eine der bedeutendsten Vertreterinnen der aktuellen konkreten Kunst. In den vergangenen Jahrzehnten hat sie ein kontinuierlich sich weiterentwickelndes Werk geschaffen, das konzeptuelle Ansätze mit einer geometrischen Formensprache verbindet, das politische Konnotationen ebenso beinhaltet wie systematische Analysen und mathematische Verfahren. Die Ausstellung im Museum Ritter stellt den Facettenreichtum von Dóra Maurers Kunst vor. Mit rund 60 Arbeiten aus über vier Jahrzehnten gibt die Schau Einblicke in das weit gefächerte Oeuvre der Künstlerin. Unter den Exponaten befinden sich avantgardistische Experimentalfilme und fotografischen Arbeiten der Siebziger Jahre sowie zahl-reiche Gemälde aus verschiedenen Schaffensphasen. Diese Publikation erschien anlässlich der Ausstellung »Dóra Maurer. Snapshots« im Museum Ritter in Waldenbuch. (Text dt., engl.) 72 pp. Deutsch, Englisch.…

Broschiert. Condizione: Gut. Kunst-Monographie: Wieland Schmied - George Rickey; Kunst-Szene: Harald Szeemann - Kunst im Urzustand; Kunst-Dokumentaion: Dieter Honisch - Neue Kunst aus Ungarn - eine sehr ausführliche Dokumentation mit zahlreichen Abbildungen. Sándor Pincehelyi, Imre Bak, Endre Tót, Tamás Hencze, László Lakner, György Jovánovics, Dóra Maurer, Károly Halász, Imre Kocsis, Ádám Kéri etc. 128 S. Umschlag sehr leicht angeschmutzt, Seiten sehr leicht angebräunt, sonst sehr gut und sauber. Sprache: de Size: 4°. de (illustratore). …

Broschiert. Condizione: Sehr gut. 40 S., 18,5x20 cm mit s/w Tafeln. Sehr gutes, sauberes Exemplar. Sprache: de Size: 8°. de (illustratore).

Softcover. Condizione: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Multi Language. Softcover. English. See images for condition. About the book >.>.> This book, titled Parhuzamos eletmuvek parallele lebenswerke parallel oeuvres, showcases the parallel life?s works of artists Dora Maurer and Tibor Gayor in Gy?r. The exhibition serves as a unique analysis of their intertwined artistic journeys, presenting not just an introduction to each artist but fostering a dialogue that reveals the connections between their work. The approach challenges conventional presentations, focusing on the shared intellectual, political, and social contexts of the two creators active in the same environment.Accompanying the exhibition are various studies, reports, retrospective analyses, explicatory texts, and reproductions. These aim to deliver a credible and comprehensive portrayal of the concurrent life?s works of Maurer and Gayor. The book reflects the dynamic interplay between their artistic expressions, revealing both their individual and collective contributions to contemporary art.This exhibition and the subsequent publication are part of a broader international project that has been several years in the making. Future phases will feature artist couples from Finland, Slovakia, the Czech Republic, Slovenia, Croatia, Serbia, Germany, and Austria, showcasing their interlinked creations. Ultimately, these exhibitions and publications seek to uncover the parallels and points of contact within the lifetime works of these distinct yet interconnected artists, underscoring the richness of shared experiences in the realm of artistic expression.…

Quer-8°. 21 x 22 cm. 78 Seiten. Original-Englischbroschur. 1. Auflage. Zweisprachige Ausgabe in Deutsch und Ungarisch. Katalog anlässlich der Ausstellung im Ludwig Múzeum Budapest, 27. November 1997 bis 04. Januar 1998 und im Josef-Albers-Museum, Bottrop, 01. Februar bis 15. März 1998. Mit zahlreichen Abbildungen. 2 Kanten leicht gestaucht, ansonsten sehr gutes Exemplar. First edition. Bilingual edition in German and Hungarian. Exhibition catalogue. With many illustrations. Original softcover. 2 edges slightly compressed, otherwise fine copy. Sprache: Deutsch und Ungarisch.…

Paperback. Condizione: Near fine in wraps. First Edition. 21 x 23cm near fine exhibition catalogue with Hungarian and English text together with black and white reproductions.

