hogarth william illustrator (22 risultati)

Paperback. Condizione: Very Good. 9th Printing.

Paperback. Condizione: Used: Good. 13th Printing. 4th Printing-1967. A nice copy with a tight and square binding. Front and back cover are good. Text is clean but tanned. Careful packaging and fast shipping. We recommend EXPEDITED MAIL for even faster delivery.

Paperback. Condizione: Poor. No Jacket. Due to age and/or environmental conditions, the pages of this book have darkened. Boards are moderate to severely edgeworn. Binding is moderately loose. Shows more than the usual amount of shelf wear. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Hogarth, Paul (illustratore). First British Edition. Part of Hutchinson's "Novella series,'' this is a "beautifully moulded" story set in wartime rural Ireland involving a young boy, an ailing local beauty, & a local cinema--"the Alexandra" that her husband builds for her & which the boy comes to own. In 71 pages, with haunting duotone illustrations throughout by English artist Paul Hogarth. A First Edition, first printing, from 1987, this hardcover octavo (6.25" x 9.50") has a quarter black cloth wrapped spine with red cloth covering the remaining boards, stamped in gilt to front & lettered in same to spine. Condition is Fine: completely bright & clean save for former owner's stamp to half title page. Binding straight & strong; pages white, NO writing or underlining or highlighting; not ex-lib.The unclipped DJ (with L7.95 price in pounds intact on lower front flap) is equally Fine: bright & colorful with NO wear or fading; nicely protected in new mylar cover free! Our photos depict the Exact book you will receive from us, never "stock" images of books we don't actually have! All orders processed before 2 pm weekdays (PST) ship same day; weekends & holidays ship very next business day.

hardcover. Condizione: Very Good. Modest shelfwear to cover; no dust jacket. Clean pages and sound binding.

Broschiert. Condizione: Gut. 20 x 21 cm 87 S. Broschiert. Zustand: Gut bis Sehr Gut min. gebräunt (Innen); Einband (Außen) hat geringe Gebrauchsspuren; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.

Hardcover. Condizione: Fair. 12mo, full brown leather, 401 pages, illustrations. Boards have some scuffing, front board & title page through page ii detached as one but present, former owner's name & bookplate on front pastedown endpaper, corners bumped & worn, faint marginal marks in pencil, first plate trimmed close at fore edge, some light tanning to text w/ the occasional light fox spot, but still very nice, the folding plates are excellent, and the front board could easily be re-attached. 5 folding plates; no frontispiece.

Mass Market Paperback. Condizione: Good. Mass Market Paperback -- Good -- Other than one page colored and some cover wear, book is tight -- Later printing.

broschiert. Condizione: Wie neu. 140 S. : zahlr. Ill. ; 21 cm neuwertiger Zustand, wirkt ungelesen, transparenter Schutzumschlag am Rücken leicht eingerissen, Seiten am Schnitt zart nachgedunkelt Sprache: Deutsch Gewicht in Gramm: 450.

Gewebem. Sch im Schuber. Condizione: Gut. [2., verb. Aufl.]. 607 S. : zahlr. Ill. ; 25 cm verlagsfrisch 9783364002286 Sprache: Deutsch Gewicht in Gramm: 550.

kart. Condizione: Sehr gut. 158 S. : zahlr. Ill. Sehr gutes Exemplar, ohne Mängel. - - Vorwort - - Hogarth: Lebensdaten Martina Dillmann - - Hogarths Medienmix Moritz Wullen - - Hogarths -Marriage A-la-Mode Judy Egerton - - "Marriage A-la-Mode" Zur Dialektik von Detailgenauigkeit und Vieldeutigkeit bei Hogarth Werner Busch - - Georg Christoph Lichtenberg über "Marriage A-laMode" - - ". anschauende Kenntnis des Menschen in allen Ständen." Lichtenberg als Dolmetsch von Hogarth Karl Arndt - - Chodowiecki: ein "deutscher Hogarth"? Claude Keisch - - Auch ein "teutscher Hogarth": Ramberg Martina Dillmann - - Ein Historienmaler begegnet Hogarth: Wilhelm von Kaulbach Martina Dillmann - - Die Hölle wieder im Jenseits: Genelli Martina Dillmann - - Satire, Ironie, tiefere Bedeutung: Hogarth, Menzel Claude Keisch - - Der schäbige Heroismus einer Gegenwart: Max Klinger und Hogarth Claude Keisch - - Die Metaphysik in der Gegenständlichkeit: Max Beckmann über William Hogarth Christian Lenz - - Montagen von Schönheit und Moral: George Grosz, ein neuer Hogarth Peter-Klaus Schuster - - Die ausgestellten Werke. ISBN 9783886091775 Sprache: Deutsch Gewicht in Gramm: 843.

