Edgardo vigo (80 risultati)

Softcover, staple-bound, 28 pages; in English and Spanish; very good condition; light yellowing to covers; no internal marks. Foreign shipping may be extra.

Rústica. Muy buen estado 72 pag. El punto ciego: La poesía visual. Textos de E. Vigo, Marcel Duchamp, R. Queneau, Jacques Roubaud, entre otros. Dos manifiestos de Oulipo.

paperback. Condizione: Perfetto (Mint). Prima edizione (First Edition). Catalogo della mostra "Edgardo Antonio Vigo: A Collection", Art Basel Miami Beach, 7-10 dicembre 2017. Testi di Clemente Padin, Horacio Zabala, Nicola Guastamacchia in italiano e spagnolo. Illustrazioni a colori. Biografia e mostre . 4to (cm 28,5x21). pp. 44. . Perfetto (Mint). . Prima edizione (First Edition). . Edgardo Antonio VIGO è nato nella piccola città di La Plata, a pochi chilometri da Buenos Aires. Figlio di un falegname, Vigo si iscrive alla Escuela Superior de Bellas Artes di La Plata nel 1950, laureandosi in disegno. Dopo la laurea, Vigo si reca in Europa dove entra per la prima volta in contatto con l'avanguardia internazionale grazie all'artista venezuelano Jesùs-Rafael Soto. Dopo il ritorno in Argentina, né le sue prime sculture né le sue "macchine inutili" incontrano il favore del pubblico o della critica locale. Come impiegato del Ministero della Giustizia di La Plata, Vigo ha sviluppato la sua pratica al di fuori dei circuiti consolidati di produzione e presentazione artistica. Nonostante i riconoscimenti all'interno del suo Paese, ben presto viene considerato a livello internazionale come il fondatore della Mail art in Argentina. Spesso con un approccio esplicitamente politico, senza mancare di umorismo e ironia, Vigo ha silenziosamente rivoluzionato il modo in cui gli artisti diffondono il loro lavoro e il loro messaggio in America Latina. Solo nel 1991, quando il collezionista Jeorge Helft organizzò la prima mostra di Vigo in un'istituzione pubblica presso la Fundaciòn San Telmo di Buenos Aires, il suo lavoro cominciò a ricevere attenzione. La sua inclusione nel padiglione argentino della Biennale di San Paolo del 1994 cementò definitivamente la sua posizione nelle vorticose topografie dell'arte concettuale latinoamericana. Book.…

Encuadernación de tapa blanda. Condizione: Bien. 1ª Edición. Buenos Aires, Vortice ? Centro Cultural Recoleta, 2007. Sin paginar. Edición bilingüe inglés-castellano. Colaboraciones de o sobre Edgardo Antonio Vigo, Fernando Davis, Carlos Estevez, Gustavo Vega, Belén Gaché y muchos otros. Con reproducciones fotográficas de las obras en b/n. Rústica. Primera edición. Buen estado.…

Encuadernación de tapa blanda. Condizione: Bien. 1ª Edición. Buenos Aires, Vortice ? Centro Cultural Recoleta, 2004. Sin paginar. Edición bilingüe inglés-castellano. Colaboraciones de o sobre Ana María Uribe, Gustavo Vega, Edgardo Antonio Vigo, María José Herrera, Rodrigo Alonso, Maribel Martínez y muchos otros. Con reproducciones fotográficas de las obras en b/n. Rústica. Primera edición. Buen estado.…

Encuadernación de tapa blanda. Condizione: Muy bien. 1ª Edición. Buenos Aires, Vortice ? Centro Cultural Recoleta, 2002. Sin paginar. Edición bilingüe inglés-castellano. Colaboraciones de o sobre Juan Carlos Romero, Fernando García Delgado, Edgardo A. Vigo, Luis Pazos, León Ferrari y muchos otros. Con reproducciones fotográficas de las obras en b/n. Rústica. Primera edición. Buen estado. Es un periódico (tiene un doblés al medio que no afecta la lectura). …

