himely (24 risultati)

Himely (illustratore). Antique Stipple engraving from Journal d'agriculture pratique public sous la directions de Mr. Barral Boeuf Bazadais, au pelage brun, age de 5 and, 1 mois etc peasant 1010 kilogrammes, presented au Concours international de Poissy en 1862 par Mr. Bernede de Meilhan (Lot et caronne) -1st Prix de la section Des races Caronnaise etc Bazadaise pures Published by Sarazin. R. Git le Coeur 8, Paris Engraved by Himely. Overall dimensions approx 7 1/4 x 10 1/4 ins. "some margin wear, marks, light creases, heavy crease a long bottom margin etc".

Demi-cuir. Condizione: Bon. Girardet, Marville, Himely, Traviès (illustratore). Ed. originale. Reliure d'époque, demi-chagrin marron à coins, dos orné d'un motif romantique doré décoratif, plat simili, filet doré ; légers défauts d'usage au coins ; LXVI (notices)+1ffnch (description)+472pp ; illustré de 110 grands sujets de mammifères gravés à l'eau-forte dans le texte, 50 grands sujets HT sur papier légèrement teinté, 4 planches gravées sur acier peintes à l'aquarelle HT ; portraits de Buffon et de Cuvier tirés en camaïeu, un plan du jardin des plantes dépliant et 110 culs-de-lampe ; illustré par les meilleurs artistes et présenté ici dans l'édition originale et en premier tirage (Cf Carteret, tome III page 98), il cite l'ouvrage comme étant rare en belle condition. C'est le cas du notre, l'intérieur est assez frais, hormis quelques rousseurs éparses.

Condizione: Good. Etching and aquatint. 29.7 x 39 cm. (sheet). Very Good, minor surface wear, a few tears along sheet edges.

Bildgröße ca 17 x 26,5 cm / gerahmt 21,6 x 30 cm. Zwei Eckapplikationen des Rahmens fehlen, Rahmen beschabt. Jean Victor Vincent Adam (* 28. Januar 1801 in Paris; 30. Dezember 1866 in Viroflay bei Paris) war ein französischer Historienmaler und Lithograf. Sprache: französisch / englisch.

Veduta del sotterraneo animata da personaggi.

Stampa, antica ed originale, con veduta dell'Arco di Costantino. Inserita nell'opera "Excursions photographiques. Vues et monuments les plus remarquables de l'univers.". Parigi 1863. Autore: Himely sculp. Luogo: Roma. Anno: 1863. Tecnica: acquatinta. Dimensioni: 270x370 il foglio.

Stampa, antica ed originale, con veduta del Colosseo originariamente conosciuto come Anfiteatro Flavio. Inserita nell'opera "Excursions photographiques. Vues et monuments les plus remarquables de l'univers.". Parigi 1863. Autore: Himely sculp. Luogo: Roma. Anno: 1863. Tecnica: acquatinta. Dimensioni: 270x370 il foglio.

Stampa, antica ed originale, con veduta del Porto di Ripetta. Inserita nell'opera "Excursions photographiques. Vues et monuments les plus remarquables de l'univers.". Parigi 1863. Autore: Himely sculp. Luogo: Roma. Anno: 1863. Tecnica: acquatinta. Dimensioni: 270x370 il foglio.

Aquatint 27.1 x 36.3 cms; 32 x 47.6cms (sheet trimmed including platemark), margins outside the platemark toned and discoloured, edge tears, one encroaching on the platemark (image unaffected) small bloom of browning at the foot near caption, the image a fine dark impression in very good condition. Tranquil river view by artist and draughtsman Barthelemy Lauvergne (1805-1875) from the official account of the Laplace voyage in the Favorite (1830-32).

Technic: Copper print- Aquatinta, colorit: colored, condition: Very good, size (in cm): 23,5 x 32 cm, View of the city of Banyuwangi, which is located in the east of the island of Java, Indionesia.

Aquatint 27.1 x 36 cms; 31.6 x 47.2 cms (sheet trimmed, including platemark), margins outside the platemark toned and discoloured, edgewear with small chips, mark at the foot of the caption, split without loss at the lower corner of the platemark, the image a fine dark impression in very good condition. Fine view of the market square at Pondicherry showing the well and the prison in the background, from the official account of the Laplace voyage in the Favorite (1830-32) by voyage artist François-Edmond Pâris (1806-1893). The important French expedition encompassed India, Southeast Asia and the Pacific.

Aquatint 27.1 x 36 cm; 32.3 x 47.2 cm (sheet trimmed including platemark), margins outside the platemark toned and discoloured with soft crease and small split (not affecting the image) to an upper corner, the image a fine dark impression in very good condition. Beautifully executed view of the Governor's Palace in the Pondicherry showing soldiers and officials trouping out, from the official account of the Laplace voyage in the Favorite (1830-32) by voyage artist François-Edmond Pâris (1806-1893). The important French expedition encompassed India, Southeast Asia and the Pacific.

