Emilio prini (14 risultati)
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Da: Studio Bibliografico Marini, ROMA, RM, ItaliaStudio Bibliografico Marini
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EUR 40,00
EUR 35,00 spedizioneSpedito da Italia a U.S.A.Quantità: 10 disponibili
paperback. Condizione: New. Prima edizione (First Edition). Pubblicato in occasione della mostra presso il MACRO - Museo D'Arte Contemporanea di Roma, 27 ottobre 2023 - 1 aprile 2024. A cura di Luca Lo Pinto. Con testi di Luca Lo Pinto, Alexander Alberro, Stefano Chiodi, Lara Favaretto, Adam Harrison, John Knight, Hans Ulrich Ob…rist, Timotea Prini, Anri Sala, Andrea Viliani. Illustrato a collori e in bianco e nero . Cm 30,5x21,5. pp. 426. . Nuovo (New). . Prima edizione (First Edition). . La prima monografia dedicata a una delle figure artistiche più enigmatiche e complesse d'Italia, Emilio Prini (1943-2016), figura chiave dell'Arte Povera, la cui opera non è mai stata completamente indagata. Strutturata cronologicamente dal 1966 al 2016, esamina il suo lavoro attraverso un'analisi sistematica iconografica e bibliografica degli archivi di Prini e delle istituzioni presso cui ha esposto. Poiché egli considerava il medium secondario rispetto al concetto, non viene fatta alcuna distinzione tra installazioni, sculture, inviti, manifesti o documenti; e presentando le opere prima individualmente e poi collocate in contesti diversi, il libro offre una visione unica della sua particolare metodologia. Prini ha inoltre costantemente rifiutato la nozione di opera d'arte come oggetto chiuso e definito, interrogando la struttura stessa del formato espositivo. Nel nostro contesto attuale, segnato dalla sovrapproduzione e dal consumo eccessivo di immagini e oggetti, la rilevanza continua dell'approccio indipendente, sfuggente e intransigente di Prini risiede nella sua messa in discussione della necessità della produzione stessa. Book.
Altre immaginiZero to Infinity - Arte Povera 1962 - 1972 (Tate Modern, London March 31 - August 19 2001 and touring)
FLOOD, Richard and Frances Morris (curate) Giovanni Anselmo - Alighiero Boetti - Pier Paolo Calzolari - Luciano Fabro - Piero Gilardi - Jannis Kounellis - Mario Merz - Marisa Merz - Giulio Paolini - Pino Pascali - Giuseppe Penone - Michelangelo Pistoletto - Emilio Prini - Gilberto Zorio (artists shown)
Lingua: Inglese
Editore: Walker Art Center Minneapolis / Tate Modern, London 2001
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- Prima edizione
Da: David Bunnett Books, London, Regno UnitoDavid Bunnett Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Come nuovo
EUR 95,48
EUR 33,02 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
HARDCOVER. Condizione: As New. 1st Edition. Thick, heavy 4to in thick colour printed boards, 367pp, illustrated . [CONDITION: NEW unread and unmarked copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.