Softcover/Paperback. Condizione: Very Good. Edgardo Antonio Vigo.Anteproyecto de Proyecto de un Pretendido Panorama Abarcativo. Buenos Aires, Argentina: Fundación San Telmo, 1991.Staple-bound softcover.12 pages.Edition of 600. Near fine, but for slight edgewear. Essay by Ricardo Alvarez Martin. A slim exhibition catalog published by the Buenos Aires based Fundación San Telmo in 1991 documenting Vigo's decades long career. Laid in is a signed and numbered woodcut entitled La Maga as well as a tipped-in stamp sheet. Edgardo Antonio Vigo enrolled in the Escuela Superior de Bellas Artes of La Plata in 1950, where he studied drawing. Upon graduation, Vigo travelled to Europe where he came in contact with the international avant-garde for the first time thanks to Venezuelan artist Jesùs-Rafael Soto. Following Vigo's return to Argentina, neither his early sculptures nor his 'useless machines' fell into favour with the public or local critics. As an employee of La Plata's Ministry of Justice, Vigo developed his practice outside the established circuits of artistic production and presentation. Often with an explicitly political approach, and no lack of humour or irony, Vigo quietly revolutionised the way in which artists spread their work and message in Latin America. It was only in 1991, when collector Jeorge Helft organised Vigo's first exhibition in a public institution at Fundaciòn San Telmo, Buenos Aires, that his work began to receive attention. His inclusion in Argentina's Pavilion for the 1994 São Paulo Biennial finally cemented his position in the whirling topographies of Latin American conceptual art.…

Softcover/Paperback. Condizione: Very Good. Edgardo Antonio Vigo.Free (They) Died in Poverty. Buenos Aires/La Plata, Argentina: Centro de Arte y Comunicación (CAyC)/ Edgardo Antonio Vigo, 1972/ date unknown (likely 1990s).Postcard. Very Good. Pin hole to top middle. Minor unobtrusive edgewear and creasing. Address handwritten, return address rubber stamped. A unique version of Edgardo Antonio Vigo's 1972 postcard published by Centro de Arte y Comunicación. This photo-lithographic postcard, originally titled Armas Para Mate Cos(c)ido / Arms for Mate-Tea, has been altered with the addition of printed collage elements as well as stenciled ink and paint. Mailed to the Stamp Art (Gallery) in San Francisco which was a project of mail artists Bill Gaglione and John Held, Jr. Edgardo Antonio Vigo enrolled in the Escuela Superior de Bellas Artes of La Plata in 1950, where he studied drawing. Upon graduation, Vigo travelled to Europe where he came in contact with the international avant-garde for the first time thanks to Venezuelan artist Jesùs-Rafael Soto. Following Vigo's return to Argentina, neither his early sculptures nor his 'useless machines' fell into favour with the public or local critics. As an employee of La Plata's Ministry of Justice, Vigo developed his practice outside the established circuits of artistic production and presentation. Often with an explicitly political approach, and no lack of humour or irony, Vigo quietly revolutionised the way in which artists spread their work and message in Latin America. It was only in 1991, when collector Jeorge Helft organised Vigo's first exhibition in a public institution at Fundaciòn San Telmo, Buenos Aires, that his work began to receive attention. His inclusion in Argentina's Pavilion for the 1994 São Paulo Biennial finally cemented his position in the whirling topographies of Latin American conceptual art.…

