evans walker 1903 1975 (18 risultati)

First paperback printing (per publisher's number line upon copyright page). Reprint of the original 1995 edition. xxii, 358 pages plus two sections of unpaged b/w plates. Paperback: H 22.75cm x L 15.25cm. Paper covers; slight bump at front cover's top fore-edge corner; slight bumping at rear cover's center top. Interior pages are clean. Binding remains fairly crisp. ISBN 0618056726.

No edition/printing statement upon copyright page. 654 pages. Hardcover: H 24.25cm x L 17cm. Dust jacket lightly rubbed; rear panel's top right bumped with small ding at center right; front flap is not price-clipped. Black cloth spine with vibrant silver stamped lettering; black boards; light bumping at rear board's top right corner. Slender patch of light soiling at center fore-edge of initial leaves; interior pages are bright and clean. Binding retains some crispness. A near fine copy in a very good+ dust jacket. Please note that this thick book has an approximate shipping weight of 3.25 pounds (1.47 kg) and may require additional postage for any postal class other than domestic Media Mail. ISBN 046509077X.

hardcover. Condizione: Fine. Condizione sovraccoperta: includes dust-jacket. DETAILS: near fine dust-jacket, fresh attractive copy, fine condition black cloth with embossed spine titles, a very nice copy indeed. EVANS, WALKER. American photographs. With an essay by Lincoln Kirstein. New York: Museum of Modern, Distributed in the United States and Canada by ARTBOOK, 2012, Seventy-fifth anniversary edition., 208pp., . More than any other artist, Walker Evans invented the images of an essential America that we have long accepted as fact. American Photographs, first published by The Museum of Modern Art in 1938, is the purest and most complete expression of his cool, unblinking vision. The eighty-seven photographs reproduced on its pages are as relevant and essential as ever, with Lincoln Kirstein's essay as their eloquent foil. American Photographs has been a key touch-stone for photographers and those who seek to understand the lyric potential of the medium, but it has often been out of print. This Seventy-Fifth-Anniversary Edition, with duotone plates complementing the elegant restraint of the original typography and design, makes Evans's landmark book available again. For the first time, digital technologies aid in emulating the precise cropping and finely tuned balance of the 1938 reproductions, capturing as never before the look and feel of the first edition. ISBN 9780870708350.

Reprint. [1-64], i-xvi, 1-416 pages. Hardcover: H 23.5cm x L 19.75cm. Dust jacket rubbed; front flap is not price-clipped. Black cloth with vibrant silver stamping to spine and front board. Slight soiling and a few small stains to top and bottom text block edges. Interior pages are clean. Binding retains some crispness. Classic book first published in 1941 in which Agee and Evans document white sharecropper families in rural late 1930s Alabama. The book's sixty-four page introductory section features b/w photographs by Walker Evans. In a brilliantly innovative blend of literature and journalism, Harvard-educated James Agee records and comments on the plight of Great Depression-era sharecropper families in the American South (specifically in Hale and Tuscaloosa counties of west central Alabama). Although receiving minimal praise upon its 1941 publication, LET US NOW PRAISE FAMOUS MEN is now lauded as a classic text in American literature and photojournalism. Approximate shipping weight = 3 pounds. ISBN 0395957710.

First American Edition (as stated upon copyright page). 111 pages. Hardcover: H 28.75cm x L 21.75cm. Black dust jacket rubbed; front flap is not price-clipped. Black boards. Text block's top edge foxed. Slight foxing to endpapers; interior leaves are clean. Binding is firm. ISBN 0394574931.

Reprint (post-1980). [1-64], i-xxii, 1-471 pages. Hardcover: H 22cm x L 14.75cm. Gray dust jacket with minor soiling; light toning to spine; some bumping. nicks, and short tears at edges; slender bands of toning at flap margins; front flap retains publisher's printed price at top right. Black cloth with vibrant silver stamped spine lettering. Interior pages are bright and clean. Binding remains crisp. A fine copy in a very good dust jacket. Classic book first published in 1941 in which Agee and Evans document white sharecropper families in rural late 1930s Alabama. The book's sixty-four page introductory section features b/w photographs by Walker Evans. In a brilliantly innovative blend of literature and journalism, Harvard-educated James Agee records and comments on the plight of Great Depression-era sharecropper families in the American South (specifically in Hale and Tuscaloosa counties of west central Alabama). Although receiving minimal praise upon its 1941 publication, LET US NOW PRAISE FAMOUS MEN is now lauded as a classic text in American literature and photojournalism. ISBN 0395073308.

Mass Market Paperback. Condizione: Good.

First printing INSCRIBED, SIGNED, AND DATED BY THE AUTHOR. 43 pages. Large paperback: H 28cm x L 21.5cm. Stiff paper covers lightly rubbed, slight scuffing at spine ends, several small faint stains to front cover with light wear at corners, light soiling to rear cover. Binding is firm and pages are bright and clean. A very good copy with Ferris's five-line inscription familiarly signed "Bill" dated October 1986 upon the title page. With Foreword and b/w photographs as well as an Appendix featuring "Selected Bibliography of Eudora Welty's Work" on page 41 and "Selected Bibliography of Walker Evans's Work" on page 42. Text comprised of essays "Images of the South: An Introduction," "A Visit with Eudora Welty" (pages 11-26), and "A Visit with Walker Evans" (pages 27-39). ISBN 0892670053.