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Da: Specific Object / David Platzker, New York, NY, U.S.A.Specific Object / David Platzker
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EUR 1130,23
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597 pp.; 28.7 x 21.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Fondazione Prada, ca'' Corner della Regina, Venice, Italy, June 1 ? November 3, 2013. Exhibition was based on the original 1969 show--"Live in Your Head…: When Attitudes Become Form : Works, Concepts, Processes, Situations, Information / wenn Attitüden Form werden : Werke, Konzepte, Vorgänge, Situationen, Information / quand les attitudes deviennent forme : oeuvres, concepts, processus, situations, information / quando attitudini diventano forma : opere, concetti, processi, situazioni, informazione"--held at Kunsthalle Bern, Bern, Switzerland, March 22 - April 27, 1969, curated by Harold Szeemann. The 2013 exhibition, curated by Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, was a physical reconstruction of the original show transported to a palazzo in Venice. This 2023 catalogue includes texts by Germano Celant, Dieter Roelstraete, Claire Bishop, Piere Bal-Blanc, Francesco Stocchi, Boris Groys, Mary Anne Staniszewski, Charles Esche, Christian Rattemeyer, Anne Rorimer, Jens Hoffmann, Benjamin H.D. Buchloh, Gwen L. Allen, Chus Martínez, Terry Smith, Jan Verwoert, and Glenn Phillips. Artists include Carl Andre, Giovanni Anselmo, Richard Artschwager, Thomas Bang, Jared Bark, Robert Barry, Joseph Beuys, Mel Bochner, Alighiero Boetti, Marinus Boezem, Bill Bollinger, Michael Buthe, Pier Paolo Calzolari, Paul Cotton, Hanne Darboven, Walter de Maria, Jan Dibbets, Ger van Elk, Rafael Ferrer, Barry Flanagan, Ted Glass, Hans Haacke, Michael Heizer, Eva Hesse, Douglas Huebler, Paolo Icaro, Alain Jacquet, Neil Jenney, Stephen Kaltenbach, Jo Ann Kaplan, Edward Kienholz, Yves Klein, Joseph Kosuth, Jannis Kounellis, Gary B. Kuehn, Sol LeWitt, Bernd Lohaus, Richard Long, Roelof Louw, Bruce McLean, David Medalla, Mario Merz, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Panamarenko, Pino Pascali, Paul Pechter, Michelangelo Pistoletto, Emilio Prini, Markus Raetz, Allen Ruppersberg, Reiner Ruthenbeck, Robert Ryman, Frederick Lane Sandback, Alan Saret, Sarkis, Jean-Frederic Schnyder, Richard Serra, Robert Smithson, Keith Sonnier, Richard Tuttle, Frank Lincoln Viner, Franz Erhard Walther, William Wegman, Lawrence Weiner, William T. Wiley, Gilberto Zorio, and an interview with Germano Celant. Includes a "Register" (list of works, documents, and objects related to both exhibitions) and a selected bibliography. NEW. As issued in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.
Altre immagini- Brossura
Da: CivicoNet, Libreria Virtuale, NAPOLI, NA, ItaliaCivicoNet, Libreria Virtuale
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EUR 29,99
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Brossura. Condizione: nuovo. seconda edizione. Quanto più passano gli anni da quell'ormai lontano 1945, tanto più appare evidente che la fine della seconda guerra mondiale ha segnato una cesura di grandissimo rilievo rispetto alla storia precedente. Questo vale in particolare per la filosofia come fatto culturale specifico che,…dai suoi primordi in Grecia, ha caratterizzato per oltre due millenni la civiltà europea ed occidentale. Tracciare un bilancio della filosofia del dopoguerra, vedere se assistiamo semplicemente alla sua sopravvivenza, oppure a una sua radicale trasformazione, o addirittura al suo definitivo tramonto, significa dunque interrogarsi sul destino non solo della filosofia, ma della nostra storia presente e futura. Ma questo bilancio non poteva essere un semplice consuntivo; doveva piuttosto essere l'avvio a un confronto critico con idee e tendenze in pieno sviluppo, tutt'altro che canonizzate in schemi storiografici rigidi e esaustivi. Così un folto gruppo di specialisti ha preso in esame il configurarsi del pensiero del dopoguerra nelle diverse aree culturali. Per la Germania: gli sviluppi dell'esistenzialismo e dello storicismo fino alle correnti ermeneutiche, la teologia della demitizzazione, la filosofia della speranza e la Scuola di Francoforte. Per la Francia: la filosofia dello spirito, l'esistenzialismo di Sartre, il neoumanesimo di