Softcover/Paperback. Condizione: Very Good. Edgardo Antonio Vigo.Mathematic Order Made By Influx Of The "Imperialistic Heroes of Comic-Strips" in Latin America. La Plata, Argentina: Self Published, 1974.Ink on paper. Near fine.Paper attached to brown paper. Top left corner has come unglued. An original Edgardo Antonio Vigo piece from 1974 consisting of ink, applied by hand and with stencils. Speech bubble a la a comic book. Signed in Ink. Unusual in that there are no letterpress printed, collage, or rubber stamp elements. Edgardo Antonio Vigo enrolled in the Escuela Superior de Bellas Artes of La Plata in 1950, where he studied drawing. Upon graduation, Vigo travelled to Europe where he came in contact with the international avant-garde for the first time thanks to Venezuelan artist Jesùs-Rafael Soto. Following Vigo's return to Argentina, neither his early sculptures nor his 'useless machines' fell into favour with the public or local critics. As an employee of La Plata's Ministry of Justice, Vigo developed his practice outside the established circuits of artistic production and presentation. Often with an explicitly political approach, and no lack of humour or irony, Vigo quietly revolutionised the way in which artists spread their work and message in Latin America. It was only in 1991, when collector Jeorge Helft organised Vigo's first exhibition in a public institution at Fundaciòn San Telmo, Buenos Aires, that his work began to receive attention. His inclusion in Argentina's Pavilion for the 1994 São Paulo Biennial finally cemented his position in the whirling topographies of Latin American conceptual art.…

Encuadernación de tapa blanda. Condizione: Bueno. 1ª Edición. Este cuadernillo originalmente formaba parte del n. 19 de la revista "Diagonal Cero", Poema y 4 reproducciones de xilografías de Edgardo Antonio Vigo. 8 pp. Tapa canda con dos hojas sueltas. 23 x 17,5 cm. Edgardo Antonio Vigo (illustratore).…

Encuadernación de tapa blanda. Condizione: Muy bueno. 1ª Edición. Buenos Aires, Museo Provincial de Buenos Aires, 1969. Rústica, 23,5 x 20 cms., sin paginar, pp. 24. Artistas y textos de Jorge López Anaya, Jacques Damase, Edgardo Antonio Vigo, Pierre Garnier, Arthur Petronio, Luis Pazos, Max Bense, Luigi Ferro, Vincenzo Accame, Romero Brest i Ignacio Gómez de Liaño. …

Encuadernación de tapa blanda. Condizione: Muy bueno. VIGO, Edgardo Antonio (dir.). WC. Nº 2. La Plata, Argentina, 1958. Publicación ensamblada en sobre original de papel madera conteniendo hojas sueltas impresiones tipográficamente, xilografías, composiciones visuales y múltiples intervenciones gráficas experimentales. Tirada original de apenas 150 ejemplares. Rarísima revista-objeto realizado por Edgardo Antonio Vigo en colaboración con Miguel Ángel Guereña dentro de las experiencias pioneras de edición experimental producidas en La Plata entre 1958 y 1960. Cada número de WC fue concebido como una publicación abierta y desmontable, presentada en forma de alfombra o sobre conteniendo hojas independientes, collages, grabados, composiciones tipográficas, instrucciones y objetos gráficos autónomos.…

Rústica. Condizione: Bien. Primera edición. Colaboraciones de o sobre Juan José Ceselli, Rafael Squirru, León Benarós, Ruy Rodríguez, Horacio Salas, Elizabeth Azcona Cranwell, Juan Calzadilla, Roberto Juarroz, Gonzalo Arango, César Tiempo, Vinicius De Moraes, Yolanda Bedregal, Gyula Kosice, Marcos Silber, Pablo Neruda, Augusto De Campos, Ernesto Cardenal, Marosa Di Giorgio, Lawrence Ferlinghetti, Gonzalo Rojas, Roberto J. Santoro, Clemente Padín, Edgardo Antonio Vigo, Enrique Lihn, Alejandra Pizarnik, Rafael Guillén, Raquel Jodorowsky, Alberto Hidalgo y muchos otros. Cada número contiene ilustraciones originales (grabados, litografías, etc.) de diversos artistas. Todos los números en rústica y en buen estado. "Cormorán y Delfín, la única revista de poesía concebida en el mar, una revista que aparecía con publicaciones en los lugares más insólitos y traducía textos de poetas locales: a su manera, fue un embajador excepcional de la poesía (…) CORMORÁN Y DELFÍN fue una de las mayores revistas de poesía vanguardista de la década de 1960 fuera del eje euro-americano. Publicó su Manifiesto en el número 1 y también el "Manifiesto de la Poesía Laxodrómica" en el número 14, que sus editores calificaron de "supervanguardista".…