Hardcover without dustjacket as issued, 176 pages; Hungarian and English; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Broschiert. Condizione: Sehr gut. Bulletin du Musée Rois Saint Etienne (Az István Király Múzeum közleményei), Série D. No. 107. Texte (ungarisch, englisch) von Márta Kovalovszky, Fotos: János Gulyás etc. 16 S., 21x29 cm mit s/w Tafeln. Sehr gutes, sauberes Exemplar. Tibor Gayor (1929, Rákospalota / Ungarn) ist ein ungarischer Künstler und Architekt. Er ist ein Vertreter des Konstruktivismus und konkreten Kunst. Dóra Maurer (born 1937) is a Hungarian visual artist. In 2019 to 2020, she was the subject of a major retrospective exhibition at the Tate Modern. Sprache: hu, en Size: 4°. hu, en (illustratore). …

0. 8° ca. 250 Seiten, illustr. brosch. Mit leichter Bräunung, gut und sauber erhalten. Sprache: Deutschutsch/Ungarisch/Sprache: Französischanzösisch 1,400 gr.

Condizione: New. 20x29 cm. Calculations and Coincidences brings together three pioneers of algorithmic art; Vera Molnár, Dóra Maurer and Gizella Rákóczy through their works from the Hungarian National Bank Collection. The exhibition focuses primarily on the profound influence of Molnar, who was unquestionably among the most significant names in computer art, while tracing how the artistic explorations of Maurer and Rákóczy have expanded the boundaries of abstraction through the integration of algorithms and mathematics. Vera Molnár began working with computers as early as 1968 and utilized them as a generative tool to create paintings and graphic art, which broadened the frontiers of both science and art. Algorithmic randomness plays a crucial role in her work; order and disorder, structure, and freedom provide important notions in understanding her artistic practice. In Dóra Maurer's works there is a strong tendency to systematize; since the early 1970s, Maurer has been exploring the forms and tools of mathematics - which create pure, exact constructions - and of music, especially serial music. Maurer's work can be characterized by counting and transforming disordered sets into ordered ones. Rákóczy's consistent, systematic painting, structure-oriented and serial attitude made her a leading figure in international geometric art. From 1976 onwards, she investigated the behavior and serial possibilities of four-arm spirals using combinatorics. Starting from 1998, the tempera paintings based on the numerical laws of four-arm spirals were replaced by watercolor drawings, in which she began to layer the tonal shades of transparent paint using the formula of the Fibonacci series. This exhibition not only showcases the individual contributions of each artist but also emphasizes the interconnectedness of their artistic journeys. Accompanying the events taking place within the scope of the events taking place as part of the 2024 Hungarian-Turkish Cultural Year, the exhibition offers an opportunity to witness how Molnár, Maurer and Rákóczy have collectively shaped the landscape of algorithmic art. Editors: Translator: 168 pages.…

Broschiert. Condizione: Sehr gut. Herausgeber Sándor Pincehelyi. Text: András Bán. 16. S., 14,5x20 cm mit zahlreichen s/w Fotos. Sehr gutes, sauberes Exemplar. Dóra Maurer (born 1937) is a Hungarian visual artist. In 2019 to 2020, she was the subject of a major retrospective exhibition at the Tate Modern. Sprache: en, hu Size: 8°. en, hu (illustratore).…

No Binding. Condizione: Fine. 1st Edition. Book. 170 x 150mm. A special hand-stamped book with individual sheets to accompany the World Art Post exhibition. An attractive item, "a refunctioned object by G.Galantai", Edition 81 of 125 Budapest 1982. A stamped card folder containing 22 cards, each with postal stamp glued onto coloured ground square on cream stock with corresponding rubber stamp by the same artist. Condition: fine. Bookseller Inventory #000063L.…

