Ervin booker (4 risultati)

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  • Libri (4)

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  • Lingua: Inglese

    Editore: Savoy Jazz, 1992

    Da: Druckwaren Antiquariat, Salzwedel, GermaniaDruckwaren Antiquariat

    Venditore con 5 stelle
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    Membro dell’associazione: GIAQ

    Condizione: Usato - Ottimo

    EUR 20,00

    EUR 20,00 spedizione 
    Spedito da Germania a U.S.A.

    Quantità: 1 disponibili

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    Audio CD. Condizione: Sehr gut. Remastered. 6 tracks. CD sehr gut erhalten! LÄUFT! Sprache: Englisch Gewicht in Gramm: 550.

  • Editore: Rhino / Wea 2001-06-19 00:00:00, 2001

    Da: Inquiring Minds, Saugerties, NY, U.S.A.Inquiring Minds

    Venditore con 4 stelle
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    Condizione: Usato - Molto buono

    EUR 35,25

    EUR 5,26 spedizione 
    Spedito in U.S.A.

    Quantità: 1 disponibili

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    Audio CD. Condizione: Used - Very Good.

  • Altre immagini

    Lingua: Inglese

    Editore: Capitol Rec, 2000

    Da: ABC Versand e.K., Aarbergen, GermaniaABC Versand e.K.

    Venditore con 5 stelle
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    Condizione: Usato - Ottimo

    EUR 19,69

    EUR 43,54 spedizione 
    Spedito da Germania a U.S.A.

    Quantità: 1 disponibili

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    Audio CD. Condizione: Sehr gut. Hülle mit kleinen Gebrauchspuren, CD wie neu OM203F9 Sprache: Englisch Gewicht in Gramm: 505.

  • Condizione: Usato

    EUR 838,35

    EUR 25,58 spedizione 
    Spedito da Regno Unito a U.S.A.

    Quantità: 1 disponibili

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    Really quite superb and typographically "groovy" poster offering a roster of decidedly superior jazz entertainment throughout August 1967. The East Village In was situated at 101 Avenue A, a slice of old New York's East Village that continued as "a lynchpin of the downtown arts, culture, and music scene" when in 1979 it morphed into the fabulous Pyramid Club (villagepreservation website). The unmistakable Booker Ervin (whose tone on tenor is described by British jazz historian Brian Priestley as "not merely hot but scalding") was leading a quintet, the composition of which may have matched his Newport format of that year: Chick Corea (piano), Reggie Johnson (bass) and Lenny McBrowne (drums). Fellow Texan Kenny Dorham was one of the first bebop trumpeters and "had something of the fleetness of Dizzy Gillespie and the sonority of Miles Davis" (Ian Carr). Tenorist Jimmy Heath, whose "tough post-bop style [was] a match for many better-known players" (Priestley), led a group at this time that often included trumpeter Art Farmer and vibes maestro Milt Jackson. Blue Mitchell (trumpet) and Junior Cook (tenor) inherited Horace Silver's group when the pianist left in 1964 and made some fine recordings for Blue Note. Ian Carr and Brian Priestley in Jazz: The Rough Guide, 1995. Poster (558 x 354 mm), printed in black on white-faced heavy card stock, yellow spot colour. Very slight creasing to top left corner otherwise in exceptional condition, bright and sharp.…