Encuadernación de tapa blanda. Condizione: Bien. 1ª Edición. Buenos Aires, Galería Scheinsohn, del 2 al 15 de mayo de 1968. Texto de Julian Blaine. Incluye 4 folios con obras. El poema de Vigo lleva 3 circunferencias caladas y el de Guinzburg un alfiler. Edgardo Antonio Vigo: "Variante 2b de reloj inútil"; Jorge de Luján Gutiérrez: "actualidades"; Luis Pazos: "Repetición"; Carlos Guinzburg: "poema transparente".…

Encuadernación de tapa blanda. Condizione: Excelente. 1ª Edición. Sobre CC 2641900. International Book. Libro Internacional. Livre Internationale. La Plata, Edición de E. A. Vigo, 1976. Carpeta en cartón gris de 19,5 × 26 cm con 26 obras originales de mail art en diversas técnicas y soportes. Todas numeradas 135/200 y firmadas por los siguientes artistas: Arethuse, Anna Banana, Diego Barboza, Julien Blaine, Paulo Bruscky, Jorge Carballo, Guillermo Deisler, G.J. De Rook, Antonio Ferró, Hervé Fischer, Bill Gaglione, Carlos García, Jorge Glusberg, Mathias Goeritz, Klaus Groh, Massimo Nanucci, Maurizio Nanucci, Colin Naylor, Génesis P. Orridge, Peppe Pappa, Michele Perfetti, Juan Carlos Romero, Pauline Smith, Franco Vacari, Edgardo Antonio Vigo, Horacio Zabala. Sobre CC 2641900. International Book N° 2. Libro Internacional. Livre Internationale. La Plata, Edición de E. A. Vigo, 1977. Carpeta en cartón gris de 19,5 × 26 cm con 26 obras originales de mail art en diversas técnicas y soportes. Todas numeradas 30/200 y firmadas por los siguientes artistas: Luis Benedit, Julien Blaine, Joaquim Branco, Paulo Bruscky, Ulises Carrión, Guglielmo Cavellini, John Christie, Guillermo Deisler, Leonard Frank Duch, Jorge Glusberg, Graciela Marx Gutierrez, Horst Hahn, Steve Hitchcock, Robert Jacks, Robert Kelly, Ronald King, Unhandeijara Lisboa, Dr. Rev Occupant, Dámaso Ogaz, Romano Pelli, Sarenco, Angelika Schmidt, Enrique Carvajal, Rolf Staeck, Edgardo Antonio Vigo, Horacio Zabala. Sobre CC 2641900. International Book N° 3. Libro Internacional. Livre internationale. La Plata, Edición de E. A. Vigo, 1978. Carpeta en cartón gris de 19,5 × 26 cm con 27 obras originales de mail art en diversas técnicas y soportes. Todas numeradas 154/200 y firmadas por los siguientes artistas: Ray Knight, Geoffrey Cook, Michael Scott, Grupo Summa, Cozette de Charmoy, Kochi, Ste Hitchcock, Carioca, Peter Below, Julien Blaine, Bob Welke, Robin Crozier, Unhandeijara Lisboa, Leonard Frank Duch Bill Gaglione, Horst Hahn, Vittore Baroni, Marco Pachetti, Piero Simone, Ulises Carrión, G. E. Marx Vigo, Vagner Dante Veloni, Carlos Zerpa, Guillermo Deisler, Lomholt, Jorge Glusberg, Graciela Marx Gutiérrez.…

Sin Encuadernar. Condizione: Bien. Revista ligada ao movimento de arte postal e ao poema processo. Capa em papel kraft. Miolo em offset. Trabalhos reproduzidos com mimeógrafo. Capas, primeira e última página com marcas de umidade.