No binding. Folded poster measuring 29.5 x 41.2 cm (11.6 x 16.2"), silkscreened in blue at recto on white stock, with a small blue rubber stamp applied at middle beneath title. Silkscreened poster designed by Dóra Maurer, issued on the occasion of the second of three showings of the traveling exhibition 'szövegek/texts,' the first international exhibition of visual and concrete poetry in Hungary. The first showing, organized by Dóra Maurer and Gábor Tóth, was held August 1925, 1973, at György Galántai's Chapel Studio in Balatonboglár and featured a similar yet distinct poster design. This second showing, organized by Dóra Maurer, was held December 928, 1973, at the Pécsi Muhely (Pécs Workshop). The third and largest showing, organized by Dóra Maurer, Gábor Tóth, and László Beke, was held in April 1974 at the Fiatal Müvészek Klubja (Young Artists' Club) in Budapest under the title 'KÉP/VERS (VISUAL/POEM).' Participating artists in this second showing included Imre Bak, László Beke, Attila Csernik, Felipe Ehrenberg, Miklós Erdély, Dániel Erdély, Klaus Groh, Sigurdur Gudmundsson, J. H. Kocman, János Major, David Mayor, Giulia Niccolai, Clemente Padín, Géza Perneczky, G. J. de Rook, Bálint Szombathy, Tamás Szentjóby, Miroljub Todorovic, Endre Tót, Timm Ulrichs, Jirí Valoch, and Ben Vautier, among others. Artifact Vibration Standard Score: 8.5. Folded three times, with faint age toning and handling creases, including a small diagonal fold at lower fold line. Very good. [TIOTB Catalog 6 item 1h.].…

Condizione: In fine condition. First edition. Cover by Dora Maurer. First edition. In original paper. Illustrated with photos. 112 p. Very rare exhibition catalogue of the Hungarian graffitis. Texts have been written by important art historians. With the very rare xerox version of the catalogue. In original paper. Illustrated with photos. Cover by Dora Maurer. (illustratore).…