Hardcover. Condizione: Fine. 1st Edition. A very sound and attractive copy of this first edition of Zachary Grey's Hudibras, with plates by William Hogarth engraved by J Mynde, and the portrait frontispiece of Butler engraved by George Vertue. Preface xxxvi pages, 40 page list of subscribers with errata at the end, pages 1-424, 16 page index. 16 plates all present - Plate 8 (Hudibras disputing with Ralpho) is bound out of turn as per the instructions to the printer. Expertly re-backed by J S Wilson of Cambridge in contemporary style using original boards, pages and plates are very fresh and clean. On the front endpaper and pastedown, ownership inscriptions dated 1760 of Josias Cockshutt Twistleton of Osbaston Hall, Leicestershire, with his crested bookplate: also name and ex libris label of Dr Alan Gauld. All in excellent condition.

Pp. Condizione: Wie neu. 158 S. : zahlr. Ill. ; 31 cm neuwertiger Zustand, wirkt ungelesen, minimale Lagerspuren am Einband, kleine Bleistiftnotiz im Vorsatz Sprache: Deutsch Gewicht in Gramm: 1040.

Leinen. Condizione: Wie neu. 1. Aufl. 607 S. : zahlr. Ill. ; 25 cm neuwertiger Zustand, wirkt ungelesen, Schuber zart lichtrandig, minimale Lagerspuren am Schutzumschlag, kleine Bleistiftnotiz im Vorsatz Sprache: Deutsch Gewicht in Gramm: 2210.

Pp., Hardcover/Pappeinband. Condizione: Gut. 355 S. : zahlr. Ill. ; 24 cm Schutzumschlag, guter Zustand 160K Sprache: Deutsch Gewicht in Gramm: 953.

broschiert. Condizione: Wie neu. 91 S. : Ill. ; 21 cm neuwertiger Zustand, wirkt ungelesen, minimale Lagerspuren am Einband Sprache: Deutsch Gewicht in Gramm: 260.

Gewebe. Condizione: Sehr gut. [2., verb. Aufl.]. 607 S.: zahlr. Ill.; 25 cm Zustand: Leineneinband mit Schutzumschlag, sehr guter Zustand im schlichten Pappschuber --- Inhalt: mit umfangreichem Tafelteil, diese teils farbig / ausklappbar, auch mit vergleichenden Darstellungen-- William Hogarth, FRSA (1697-1764) war ein sozialkritischer englischer Maler und Grafiker, der eine Vorliebe für satirische bildliche Darstellungen hatte. Er gilt neben Thomas Gainsborough und Joshua Reynolds als bedeutendster englischer Maler des 18. Jahrhunderts. Als Vorläufer der modernen Karikaturisten prangerte er in Gemälden und Kupferstichen, die oft als mehrteilige Bildergeschichten erschienen, die Sitten und Gebräuche seiner Zeit schonungslos und mit beißender Ironie an. [Wikipedia] NER4-2 ISBN: 9783364002286 Sprache: Deutsch Gewicht in Gramm: 2300.

Softcover/Paperback. 140 S. Einband gering vergilb, m. Lesespuren a. Buchrücken, Bindung gering gelockert SL09 *.* Sprache: Deutsch Gewicht in Gramm: 500.

kart. Condizione: Sehr gut. 91 S. : Ill. ; 21 cm Zustand: sehr gut bis neuwertig; UNGELESEN; a10034 Wenn das Buch einen Schutzumschlag hat, ist das ausdrücklich erwähnt. Rechnung mit ausgewiesener Mwst. Sprache: Deutsch Gewicht in Gramm: 230.