Encuadernación de tapa blanda. Condizione: Muy bien. 1ª Edición. Espacio Ojo al País - FNA Fondo Nacional de las Artes, Buenos Aires, 2002. 1ª Edición. Director del proyecto: Luis Felipe Noé. Curadores: Luis Felipe Noé y Alejandro Puente. Con el auspicio del FNA Fondo Nacional de las Artes y el apoyo de la Fundación Antorchas. Catálogo de la exposición con ilustraciones en color y textos de Ana María Gualtieri y GGGMarx. 29,5x21. Rústica editorial con grapas.…

First edition. Softcover 8vo in wrappers printed in black and red with pages printed in black. Contains a small loose card laid in and circular die cuts to three pages. 206 pp. Text in French, German, and English. Issue no. 3 of this French experimental, sound, and visual and concrete poetry journal edited by Jean-François Bory and Julien Blaine, of which there were four issues published between 19651969. With contributions by Mary Ellen Solt, Adriano and Maurizio Spatola, Thomas A. Clark, Ken Friedman, Gianni Bertini, Jochen Gerz, Carrega, Bob Cobbing, Franco Vaccari, Paul de Vree, John Furnival, Edgardo Antonio Vigo, Timm Ulrichs, among others. A richly illustrated anthology of both known and unknown concrete poets of the late 1960s from Europe, Japan, Russia, South America, and United States. This example lacking the small mirror substrate that is supposed to be pasted onto one of the pages. Otherwise very good with rubbing, bumps, and faint creasing to front and rear covers, darkening along spine including a small stain at middle front cover going over spine, single reading crease along spine, and trace amounts of age toning throughout.…

Sin Encuadernar. Condizione: Muy Bien. 15 cm x 21 cm.

Paperback. Condizione: Near Fine. Book. Published by Nicholas Zurbrugg, Kersey, Suffolk, Spring 1970. 215 x 140 mm, stapled b&w printed visual poetry periodical, subtitled 'an occasional magazine of the new poetries'. This issue titled and focused on 'the new french poetries - the death of concrete'. Includes work by Ben, Julien Blaine, Jean-Francois Bory, Henri Chopin, Pierre Garnier, Jochen Gerz, Jean-Claude Moineau, Gerald Rocher and Jean-Marie Sidaner; as well as statements on the future of concrete poetry from Robert Lax, Dom Sylvester Houedard, Ernst Jandl, Edwin Morgan, bp Nichol, Edgardo Antonio Vigo and Eugen Gomringer, who states: 'I think concrete poetry is no longer what it was thought and made at the beginning. Then it was a change of life, now it has become here and there a mere typographic game. But so has grown up something else and there is no sorrow.' Together with original envelope handtyped by the editor. Condition: pinch to top right corner, crease to bottom left corner (back cover).…

Horizontal softcover 8vo in glossy white wrappers printed in red. Pages printed in black on white paper stock, with chapter dividers printed in black on light blue stock. Unpaginated. Parallel text in Serbo-Croatian and English. The first issue of the experimental journal 'SIGNAL: International Review for Signalist Research,' edited by Miroljub Todorovic, reflecting the movement he founded in the late 1950s with the intention of revolutionizing language and poetry through new expressions and mediums, including the use of science and advanced technologies. Per Todorovic's description of Signalism in the first chapter: "Any struggle against science is doomed in advance, for it is struggle against man himself." He goes on to state: "Methods and classification of Signalist poetry include Signalism in the narrow sense, computer poetry, aleatoric (or stochastic) poetry, statistical poetry, permutational, combinative and variative poetry, scientific poetry, technological poetry, Signalist kinetic and phonetic poetry, and Signalist manifestations." 'SIGNAL' connected Todorovic with like-minded figures across the world from his outpost in Belgrade, in the former Yugoslavia. Illustrated throughout with experimental, visual, and concrete poetry by Marina Abramovic, Julien Blaine, Jean-François Bory, Augusto de Campos, Ugo Carrega, Hans Clavin, Paul De Vree, Jochen Gerz, Bohumila Grögerová and Josef Hirsal, Raoul Hausmann, Arrigo Lora Totino, Eugenio Miccini, Jean-Claude Moineau, bpNichol, Giulia Nicolai, Clemente Padín, Michele Perfetti, Jirí Valoch, and Edgardo Antonio Vigo, among several others. Abramovic served on the editorial board of the first issue of 'SIGNAL.' Here, the artist also contributes visual poems, an expression not often seen in her oeuvre. Includes a chapter on related avant-garde movements and publications issued around the same time, including books, magazines, posters, and exhibition catalogs, forming an indispensable bibliography and reference point. Issues 1-9 were published between 1970 and 1973, followed by twelve more in the 1990s. Artifact Vibration Score: 8.5. Trace amounts of wear, rubbing, and age toning throughout, including closed tears at heel and crown of spine, and a small sticker abrasion at title page. Very good.…