Ampia veduta della Mer de Glace presa da Montanvert disegnata da Du Bois e tradotta in acquatinta da Himely per gli editori Briquet et Du Bois di Ginevra. All'estrema sinistra si nota porzione delle Aiguilles Rouges, il Beloiseau ed il Dent du Midi. Al centro della raffigurazione si nota il ghiacciaio di Nant-Blanc, l'Aiguille du Dru, alle cui spalle si erge l'Aiguille Verte. Sulla destra in lontananza si notano le Petites Jorasse, la Grande Jorasse, Mont Mallet, le Aiguilles des Charmaux e l'Aiguille de Crepon. Impressione fresca; ottimo lo stato di conservazione generale. Autore: Du Bois J. dis. & Himely sculp. Luogo: Monte Bianco. Anno: 1840 ca. Tecnica: acquatinta. Dimensioni: 258x493 mm.

unbound. Wilhelm Heine, Julius Hermann Kummer, and Karl Emil Dopler. (illustratore). View. Original color lithograph with hand coloring. Measures 27 1/4" x 39 1/4". In archival sliver-leaf frame. This 1851 dramatic bird's-eye view of mid-19th century New York City, created by German/American artists Wilhelm Heine, Julius Hermann Kummer, and Karl Emil Dopler, offers a striking depiction of the city as seen from a balloon above Governor's Island. The detailed illustration captures New York's rapid development up Manhattan Island, with the city's frontier visible in the upper thirties and forties, transitioning to country estates and farmland. The Croton Distributing Reservoir is prominently shown just before the landscape fades to the horizon, providing a comprehensive view of the city's growth and its complex waterways. Modern New Yorkers may not recognize the 19th century variant of this beautiful city without the iconic Brooklyn bridge and the Statue of Liberty, both of which would only appear decades later. In the foreground, Castle Garden is depicted still linked to the Battery by a causeway, a connection that would soon be replaced by landfill in 1857. The southern waterfront of Manhattan, including the Battery, is shown with artful shadowing to emphasize areas from Trinity Church to City Hall. This shadowing effect, as if created by passing clouds, darkens parts of the city south of Beaver and Wall Streets, highlighting the contrast with the brighter areas. Brooklyn Heights and Jersey City are also visible to the right and left, framing the view. The engraving was executed by Sigismund Himely after the original drawings by Heine, Kummer, and Dopler. This view is a particularly striking depiction of 19th-century New York, with Manhattan Island dramatically foreshortened showcasing the bustling harbor and the city's vibrant expansion. In Good condition. Framed in an attractive sliver-leaf frame. Sigismond Himely (1801 - 1872) was a Swiss painter, viewmaker, and aquatint engraver active in Paris during the mid-19th century. Born in La Neuveville, Bern, Switzerland, he moved to Paris to study painting with Copley Fielding and Jean-Victor Bertin. He is known for engraving aquatints for English watercolorists and producing historical views, city bird's-eye panoramas, architectural illustrations, and ethnographic images, including rare illustrations of Asia, Africa, and the Americas. Julius Hermann Kummer (1817 - 1889) was a landscape painter and lithographer active in the 19th century. Originally working in Dresden, he emigrated to America in 1849 following the Revolution of 1848. In the United States, he initially worked in New York City, Brooklyn, and Boston, where his "Bird's-eye view of Harvard College and Old Cambridge" received mixed reviews. After moving to St. Louis around 1860, Kummer painted scenes of the Plains and Rocky Mountains, including his notable "Twelve Views of the Rocky Mountains". Peter Bernhard Wilhelm Heine (1827-2013 1885) was a German-American artist, world traveler, writer, and officer during the American Civil War. After working as a scene designer and painting instructor in Dresden, Heine fled to New York in 1849 following his participation in the May Uprising. In New York, Heine established his artist studio and reputation. Heine met President Millard Fillmore and Commodore Matthew Perry in Washington and was appointed the official artist for Perry's expedition to Japan.

Veduta della catena del Monte Bianco disegnata da Du Bois nei pressi della Flégère e tradotta in acquatinta da Himely. All'estrema sinistra della veduta, in lontananza si scorgono le Alpi Bernesi ed il Col de Balme, mentre nel fondo valle si nota il villaggio dell'Argentière ed il ghiacciaio. Proseguendo con lo sguardo verso destra si incontrano l'Aiguille Du Tour, l'Aiguille d'Argentiere, l'Aiguille du Chardonnet, l'Aiguille Verte, l'Aiguille du Dru e l'Aiguille des Charmaux tra le quali scende imponente verso il fondo valle la mitica Mer de Glace. Scorrendo nuovamente lo sguardo verso le vette della catena, sempre proseguendo verso destra, troviamo l'Aiguille de Crepon, l'Aiguille du Plan ou de Bletiere, l'Aiguille du Midi e la cima del Monte Bianco sotto la quale si trova il Grand Plateau ed il ghiacciaio des Bossons che si estende fino a valle. Nel fondo valle si trova la confluenza tra i fiumi Arve ed Arveron ed il villaggio di Chamonix. Impressione fresca caratterizzata da vividi contrasti delle campiture. Rara. Autore: Du Bois dis. & Himely inc. Luogo: Monte Bianco. Anno: 1840 ca. Tecnica: acquatinta. Dimensioni: 258x500 mm.