Third edition; 3 vols, 8vo (235 x 155 mm); 135 engraved illustrations (indexed), the one on p. 17 printed on blue paper, as usual, the occasional spot or mottling, more so to preliminary leaves but in the main very good; contemporary full red straight-grained morocco gilt, double-panelled boards, the inner one enclosing a crosshatched panel of florets, blind framed with a Greek key outer border, ribbed spines gilt and blind, gilt dentelles, all edges gilt, bumping to corners and rubbing to extremities but firm and unrestored. An exceptionally handsome set of this stalwart of the traditional library, with finely engraved illustrations.

Small 12mo, pp xiv, 424 [with irregular pagination], [21, index], frontispiece portrait and 16 plates, some folding, engraved by William Hogarth, bound in later 19th Century blind panelled calf by Proudfoot, spine with raised bands and red label, a little worn to upper corners, light soiling and a few light pencil underlinings ot first part of text, a few leaves with small marginal stains, but a good sound tight copy with excellent clean impressions of the plates, FIRST HOGARTH EDITION, with the best impressions of his plates, Hogath's early work as a book illustrator produced this fine, lively, set of plates. It was a hugely popular title throughout the 18th Century, but only this first printing carries the best impressions. Though later the binding is old and neat.

283 x 217 mm. (11 x 8 1/2"). Two volumes. FINE PUBLISHER'S PEBBLE-GRAIN DARK BROWN MOROCCO, ELABORATELY GILT, covers with a thick gilt-tooled medallion encircling an image of Hogarth sitting in a chair and holding a palette and brushes, at the bottom of the medallion a gothic capital with a bust, books, and palette, each corner with a lacy floral garland in the shape of an "L," all this framed by a thick and thin gilt rule, raised bands, spines ruled and decorated in gilt, gilt lettering, all edges gilt. WITH 150 STEEL ENGRAVINGS (on 145 plates) BY WILLIAM HOGARTH, all with original tissue guards. Front free endpaper of volume I with unmarked ex-libris on a decorative piece of paper; titles with blue ink stamp of J. B. Bennett of Cincinnati, Ohio. One spine band slightly rubbed, trivial wear to the corners, but the bindings otherwise virtually perfect. Volume II with two very small tears to gutter of frontispiece (and its tissue guard), hinges of that same volume with paper covering partly gone, otherwise only trivial imperfections. A REMARKABLY WELL-PRESERVED SET. This is a very fine copy of a substantial set featuring the art of a man whose name is nearly synonymous with social satire. William Hogarth's persistently fascinating engravings are here accompanied by explanatory text commissioned by the artist's widow Jane in 1766 and supplied by the Rev. John Trusler (1735-1820), described by DNB as "an enthusiastic and fearless compiler of others' works." He provides commentary on some of Hogarth's popular series of engravings, including "The Harlot's Progress," "The Rake's Progress," "Election," "Marriage a-la-Mode," "Industry and Idleness," and "Four Stages of Cruelty," plus a number of single works, among them "Sleeping Congregation" and "Southwark Fair." One of the most popular artists of the period, William Hogarth (1697-1764) is today considered to be the first great English painter. Someone who learned to draw from real life, rather than through copying the masters, he is remembered for group portraits such as "The Wedding," for satirical works such as "The Denunciation," and especially for the popular engravings noted above. In addition to his visual offerings, he also contributed to the profession of artist, pushing through what is still referred to as "Hogarth's Act," a statute that protects the copyright of an artist's original designs. Trusler was one of the most enterprising and eccentric figures in the British publishing world. A former priest, he launched an entrepreneurial career (said to be successful) by advertising ready-made sermons (one shilling each), printed in cursive type to look like manuscripts; later, as a printer and publisher, he issued a wide range of books on everything from etiquette to law to get-rich schemes. Finding one edition or another of Hogarth's engravings is not at all difficult, but finding a glowing copy that seems almost untouched--like the present one--is quite difficult.