Merleau-Ponty, lo strutturalismo, gli indirizzi fenomenologici e ermeneutici, la presenza di Hegel, di Marx e di Freud, gli sviluppi più significativi del pensiero estetico e religioso. Per l'Inghilterra: la filosofia analitica e neopositivistica, le correnti linguistiche e i loro sviluppi in campo etico, religioso, politico e pedagogico. Per gli Stati Uniti: l'epistemologia, i rapporti tra fenomenologia e psicologia, la filosofia dell'arte e della religione, l'antropologia e la sociologia. Particolarmente suggestivo l'incontro con i filosofi italiani che, in una sorta di ideale tavola rotonda, hanno fatto il punto non solo sullo sviluppo del loro pensiero, ma sul quadro complessivo della filosofia contemporanea nelle sue principali correnti e sulla funzione della filosofia nella vita e nella società italiana. Una serie di agili note bibliografiche a ciascuno degli argomenti trattati fa di questo volume lo strumento più aggiornato per orientarsi nel dibattito filosofico più recente e per coglierne i rapporti con la scienza, la cultura e la vita d'oggi. Descrizione bibliografica Titolo: La Filosofia dal '45 ad oggi Autori Vari: Valerio Verra, Luigi Pareyson, Alberto Caracciolo, Franco Lombardi, Gaetano Calabrò, Armando Rigobello, Gianni Vattimo, Xavier Tilliette, Francesco Valentini, Renato Giorda, Sergio Moravia, Marco M. Olivetti, Emilio Garroni, Carlo Tullio Altan, Franco Ferrarotti, Eugenio Garin, Gustavo Bontadini, Enzo Paci, Paolo Filiasi Carcano, Marino Gentile, Cornelio Fabro, Sergio Cotta Cesare Luporini, Mario Dal Pra, Giuseppe Semerari Giulio Preti, Norberto Bobbio, Franco Lombardi, Eugenio Lecaldano, Luigi Pareyson, Pietro Prini, Dario Antiseri, Vittorio Mathieu, Pietro Piovani, Paolo Rossi, Monti, Alberto Pasquinelli, Francesco Barone, Nicola Abbagnano, Pietro Rossi, Carlo Augusto Viano, Antonio Santucci, Vittorio Frosini, Alberto Granese Curatore: Valerio Verra Editore: Roma: ERI, Edizioni Rai Radiotelevisione Italiana, Febbraio 1976 Lunghezza: 551 pagine; 23 cm ISBN: 8839701311, 9788839701312 Collana: Volume 65 di Saggi Soggetti: Filosofia Antologie critiche Critica filosofica Pensiero filosofico Contemporanea Saggistica Idealismo tedesco Studi culturali Correnti filosofiche Ideologie Novecento Americana Antropologia Circolo di Vienna Concetto Concezione Coscienza Crisi Cristianesimo Essere Uomo Dialettica Discorso Dopoguerra Einaudi Empirismo Ermeneutica Ernst Bloch Esistenzialismo Estetica Etica Fenomenologia Analitica Italiana Psicologia Psicanalisi Freud Gabriel Marcel Hegel Heidegger Husserl Interpretazione Jaspers Linguaggio Linguistica Logica London Ludwig Wittgenstein Macmillan Marx Marxismo Mente.
Politics - Poetics : Documenta X - The Book
Vito Acconci, Marcel Broodthaers, Lygia Clark, Ed van der Elsken, Walker Evans, Öyvind Fahlström, Armand Gatti, Jean-Luc Godard, Dan Graham, Hans Haacke, Raymond Hains, Richard Hamilton, Maria Lassnig, Hélio Oiticica, Michelangelo Pistoletto, Gerhard Richter, Nancy Spero, Garry Winogrand, Robert Adams, Art & Language, Lothar Baumgarten, James Coleman, Toni Grand, Mike Kelley, Helen Levitt, Gordon Matta-Clark, Thomas Schütte, Jeff Wall, Martin Kippenberger, Ecke Bonk, Tony Oursler, Reinhard Mucha, Erik Steinbrecher, Rem Koolhaas, Bruce Mau, Johan Grimonprez, Gabriel Orozco, Carsten Höller, Rosemarie Trockel, Olaf Nicolai, Tunga, Peter Kogler, Philip Pocock, Florian Wenz, Udo Noll, Felix Stephan Huber, Yana Milev, Suzanne Lafont, Peter Friedl, Stephen Craig, Catherine Beaugrand, Jean-Marc Bustamante, Emilio Prini, Martin Walde, Collective La ciutat de la gent, Lois Weinberger, Matthew Ngui, Christine and Irene Hohenbüchler, Aya & Gal Middle East, Marko Peljhan, Sandra Alvarez de Toledo,
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Da: Specific Object / David Platzker, New York, NY, U.S.A.Specific Object / David Platzker
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EUR 67,81