22 x 20.5 cm. Paperback, [16pp]. Catalogue of a concrete poetry exhibition held between 18 March and 13 April 1969, at the Centro de Artes Visuales del Instituto Torcuato Di Tella. Cover image is a 1924 artwork by Man Ray, 'Sound Poem'. Includes texts in Spanish by Jorge Romero Brest, Vincenzo Accame, Max Bense, Ignacio Gomez de Liano, Roland Berthos, Jacques Damase, Edgardo Antonio Vigo, Pierre Garnier, Arthur Petronio, and Luis Pazos. Edgardo Antonio Vigo organised the exhibition and brought together visual and sound poets from various countries, including the aforementioned contributors and Timm Ulrichs, Carlos Raul Ginzburg, Franz Mon, Julien Blaine, Henri Chopin, Bory, Arias-Misson, Augusto and Haroldo de Campos, Decio Pignatari, Alvaro de Sa, Wladimir Dias-Pino, Gomringer, Ken Cox, Ian Hamilton Finlay, Eugenio de Vicente, Juan Hidalgo, Walter Marchetti, Julio Plaza, Raoul Hausmann, Dick Higgins, and many others. The exhibition was presented that same year at the Provincial Museum of Fine Arts in La Plata under the title Novisima Poesia 69. Minor wear and faint pale blotch to cover, otherwise good.…

Hardcover. Condizione: Good +. 1st Edition. Paul de Vree, Poezie in Fusie, De Bladen Voor de Poezie, Lier, Belgium, 1968. 304 x 208mm, 128pp. Printed black on white stock. Printed by Sanderus in Oudenaarde, commissioned by de Bladen Voor de Poezie. Cover design by Walter Pluym. Introduction by Paul de Vree who edited this International Concrete Poetry Anthology. Illustrations of work by the editor together with Pierre Albert-Birot,Alain Arias-Mission, Ronaldo Azerido, Stephen Bann, Max Bense, Julien Blaine, J.F.Bory, Edgar Braga, Augusto de Campos, Haroldo de Campos, Ugo Carrega, Henri Chopin, Hans Clavin, Bob Cobbing, Oyvind Fahlstrom, Ian Hamilton Finlay, john Furnival, Heinz Gappmayr, Hochen Gerz,Mathias Goeritz, Eugen Gomringer, B.Grogerova, J.Hirsal, Jose Lino Grunwald, Brion Gysin, Dom Sylvester Houedard, ernst Jandl, Jiri Kolar, F.Kriwet, A.Lora-Titino, Hansjorg Mayer, Franz Mon, M.Nannucci, D.Pignatari, Diter Rot, Gerhard Ruhm, John Sharkey, Mary Ellen Solt, Adriano Spatola, Timm Ulrichs, Jiri Valoch, Edgardo Antonio Vigo, Herman de Vries, Ivo Vroom, Emmett Williams, Pedro Xisto et al. Text in Flemish. Condition: slight toning throughout, general wear to hard cover on edges and corners, Very Good +.…

Condizione: Bueno. 24.5x12. Cuatro tarjetas contenidas en un sobre circulado con membrete de Vigo.

