Goldman judith text (13 risultati)

Soft cover. Condizione: As New. 1st Edition. Slim 4to softcover with french flaps. 48 pp. Full-page color plates.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. Dust Jacket is black with blue, yellow and coral titling. Tan embossed boards. Unmarked. Profusely illustrated with full page color plates. DJ has small loss at bottom corner. Unpaginated. Bright and tight volume.

Paperback. Condizione: Near Fine. 1st. viii, 188 pages, illustrations (some colour); 26 x 29 cm. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. *** "James Rosenquist's unlikely constellations of familiar, oversized images which took the art world by storm in the 1960s-when pop art had not yet found its name-remain today the primary icons of those years. Since that time, Rosenquist has proved that the flatness, the visual punning, the banality of pop can yield sensual, affecting, and profound images which wholly defy categorization. It has been twenty years since the oddly juxtaposed fragments of F-111 confounded critics, and in that time Rosenquist has distinguished himself for his versatility as he had initially for his vision; his endurance, along with his distinctive vocabulary, has made him seem to many the most American painter working today. In studying Rosenquist's work, Judith Goldman has had the advantage of many conversations with the artist. Coming as close as anyone has come to the source of the ubiquitous lipsticks and fingernails, tomatoes and gears, fragmented faces, razor blades, and fields of spaghetti, Goldman has followed Rosenquist from New York to Florida, to his native North Dakota, and back again. In James Rosenquist she paints a portrait of the hyperkinetic artist as he himself might have painted it. James Rosenquist's reputation has grown steadily over the years, and his influence can be seen on a generation of younger painters. In this elegantly written and lavishly illustrated book Judith Goldman marshals facts, feelings, aesthetics, wisdom, and humor to illuminate the nature of his achievement." - Publisher. *** CONTENTS: Exhibition itinerary; Exhibition checklist; List of lenders to the exhibition; James Rosenquist: fragments of fragments; Brief chronology; Plates. Size: Oblong.…

Broschur, Gr.8°. Condizione: Sehr gut. 52 S. Das Buch ist in sehr gutem, sauberen Zustand. Einband minimal berieben. Sonst sauberes und wohlerhaltenes Exemplar. Exhibition catalog for a show that ran May 17 through June 30, 1986. Text in French with an introduction by Jean-Louis Prat and an essay by Judith Goldman. Includes numerous color and black and white illustrations, checklist, bibliography, and list of previous exhibitions. ISBN: 9782900923092 Aufgrund neuer EU Verpackungsgesetze können wir zurzeit nicht in EU Länder außer Deutschland liefern, Lieferungen an Grenz Packstationen oder Grenzpaket Anbieter ist weiterhin möglich. Auch Lieferungen in alle Länder außer der EU und Russland sind weiterhin möglich. Due to new EU packaging regulations, we are currently unable to ship to EU countries other than Germany; however, deliveries to border-located parcel lockers or cross-border parcel services remain possible. Shipments to all countries outside the EU and Russia also remain possible. Sprache: Französisch Gewicht in Gramm: 299.…

First 8vo, 175 pp, 144 illustrations (43 in color), bibliogpraphy. Exhibition Nov. 25, 1981 - Jan. 24, 1982. 0064332616 Fine in dj.

Cloth Covers. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. Montreal Books rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair.

softcover. Condizione: Sehr gut. 46 p. Published on the occasion of the exhibition held at Acquavella Contemporary Art, Inc., September 10 - October 12, 2012. Sprache: Englisch Gewicht in Gramm: 340.

Condizione: Near Fine. French-language edition (softcover). 8vo (25cm x 21cm), 54pp. Illustrated throughout in colour and black & white. Original laminated card wrappers. There is some light rubbing of the covers, else this book is in very good condition. Text in French. ISBN 2900923093.

4to, unpaginated [~25pp.]. Original textured matter paper wrapper, very slight creasing at bottom corner. Numerous full-colour reproductions of Noland's painting, in attition to diagramatic illustrations of their composition. A near-fine copy.

SOFTCOVER. Condizione: New. 1st Edition. Large heavy 4to. in colour printed stiff glossy card covers, 204pp, colour plates, etc . [CONDITION: NEW unread and unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Good. 1st Edition. 4to. Unpaginated, illus. color plates. First Edition, 1982. Not Price Clipped. Small chip with two 1 1/4" closed tears to top edge front panel dj and three small chips to top edge rear panel of same, else, Pristine no, wear. No markings, tight binding, clean, white and bright. 8.75" x 11.5". Grey cloth with blind-stamped lettering to front board and spine. In acetate protector. Size: Quarto. Book. …

Cloth Covers. Condizione: Near Fine. Near Fine. Montreal Books rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair. Size: wide 4to, 188pp. Book.

New York; ULAE, 1982. First edition. 32,5x25 cm. (35, 21 blanks) pp. + 18 plates. Publisher's cloth with printed dustjacket. The jacket is slightly chipped, otherwise fine. The book accompanied the exhibition "Savarin Monotypes" at Whitney Museum of American Art 1982-83. With an essay by Judith Goldman. "Because of a discrepance in the brightness of the paper, a group of proofs was withheld from the edition of Jasper Johns' lithograph Savarin (1977-81). Thinking to use these proofs as substructures for a series of monotypes, Johns began painting with colored inks on sheets of plexiglass. A lithograph, or, in some instances, blank paper was laid over the freshly painted surface, then covered with a felt blanket and run through a hand lithographic press. By modulating the applied pressure, it was often possible to transfer several slightly varying proofs from one painting." (preface). From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the last blank page.…