Condizione: Near Fine. A collection of 31 printed Artpool documents, acquired direct from the Artpool archive space, Budapest, in the early 1990s. Includes postcards, posters, information sheets, booklets, etc. Various mediums, including rubber-stamps. Artpool was a pioneering central hub and archive for Eastern European and global Mail Art projects. Contents listed below relates to the five images of material. Image 1: Two Artpool letterhead printed pages (A4): one red, one green. Undated (circa 1980). Artists' stamp exhibition, 1981, printed green and black and white, verso shows façade of Museum of Fine Arts, Budapest, where the exhibition took place with description. PUNKANYAR, 1985, folded document printed black and white. Two blue on white printed postcards of Gygörgy Galánti self-portrait, 1976 - 1979. Folded green, yellow and black on white information sheet entitled 'I Like Your Works' hand-stamped and signed by Galánti September, 1990. After 11 years of existence, Artpool has finally got the opportunity to create its own art-space.' Image 2: Five broadsides, all circa A4: 1. Audio Vizuális Költ szeti Est, featuring photo of Dora Maurer, 1985. 2. Költészet Gesztus, 1985. 3. Punkanyar, Mini RC Klub event, 1984. 4. Tankanyar, 1985. 5. Common press 51 / Hungary, double-sided broadside, 1983/4. Image 3: Artpool Cards Numbers 1, 3, 4 5, 6, 9, 10, featuring works by Kassak Theater / Squat Theater (Balatonboglar, 1973). Herve Fischer's message, 1974. Galantai Dada Texts, 1979 (postcard 4 and 6). Postcard of an exhibition in Balatonboglar, 1973. Robert Filliou and Galantai with Cavellini. We presume these postcards were printed in the 1980s at Artpool. Together with mini RC Klub postcard for Punkanyar event (circular text piece). Brain book, stapled booklet by Galantai, undated. Art mail printed envelope containing three Poolmail booklets printed in various colours with stickers and signed and stamped by Galantai. Image 4: Nine printed documents, including Buda-Ray University info sheet (early 1980s). 1984 music performance info sheet, including works by various artists including Philip Glass, Laurie Anderson, and Henri Chopin. Twice-folded information brochure for Galantai exhibition at Chateau De Fougéres 1st April - 25th June, 1978, with three images of his works and text in French by Julia Klaniczay. 24-page booklet, Artpool's Faxzine: Decentralized Networker Congress, Artpool Budapest, August 24 - 24, 1992. The Artpool Pool Window (Artpool's PERIODICAL Space), info brochure stapled with fold-out sheets showing various publications with hand-colour annotation to Endre Tot image and signed by Galantai and numbered. Folded poster and information sheet, 4pp, for Egy Betiltott Kiállitas Rekonstukcioja, Fiatal Muveszek Klubja, 9 - 21 December, 1981. Lists participants including Mark Pawson, Guy Bleus, Joaquim Brango (sic), Ruth Wolf-Rehfeldt, Klaus Groh, Vittore Baroni, Clemente Padin, Peter Frank, and numerous Hungarian participants, printed green and red on cream stock. World Art Post Museum of Fine Arts Budapest, 1987. Printed broadside orange and black on white stock with rubber stamp. Fold-out brochure, 8pp, Artpool Subjectif: 7 projets d'Artpool, Budapest, 1980 - 1992, Ateliers d'artistes de la ville de Marseille, 1993. Fluxmost, 4pp Fluxus-themed information pamphlet with text by Beke Laszlo printed black and brown on white stock, Artpool, 1993. Image 5: Artpool's Periodical Space 4, 10 - 20 April, 1980. Kuldott Muveszet. Folded poster / information guide, 500 x 345mm unfolded, with sticker and rubber stamps printed green on brown paper with images of the exhibition that featured artists' postcards, rubber stamps from the material received by Artpool before 10 April, 1980, with lists of contributors by country. Red rubber stamp on verso, 'Gayor Maurer Archiv'. Majority of items are in Very Good + / Near Fine condition. All items were bought directly from Artpool in the early 1990s.…

Condizione: Near Fine. Ryszard Wasko (ed.), Sol Lewitt, Lawrence Weiner, Taka Iimura, Tomasz Konart, Antoni Mikolajczyk, Dóra Maurer, Pawel Kwiek, Kazuo Katase, Maurizio Nannucci, Fred Sandback, Les Levine, Richard Nonas, Paul Sharits, Peter Downsbrough, Aleksander Honory, Waclaw Ropiecki, Fabryka (Signed), published by the artists, Lodz, 1982. 295 x 210mm. 200 pp. Book in cardboard covers bound with tape on various paper stocks with collaged elements including photo prints and rubber stamps. Unpaginated. Texts in English and Polish. Artists book initiated by a group of Polish artists, following the influential exhibition 'Construction in Process' which was curated by Ryszard Wasko in Lodz in 1981. Signed and inscribed by Antoni Mikolajczyk with a dedication to Paul Panhuysen, a Dutch composer and artist who founded Het Apollohuis in Eindhoven in the 1980s, an arts space focusing in sound and free improvisation. Wasko's page is handwritten, hand drawn in pencil and signed. According to the artist Peter Lowe, who was in Lodz for the setup of the exhibition, after the final day of the installation, once the international artists had left Poland, the staff of the factory canteen were arrested by police, who accused them of being spies as they were seen with foreigners. Contributors include: Sol Lewitt, Lawrence Weiner, Taka Iimura, Tomasz Konart, Antoni Mikolajczyk,Pawel Kwiek, Kazuo Katase, Maurizio Nannucci, Fred Sandback, Les Levine, Richard Nonas, Paul Sharits, Peter Downsbrough, Aleksander Honory, Waclaw Ropiecki and many others. Light toning on top edge of covers, internally fine. Condition: Near Fine.…