Technic: Copper print- Aquatinta, colorit: original colored, condition: Minor stains, size (in cm): 22 x 28,5, Decorative total view of the city Sitten, Canton Vallis.

Technic: Copper print- Aquatinta, colorit: original colored, condition: Very good, size (in cm): 22,5 x 31,5 cm, View of the mainstreet in Rio de Janeiro, Brasil.

Aquatint with handcolour, 22.1 x 32 cms; 32.2 x 46.4 cms (sheet including platemark), "La Favorite" blindstamp at the foot, light cockling to paper, edge-toning, the image a fine dark impression in very good condition. A fine view of the Fort of Bocca-Tigris in the Pearl River delta just downstream from Canton (Guangzhou); one of the many fortifications protecting this strategic route of the China Trade to Canton. This atmospheric image of the fort with a junk and a yacht sailing in the river in the foreground is from the official account of the Laplace voyage in the Favorite (1830-32) by voyage artist François-Edmond Pâris (1806-1893). The strait is now crossed by the Humen Pearl River Bridge.

A fine and large (69 x 99 cm.) bird's-eye view of New York City with Battery Park in the foreground, engraved by Sigismund Himely after Heine, Kummer & Dopley. Framed and glazed (102 x 132 cm.) by John Jones (in 1997). HEINE, Wilhelm (1827-1885), KUMMER Julius, (1817-1869), and DÖPLER (Reps 2659; Stokes, Manhattan Island vol. 3, p. 893.).

Rose d'Ostervald (illustratore). 'AU SIMPLON. HIMELY GRAVE PAR (18011872) D'APRÈS MLL. ROSE D'OSTERVALD (17951831). PARIS, PUBLIE PAR RITTNER, 1829.'A richly colored Alpine winter scene featuring a couple with a dog walking past a timbered chalet nestled in a snow-covered mountain pass. A wooden bridge crosses a frozen stream in the foreground, with soft mountain silhouettes behind.Made by Jean-Christophe Himely after Rose d'Ostervald.Medium: Aquatint etching with hand coloring on wove (vellin) paper.Sheet size: 20 x 14.5 cm (7.87 x 5.71 inch). Image size: 20 x 14.5 cm. (7.87 x 5.71 inch).SWISS CHALET, SIMPLON PASS, OBERLAND BERNOIS, ALPINE LANDSCAPE, HIMELY, ROSE D'OSTERVALD, AQUATINT, 19TH CENTURY SWITZERLAND, MOUNTAIN SCENE, SNOWY ALPS | PCO-E30-43BACKGROUND INFORMATIONFrom the series Douze Chalets Suisses de l'Oberland Bernois, published by Rittner, Paris, 1829.Biography engraver: Jean-Christophe Himely (1801-1872) was a Swiss-French engraver known for finely executed aquatints of landscapes and topographical views. Active in Paris, he collaborated on several series featuring Swiss scenery.Biography artist: Marie Rose d'Ostervald (1795-1831) was a Swiss female artist from Neuchâtel, known for her watercolors and romanticized alpine scenes. She was one of the few published female artists of the period. Condition: good, given age. Light creasing, foxing and soiling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

No Binding. Condizione: Fair. Antique print titled 'Reception du Commandant de la Favorite par un Mandarin Cochinchinois'. Old print of the reception of Laplace, Commander of 'the Favorite'. Laplace was instructed to thoroughly explore the Indian Ocean and the route to the Indies via the Strait of Malacca, between Sumatra and Malaysia, into the China Sea. Originates from the series 'Voyage autour du monde par les mers de l'Inde et de la Chine de la corvette de sa Majeste La Favorite'. Printed on India paper, some foxing and wear. Blank verso, please study image carefully. Overall size: 47 x 31 cm. Image size: 32 x 23 cm. The collection of Bartele Gallery includes over 50,000 authentic antique maps, sea charts, prints and books. Our Abebooks store includes a selection of maps, prints and books for SALE prices. Please visit our other online sales channels to explore our complete collection of original antique maps and prints!

Laufen, Bleuler (um 1850). Blatt 18 x 50 cm. Bild 9,5 x 41,5 cm. Aquatinta, ungefaltet. Ohne Legende.

No Binding. Condizione: Fine. Handgekleurde aquatint door Sigismond Himely naar een tekening van Louis (Johann Ludwig) Bleuler. Uitgegeven te Schaffhausen in 1826 door Louis Bleuler. Afmetingen (afbeelding incl. titel): 23 x 30 cm.