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830 pp.; 28.5 x 24 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held in 1997. Artists include Vito Acconci, Marcel Broodthaers, Lygia Clark, Ed van der Elsken, Walker Evans, Öyvind Fahlström, Armand Gatti, Jean-Luc…Godard, Dan Graham, Hans Haacke, Raymond Hains, Richard Hamilton, Maria Lassnig, Hélio Oiticica, Michelangelo Pistoletto, Gerhard Richter, Nancy Spero, Garry Winogrand, Robert Adams, Art & Language, Lothar Baumgarten, James Coleman, Toni Grand, Mike Kelley, Helen Levitt, Gordon Matta-Clark, Thomas Schütte, Jeff Wall, Martin Kippenberger, Ecke Bonk, Tony Oursler, Reinhard Mucha, Erik Steinbrecher, Rem Koolhaas, Bruce Mau, Johan Grimonprez, Gabriel Orozco, Carsten Höller, Rosemarie Trockel, Olaf Nicolai, Tunga, Peter Kogler, Philip Pocock, Florian Wenz, Udo Noll, Felix Stephan Huber, Yana Milev, Suzanne Lafont, Peter Friedl, Stephen Craig, Catherine Beaugrand, Jean-Marc Bustamante, Emilio Prini, Martin Walde, Collective La ciutat de la gent, Lois Weinberger, Matthew Ngui, Christine and Irene Hohenbüchler, Aya & Gal Middle East, and Marko Peljhan. Original texts by Sandra Alvarez de Toledo, Etienne Balibar, Andrea Branzi, Benjamin Buchloh, Peter Bürger, Jean-Marie Chauvier, Daniel Defert, Werner Durth, Fabrizio Gallanti, Serge Gruzinski, David Harvey, Andreas Huyssen, Benjamin Joly, Philippe Lacoue-Labarthe, Dominique Lecourt, Alain Lipietz, Masao Miyoshi, Peter Noller, Jacques Rancière, Klaus Ronneburger, Hans-Joachim Ruckhaeberle, Saskia Sassen, Gayatri Chakravorty Spivak, Francis Strauven, Paul Sztulman, Max Welch Guerra. Includes author biographies. "For the first time in the history of documenta, the companion publication attempts to go beyond a survey and interpretation of the exhibited works of art to document and analyze the cultural development of the western world from 1945 to 1997 in a rich selection of paintings, photos, plans, sketches, maps, essays, quotations, discussions, poems, philosophical essays and manifestos. The book unites the diverse forms of expression in an impressive collage. The artists of documenta X are introduced in a number of artist's inserts. A provocative, enlivening and thoroughly current reader and reference work for anyone interested in the art and culture of our times." -- publisher's statement. Fine. Covers, dust-jacket and contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.
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- Prima edizione
Da: MARIA, Lisboa, PortogalloMARIA
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 90,00
EUR 45,00 spedizioneSpedito da Portogallo a U.S.A.Quantità: 1 disponibili
Soft cover. Condizione: Very Good. 1st Edition. 60 pages, b/w ill., 38 × 26.5 cm, English/Italian A scarce copy of a publication that is a long distance dialogue between two different generations, a young artist and one of the protagonists of Arte Povera. The pages of the only 1960s institutional catalog by Prini are xeroxed, mi…xed up, and modified by Pecoraro. The book draft is then reworked and adjusted by Prini, who defines his contribution with the line illustration by emilio prini, as if all images were a unique, single act. VERY GOOD (minor signs of shelf wear, pages clean and unmarked, binding is tight).
Editore: Flash Art Milan, Italy 1970
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Da: Specific Object / David Platzker, New York, NY, U.S.A.Specific Object / David Platzker
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EUR 158,23
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24 pp.; 42.8 x 31.5; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; February - March 1971 issue of Flash Art, edited by Giancarlo Politi. Cover artworks: Field that can be entered, by Gianni Colombo; Amore Mio, exhibition at Montepulciano, July 1970, by Jannis Kounellis; One-man sho…w at the Daniel Templon Gallery, Paris, October, 1970, by Ben Vautier and Mass at the Daniel Templon Gallery, Paris, November, 1969 by Michel Journiac. Contents include: artists' statements, images and texts by Michel Journiac, Catherine Millet, Gianni Colombo, Jannis Kounellis, Ben Vautier, Angela Davis, Enea Ferrari, Joseph Beuys, Bruce Nauman, Walter de Maria, Gilbert and George, Emilio Prini, Gail Schneider, Clair Colquitt, William Wiley, Italo Tomassoni, Francois Morellet, Dan Flavin, Fred Sandback, Ed Kienholz, Bernar Venet, Roberto Sanesi, Claudio Costa, Mario Ceroli, Giancarlo Croce, Gina Pane, Aldo Tagliaferro, James Coleman, Kenneth Snelson, and Georges Noel. Texts in English and Italian. Good / Very Good. Folded in through the horizonal center as issued. Light edgewear and bumping of corners. 4 cm. staining on bottom right corner of verso. Contents otherwise clean and unmarked.