Encuadernación de tapa blanda. Condizione: Muy bien. In-4. #11 Aug 1964. Primer encuentro Americano de Poetas-Movimiento Solidaridad. "El Fotógrafo de hoy" por José Esteves "Lido Iacopetti", por Daniel Eduardo Zerillo. Reproducción de una obra de Iacopetti Óscar F. Pelayo "No sé. No sé. No sé.", con un dibujo de J. M. Vignou "Pequeña antología de poetas platenses" (poemas de José María Calderón Pando, Omar Gancedo, Delchis Girotti, Jorge de Luján Gutiérrez, Francisco Squeo Acuña, Edgardo Antonio Vigo) Cuaderno de Xilografías con obras de Roberto Luis Duarte, Reinerio Fallabrino, Daliel Zelaya. B2.…

Slipcased. Condizione: Very Good. First edition. 1 portfolio, [38p.] (loose plates), illustrations, paper slipcase (some chipping, foxing, age toning). 17 loose plates featuring texts and poetry (Alvarode Sá, Neide Sá, Moacy Cirne, Jean-Claude Moineau, Lara Lemos, Grupo "Zaj", Alian Arias-Misson, Jochen Gerz, Julien Blaine, Andy SuknasKy, Gérard Rocher.). Elaborated by Edgardo Antonio Vigo, a a celebrated avant-garde Argentine artist who explored visual poetry, conceptual art, and relief printing. Rare, only twelve copies on worldcat. …

Encuadernación de tapa blanda. Condizione: Muy bien. 1ª Edición. Vigo, Edgardo Antonio (1928-1997). "De la Poesía / Proceso a la Poesía para y/o a Realizar" (Ensayo, 1969). La Plata, Diagonal Cero, 1970. Con textos de Moacy Cirne (1943-2014), Álvaro de Sá (1935-2001), Neide de Sá (1940), Lara Lemos (1923-2010), Jean-Claude Moineau (1942), Dennis Williams, Gérald Rocher, Andy Suknasky (1942-2012), Julien Blaine (1942), Jochen Gerz (1940) y Alain Arias-Misson (1936). 36 páginas. Con carpeta contenedora. Primera Edición. (código 2563).…

Condizione: Excelente. 1ª Edición. Seis en marcha. Muestra de xilografías. La Plata, Asociación Judicial Bonaerense, 1986. Signed by all participating artists. Seis en Marcha was a collective of printmakers from La Plata who worked together to promote the relief printing technique. The original group, whose works had already been circulating in portfolios of woodcuts since the mid-1970s, consisted of: Irma Amato, José Sixto González, Graciela Gutiérrez Marx, Alberto Oscar Piergiácomi, Hebe Redoano, and Edgardo Antonio Vigo. Edgardo Antonio Vigo, Irma Amato, José Sixto González, Graciela Gutiérrez Marx, Alberto Oscar Piergiácomi, Hebe Redoano (illustratore). Firmado por el autor.…

Encuadernación de tapa blanda. Condizione: Como Nuevo. "Bande dessinée hermetique deuxieme" (Casilla de Correo 264, La Plata), La Plata, 1973. Seis hojas d 12 x 9 cm + otra de 24 x 9 cm con texto de Vigo, dentro de una carpeta de 13 x 10 cm.

Encuadernación de tapa blanda. Condizione: Muy bien. 1ª Edición. GRUPO DE LOS ELEFANTES. BFGV62. Poesía Poesía Poesía. (Lidia) Barragán (Raúl) Fortin (Omar) Gancedo Del Grupo de los Elefantes VIGO D.C. (Diagonal Cero) La Plata, Grupo de los Elefantes, 1962. Rarísima publicación del Grupo de los Elefantes en formato de sobre, con hojas sueltas en su interior (poemas y xilografías), en conjunto con el artista Edgardo Antonio Vigo. Contiene 4 cuadernillos, uno por cada poeta.…