(Aperture masters of photography.). Publisher's cloth, pictorial dustjacket. Very fine. Köln, Könemann, 1997. Square 8vo. 96 spp. Richly illustrated with full-page black & white photographs. / Text trilingual in English, German and French.

paperback. Condizione: Fine. Prima edizione (First Edition). Introduzione di Gilles Mora. 63 fotografie in bianco e nero di Walker Evans. Biografia, Bibliografia . 8vo (cm 19x12,5). pp. 128 ca. . Ottimo (Fine). . Prima edizione (First Edition). . Book.

First Edition. Near fine cloth copy in a very good if slightly edge-nicked and dust-dulled dust-wrapper. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; [4], 204 pages : of ill, ports; 31 cm. Subjects; Photography, Artistic. Documentary photography. American. Table book. Show book. 1 Kg.

hardcover. Condizione: As New. Prima edizione (First Edition). A cura di David Campany. Completamente illustrato con fotografie in bianco e nero e a colori (servizi da "The Architectural Record", "Hound & Horn", "Fortune", "Vogue", "Flair", "The Cambridge Review", "Architectural Forum", etc.) Appendice con testi di Cartier-Bresson e Robert Frank. Bibliografia cronologica . Cm 33x25. pp. 224. . Perfetto (Mint). . Prima edizione (First Edition). . Mentre i libri fotografici di Walker Evans sono tra i più influenti nella storia della fotografia, le pagine più effimere del grande fotografo restano in gran parte sconosciute. Dalle piccole pubblicazioni d'avanguardia alle testate più famose come Fortune, Harper's Bazaar, Vogue, Architectural Forum e Life, Evans ha prodotto una controstoria innovativa e indipendente dell'America, spesso impostando da sè il layout delle pagine, dalla scrittura al design finale.Presentando molti dei fotosaggi di Evans nella loro interezza, David Campany assembla una storia dimenticata, che ci permette di vedere come Evans difese la sua autonomia artistica e si guadagnò da vivere raggiungendo il pubblico ben oltre i musei e le gallerie. Book.

Condizione: Sehr gut. 1. Aufl. 189 S., schw.-w. Abb., 26cm x 24cm GLn m. ill. OU, dieser mit minimalen Gebrauchsspuren und Randläsuren, OU etwas berieben, ansonsten sehr guter Zustand. Unzugeordnet Altersfreigabe FSK ab 0 Jahre Sprache: Englisch Gewicht in Gramm: 1100.

hardcover. Condizione: As New. Prima edizione (First Edition). Volume pubblicato in occasione della mostra omonima presso il Metropolitan Museum of Art, New York, 3 febbraio - 25 maggio 2009. Testo di Jeff L. Rosenheim. Illustrazioni a colori. Indice della cartoline riprodotte e bibliografia . Cm 26,5x21. pp. 407. . Perfetto (Mint). . Prima edizione (First Edition). . Catalogo e mostra si concentrano su una collezione di novemila cartoline illustrate raccolte e classificate dal fotografo americano Walker Evans (1903-1975), ora parte dell'Archivio Walker Evans del Metropolitan. La cartolina illustrata ha rappresentato un potente ceppo del realismo americano autoctono che ha influenzato direttamente lo sviluppo artistico di Evans. L'installazione dinamica di centinaia di cartoline americane tratte dalla collezione di Evans rivela il rapporto simbiotico tra l'arte di Evans stesso e il suo interesse per lo stile della cartolina. Book.

4°. 366, [2] S. mit zahlr. sw-Fotografien. Original-Pappband mit Schutzumschlag. Nur minimale Lager-/Altersspuren, sauber, der Umschlag leicht lichtrandig u. minimal bestossen/abgegriffen. - Die endgültige Monographie. Mit 475 Abbildungen von Fotografien, davon 26 in Farbe sowie mit einer Chronologie, Ausstellungsverzeichnis und Bibliografie. -Versandkosten innerhalb Deutschlands EUR 5,00 (versicherter Versand).

Evans, Walker, 1903-1975. American photographs. 75th-anniversary edition. With an essay by Lincoln Kirstein. New York, NY: Museum of Modern Art, 2012, 208pp., very good dust-jacket, fresh attractive copy, very good square black cloth. Printed in Italy. ISBN 9780870708350.

tapa blanda. Condizione: 2ª Mano - Bueno. Condizione sovraccoperta: 2ª Mano. Editorial Planeta, S.A. 2008. Backlist ficción. ilustrado B/N. una obra fundamental del periodismo y la fotografí. Libro.

Photograph mounted on board. Black and white photograph (illustratore). #10 of 10. 1931 Walker Evans photograph, sometimes known as "Bed and Stove, Truro, Massachusetts," printed by Evans in 1941 for the exhibition "American Photographs at $10" at The Museum of Modern Art in New York. SIGNED twice on the mount by Evans. The exhibition was aimed at promoting photography as an art form to the general American public, and helping photographers to sell their work as such. Nine American photographers agreed to participate, submitting a single photograph each to the show. They included Berenice Abbott, Ansel Adams, Walker Evans, Helen Levitt, among the others. The Museum asked each of the nine to print 10 duplicates of their featured photograph, and these would be available for sale to the public for $10 each. The present print is number 10 of this series of 10 printed by Evans for this exhibition. The number "41.1902.10" is pencilled at bottom right corner on back side of the think mounting board (see description of lot 60, Sotheby's Photographs Sale, October 17, 2006 for more information and discussion of this numbering scheme). Photograph has some silvering, and the mount has some old dampstains.