do it
Hans Ulrich Obrist, Bruce Altshuler, Andrew Bolton, Joan Brossa, Critical Art Ensemble, Jimmie Durham, Maria Eichhorn, Hans-Peter Feldmann, Paul-Armand Gette, Felix Gonzalez-Torres, Joseph Grigely, Ulrike Grossarth, Shere Hite, Fabrice Hybert, Ilya Kabakov, Mike Kelley, Alison Knowles, Koo Jeong-a, Bertrand Lavier, Siobhan Liddell, Eva Marisaldi, Chris Marker, Yoko Ono, Michelangelo Pistoletto, Emilio Prini, Jason Rhoades, Rupert Sheldrake, Andreas Slominski, Bruce Sterling, Rirkrit Tiravanija, Lawrence Weiner, Erwin Wurm, Marina Abramovic, Dara Birnbaum, Gilbert & George, Liam Gillick, Douglas Gordon, Dan Graham, Marie-Ange Guilleminot, María Teresa Hincapié, Allan Kaprow, Ben Kinmont, Jiri Kolar, Annette Messager, Eileen Myles, Pepón Osorio, Steven Pippin, Pipilotti Rist, Nancy Spero, Rosemarie Trockel, Franz West, Leon Golub, Robert Jelinek, Jonas Mekas, Michael Smith, Christian Boltanski, John Baldessari
Editore: Independent Curators Incorporated New York, NY 1997
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Da: Specific Object / David Platzker, New York, NY, U.S.A.Specific Object / David Platzker
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 271,25
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104 pp.; 21.5 x 10.7 cm.; glue bound; black-and-white; edition size 5000; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with the traveling show "do it," conceived and curated and with an introduction by Hans-Ulrich Obrist. Essay by Bruce Altshuler. Artists in the museum portion of the exhi…bit include Andrew Bolton, Joan Brossa, Critical Art Ensemble, Jimmie Durham, Maria Eichhorn, Hans-Peter Feldmann, Paul-Armand Gette, Felix Gonzalez-Torres, Joseph Grigely, Ulrike Grossarth, Shere Hite, Fabrice Hybert, Ilya Kabakov, Mike Kelley, Alison Knowles, Koo Jeong-a, Bertrand Lavier, Siobhan Liddell, Eva Marisaldi, Chris Marker, Yoko Ono, Michelangelo Pistoletto, Emilio Prini, Jason Rhoades, Rupert Sheldrake, Andreas Slominski, Bruce Sterling, Rirkrit Tiravanija, Lawrence Weiner, Erwin Wurm, Marina Abramovic, Dara Birnbaum, Gilbert & George, Liam Gillick, Douglas Gordon, Dan Graham, Marie-Ange Guilleminot, María Teresa Hincapié, Allan Kaprow, Ben Kinmont, Jiri Kolar, Annette Messager, Eileen Myles, Pepón Osorio, Steven Pippin, Pipilotti Rist, Nancy Spero, Rosemarie Trockel and Franz West. Artists included in do it (tv) broadcast on Austrian television include Gilbert & George, Leon Golub, Douglas Gordon, Marie-Ange Guilleminot, Shere Hite, Robert Jelinek, Ilya Kabakov, Jonas Mekas, Eileen Myles, Yoko Ono, Steven Pippin, Michelangelo Pistoletto, Michael Smith, Nancy Spero, Rirkrit Tiravanija, Lawrence Weiner, Christian Boltanski, John Baldessari, and Erwin Wurm. Very Good. Light rubbing of covers and fading at spine. Contents clean and unmarked.
Prospect 69 : Katalog-Zeitung zur internationalen vorschau auf die Kunst in den Galerien der Avantgarde 30. September bis 12. Oktober 1969 [Catalog newspaper for the international preview of art in the galleries of the avant-garde]
Konrad Fischer, Hans Strelow, Seth Siegelaub, Robert Barry, Douglas Huebler, Joseph Kosuth, Lawrence Weiner,, Bernd & Hilla Becher, Hanne Darboven, Bruno Gronen, Michael Heizer, Sol LeWitt, Richard Long, Reiner Ruthenbeck, Niele Toroni, Robert Smithson, Charles Ross, Markus Raetz, Jean-Frédéric Schnyder, Jannis Kounellis, Eliseo Mattiacci, Stanley Brouwn, Alghiero Boetti, Emilio Prini, Giuseppe Penone, Pier Paolo Calzolari, E.P. Butler, Eric Orr, James Lee Byars, Paul Cotton, Hans Haacke, Lynda Benglis, Ron Cooper, Doug Wheeler, Giorgio Griffa, David Prentice, Daniel Buren, Dennis Oppenheim, Zaj, Dick Higgins, Joseph Beuys, Ute Klophaus, David Lamelas
Editore: Städtische Kunsthalle Düsseldorf, Germany 1969
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Da: Specific Object / David Platzker, New York, NY, U.S.A.Specific Object / David Platzker
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 406,88
EUR 7,46 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
55 pp.; 35.5 x 25 cm.; loose leaves; duotone; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with Prospect 69 held September 30 - October 12, 1969. Conceived of and organized by Konrad Fischer and Hans Strelow. Edited section by Seth Siegelaub incorporates interviews w…ith Robert Barry, Douglas Huebler, Joseph Kosuth, and Lawrence Weiner conducted individually by themselves. rovides an overview of participating galleries and their artists. Additionally includes "in unabhängiger Präsentation, da von Auswahlkomitee eingeladen, aber nicht von den PROSPECT 69 vertretenen Galerien in der Kunstalle gezeight" [in an independent presentation, as invited by the selection committee, but not shown by the galleries represented by PROSPECT 69 in the Kunsthalle]. Artists include Bernd & Hilla Becher, Hanne Darboven, Jan Dibbets, Bruno Gronen, Michael Heizer, Sol LeWitt, Richard Long, Reiner Ruthenbeck, and Niele Toroni. Additionally includes full-page images or projects by Robert Smithson (Mirror Displacement, Portland Isle, England, 1969), Charles Ross, Markus Raetz, Jean-Frédéric Schnyder, Jannis Kounellis, Eliseo Mattiacci, Stanley Brouwn, Alighero Bottti (1/2 page), Emilio Prini (1/2 page), Giuseppe Penone (1/2 page), Pier Paolo, Calzolari (1/2 page), E.P. Butler (1/2 page), Eric Orr (1/2 page), James Lee Byars (1/2 page), Paul Cotton (1/2 page), Hans Haacke, Lynda Benglis, Ron Cooper, Doug Wheeler, Giorgio Griffa, David Prentice, a double-page centerfold of blue stripes by Daniel Buren, Dennis Oppenheim, ZAJ-Gruppe, Dick Higgins, Joseph Beuys (photo by Ute Klophaus), David Lamelas, and 13 "Information" pages with advertising.Exhibition catalogue published in conjunction with Prospect 69 held September 30 - October 12, 1969. Conceived of and organized by Konrad Fischer and Hans Strelow. Edited by Seth Siegelaub. Provides an overview of participating galleries and their artists and includes interviews with Robert Barry, Douglas Huebler, Joseph Kosuth, and Lawrence Weiner. References : "Seth Siegelaub : Beyond Conceptual Art" by Leontine Coelewij, Sara Martinetti, Marja Bloem, Julia Bryan-Wilson, Jo Melvin, Götz Langkau, Matilda McQuaid, Alan Kennedy, Seth Siegelaub. Köln and Amsterdam, Germany / Netherlands : Verlag der Buchandlung Walther König / Stedelijk Museum, 2016, pp. 176-179. "Six Years, The Dematerialization of the Art Object from 1966 to 1972 : A Cross-Reference Book of Information on Some Esthetic Boundaries . / edited and annotated by Lucy R. Lippard." by Lucy R. Lippard. Praeger Publishers Inc., NY / DC : Praeger Publishers Inc., 1973, pp. 113 - 115. Very Good. Light overall aging to paper, few very small chips to lower edge of recto cover, pale time staining to verso cover. Contents clean and unmarked. An outstandingly well preserved copy of a otherwise typically fragile publication.
Editore: Rick Vermeulen / Paul Bonger Hague, Netherlands 1972
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Da: Specific Object / David Platzker, New York, NY, U.S.A.Specific Object / David Platzker
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 406,88
EUR 7,46 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger a…nd Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Curl to bottom right quadrant of the three volumes. Rubbing, scratching and light edge wear to covers. Volume 1 has 6.2 cm., 1 cm. and 1 mm. areas of surface tearing to verso. Volume 2 has 10 cm. area of surface tearing to recto. Contents of all volumes are clean and unmarked.
Editore: Gabriele Mazzotta Editore Milan, Italy 1969
- Brossura
Da: Specific Object / David Platzker, New York, NY, U.S.A.Specific Object / David Platzker
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 452,09
EUR 7,46 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
240 pp.; 22.5 x 20.5 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed "This book does not aim at being an objective and general analysis of the phenomenon of art or life, but is rather an attempt to flank (both art and life) as accomplices of the changes and attitudes in the develop…ment of their daily becoming. This book does not attempt to be objective since the awareness of objectivity is false consciousness. The book, made up of photographs and written documents, bases its critical and editorial assumptions on the knowledge that criticism and iconographic documents give limited vision and partial perception of artistic work. The book, when it reproduces the documents of artistic work, refutes the linguistic mediation of photography. The book, even though it wants to avoid the logic of consumption, is a consumer's item. . This book produces a collection of already old material. . In this book there is no need to reflect in order to seek a unitary and reassuring value, immediately refuted by the the authors themselves, rather there is the necessity to look into it for the changes, limits, precariousness and instability of artistic work." -- text from Celant's introduction "Stating That." Includes artists Walter de Maria, Michelangelo Pisteletto, Stephen Kaltenbach, Richard Long, Mario Merz, Douglas Huebler, Joseph Beuys, Eva Hesse, Michael Heizer, Ger van Elk, Lawrence Weiner, Luciano Fabro, Bruce Nauman, Joseph Kosuth, Jan Dibbets, Giovanni Anselmo, Robert Barry, Pier Paolo Calzolari, Dennis Oppenheim, Barry Flanagan, Robert Smithson, Giulio Paolini, Reiner Ruthenbeck, Alighiero Boetti, Giuseppe Penone, Franz Erhard Walther, Hans Haacke, Gilberto Zorio, Robert Morris, Marinus Boezem, Carl Andre, Emilio Prini, Richard Serra. Text in Italian. Fair / Good. Two 3 cm. tears to upper spine edge. Moderate rubbing and light yellowing of covers. Moderate Foxing on inside front and back covers and scattered throughout the interior. Name of previous owner in ink on first free inside page. 1 cm. dog ear to corner of folded interior of back cover.
Editore: Studio International and Seth Siegelaub London / New York, United Kingdom / US 1970
- Rilegato
Da: Specific Object / David Platzker, New York, NY, U.S.A.Specific Object / David Platzker
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 678,14
EUR 7,46 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
48 pp.; 31.5 x 25 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Hardback variant of Studio International, Vol. 180, No. 924 (July / August 1970) containing only the conceptual catalogue for an exhibition that took place within the pages of the issue organized, and with an… introduction by, Seth Siegelaub. Curated chapters by David Antin, Germano Celant, Michel Claura, Charles Harrison, Lucy R. Lippard, and Hans Strelow. Artists include Dan Graham, John Baldessari, Richard Serra, Eleanor Antin, Fred Lonidier, George Nicolaidis, Keith Sonnier, Giovanni Anselmo, Alighiero Boetti, Pier Paolo Calzolari, Mario Merz, Giuseppe Penone, Emilio Prini, Pistoletti, Gilberto Zorio, Daniel Buren, Keith Arnatt, Terry Atkinson, David Bainbridge, Harold Hurrell, Michael Baldwin, Victor Burgin, Joseph Kosuth, Barry Flanagan, John Latham, Roelof Louw, Robert Barry, Stephen Kaltenbach, Lawrence Weiner, On Kawara, Sol LeWitt, Douglas Huebler, N.E. Thing Co., Frederick Barthelme, Jan Dibbets, and Hanne Darboven. "This exhibition was organized by requesting six critics to each edit an 8-page section and in turn, to make available their section to the artist(s) that interest them." -- from Siegelaub's introduction. Text in English, German, and French. References : "Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art" by Catherine Morris, Vincent Bonin, Julia Bryan-Wilson. Brooklyn / Cambridge, NY / MA : Brooklyn Museum / MIT Press, 2012, pp. 39. "International General, Distributing Independently Produced Vanguard Art Books, Catalogues and Information" by Seth Siegelaub. New York, NY : International General, 1971. "Seth Siegelaub : Beyond Conceptual Art" by Leontine Coelewij, Sara Martinetti, Marja Bloem, Julia Bryan-Wilson, Jo Melvin, Götz Langkau, Matilda McQuaid, Alan Kennedy, Seth Siegelaub. Köln and Amsterdam, Germany / Netherlands : Verlag der Buchandlung Walther König / Stedelijk Museum, 2016, pp. 208-211. "Six Years, The Dematerialization of the Art Object from 1966 to 1972 : A Cross-Reference Book of Information on Some Esthetic Boundaries . / edited and annotated by Lucy R. Lippard." by Lucy R. Lippard. Praeger Publishers Inc., NY / DC : Praeger Publishers Inc., 1973, pp. 179. Good / Very Good. Curve to recto with mild rubbing of covers. Light yellowing of pages. Contents otherwise clean and unmarked.
Editore: Accademia di Brera 1989
- Prima edizione
Da: Studio Bruno Tonini / Tonini Editore, Gussago, BS, ItaliaStudio Bruno Tonini / Tonini Editore
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Ottimo
EUR 120,00
EUR 27,00 spedizioneSpedito da Italia a U.S.A.Quantità: 1 disponibili
senza rilegatura. Condizione: ottimo. prima edizione. PRINI Emilio (Stresa 1943 - Roma 2016) - SERRAO Francesco (Roma 1946) Milano, Accademia di Brera, 1989/1990, 20,9x14,7 cm, typographic invitation sheet printed in gold on a white background published on the occasion of Emilio Prini's press conference "La rivoluzione prossima…ventura (è arrivata)" and the screening of the film "The Masks of the Night" by Francesco Serrao (17 December 1990). Copy with signs of three folds for shipping.
Lingua: Italiano
Editore: Kienzle Art Foundation, Berlin 2010
- Prima edizione
Da: A&M Bookstore / artecontemporanea, Milano, MI, ItaliaA&M Bookstore / artecontemporanea
Contatta il venditoreVenditore con 4 stelleCondizione: Usato - Ottimo
EUR 150,00
EUR 42,00 spedizioneSpedito da Italia a U.S.A.Quantità: 1 disponibili
senza rilegatura. Condizione: ottimo. prima edizione. "Twisted Standards" features two artists who are prominently presented in the collection. They are Emilio Prini and Elmar Zimmermann. With his affinities to Arte Povera, the Italian Prini belongs to an older generation. He will be shown with half a dozen primarily monumental…photographic works from the 1960s to the 1980s. The German artist Elmar Zimmermann already participated in "Show 1" witha huge, site-specific installation entitled Eine Wand. In this exhibition, he will show this piece once more, offering new perspectives to this wood-felt concoction. In a selection of a handful of works from the last few years, some of them taken from thegarbage, some of them found or made of industrial materials, Zimmermann literally approaches Prini's older works. In his own days, Prini frequently challenged conventions as he declared something an artwork when many of his contemporaries had strong doubts regarding the artistic merits. This is exactly the type of ingredient Jochen Kienzle finds attractive.The title bears a number of allusions and is thus in keeping with the Kienzle Art Foundation's mission: It is the goal of Jochen Kienzle to show marginalized, quasi-forgotten or not very well known artists. He wants to investigate their positions and offer them a forum where their oeuvre can be discussed. This event is thus logical.The focus of "Show 2" is recourse to analogous black-and-white photography. The question of our standpoint is once more addressed in light of traditional media. And our present-day digital implicitness is thereby challenged. The intention is neither to be decorative nor to be tame. It is an attempt to re-reflect the numerous works of art, assembled over many years by the foundation, and to look at them again in a different light. The intention of the Kienzle Art Foundation continues to retain an open and discursive collection structure, as well as a clear commitment to art.A publication will accompany "Show 2." Once again, this is a large poster, presented as a leporello with images and German / English text", Text: Kletke Daniel. cm 15x21; COL and BW; scarce item.
