jeffers una (27 risultati)

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. First Edition. White cloth with paper spine label. Limited edition of 500 copies. Fine condition. ; Oblong quarto.

Hardcover. Condizione: Fine. First Edition. Nice copy. wrapper slightly darkened on egdes.

Hardcover. Condizione: Fine. No jacket. Robinson Jeffers (illustratore). Mild spotting along top edge of cover. Plain white jacket.

Softcover. Condizione: Near Fine. First Edition. Lettered pale green/gray wraps. One of 150 copies printed at the Tiger Press. Nearly fine with only some minor creasing to the upper and lower cover edges. ; 12mo 7" - 7½" tall; 10 pages.

Hardcover. Condizione: Used-Very Good. Cloth with paper label on spine. Generic paper dj. Long 8vo. Profusely illus. Some wear and chipping to dj. Else clean, attractive copy.

Groß-8°. 24 x 19 cm. 56 Seiten. Original-Halbleinenband in Original-Pappschuber. 1 von 300 Exemplaren. Englischsprachige Ausgabe. Von Ward Ritchie gestaltet, mit Holzschnitten von Paul Landacre. Blattränder unbeschnitten. Pappschuber berieben. Oberer Rücken leicht fleckig. Gutes bis sehr gutes Exemplar. One of 300 copies. English language edition. Original half-cloth binding in original cardboard slipcase. Designed by Ward Ritchie, with wood engravings by Paul Landacre. Pages untrimmed. Cardboard slipcase rubbed. Upper spine with spots. Nearly fine copy.

Hardcover. Condizione: Good. Condizione sovraccoperta: good. Hardcover. 9 1/2" X 7". xiv, 997pp.; xxiii, 1102pp.; xxv, 998pp. Rubbing, toning, creasing, and shelf wear to covers, corners, and edges of unclipped dust jackets. Gentle bumps and shelf wear to corners and edges of tan cloth over boards. Faint toning to edges of text block. Pages of all volumes are free of marks and notaiton. Bindings are sound. This set is heavy and oversized and will require additional postal charges to ship internationally. Please contact us today for an international shipping quote. ABOUT THIS SET: Volume One, comprised of letters written between 1890 and 1930, also contains a substantial introduction to Jeffers' life and work. Readers of Volume One will acquire a completely new understanding of Jeffers' formative years. Topics of special interest include the evolution of Robinson and Una's relationship (which involved the breakup of her first marriage), their move to Carmel, the building of Tor House and Hawk Tower, Jeffers' maturation as a poet, the couple's widening circle of friends, and their first trip together to the British Isles. The 1930s marked a turning point for the world. Scientific and technological revolutions, economic and social upheavals, and the outbreak of war changed the course of history. The 1930s also marked a turning point for Robinson Jeffers, both in his career as a poet and in his private life. The letters collected in this second volume of annotated correspondence document Jeffers' rising fame as a poet, his controversial response to the turmoil of his time, his struggles as a writer, the growth and maturation of his twin sons, and the network of friends and acquaintances that surrounded him. The letters also provide an intimate portrait of Jeffers' relationship to his wife Una including a full account of the 1938 crisis at Mabel Dodge Luhan's home in Taos, New Mexico that nearly destroyed their marriage. This volume of correspondence, the last in a three-volume edition, spans a pivotal moment in American history: the mid-twentieth century, from the beginning of World War II, through the years of rebuilding and uneasy peace that followed, to the election of President John F. Kennedy. Robinson Jeffers published four important books during this periodBe Angry at the Sun (1941), Medea (1946), The Double Axe (1948), and Hungerfield (1954). He also faced changes to his hometown village of Carmel, experienced the rewards of being a successful dramatist in the United States and abroad, and endured the loss of his wife Una. Jeffers' letters, and those of Una written in the decade prior to her death, offer a vivid chronicle of the life and times of a singular and visionary poet.(Publisher).

Condizione: Good. Prospectus. 8vo. 8 pp. Finely Printed On Wove French-Fold Sheets, Black Ink, Ochre Ink used for Una & Robinson Jeffers' Monogram, Monochrome Photograph of Robinson Jeffers inside, Very Good. Includes Profile, information on this special edition, & Order Form.

Condizione sovraccoperta: dj. one of 500 copies. Designed by Ward Ritchie. Illustrated by Robinson Jeffers. 173pp. Oblong 4to. White linen paper spine labelk. Fine in slightly chippedc dj Illustrated by Robinson Jeffers. 173pp. Oblong 4to one of 500 copies. Designed by Ward Ritchie.

Full Cloth. Condizione: Near Fine. Condizione sovraccoperta: Very Good. First Edition. FIRST EDITION, Limited Edition. Oblong Folio. Full white linen with paper label on the spine. Plain white paper dust jacket has a half inch open tear at the top of the spine, slightly soiled and ruffeled. No previous owner's names, not exlibrary. Book publication number 191 of the Book Club of California. Size: Folio - over 12" - 15" tall. Hardcover.

Hardcover. Condizione: Very Good. No Jacket. Limited. One of 500 copies. Publication 191 from the Book Club of California. Designed by Ward Ritchie. 173 pages. Oblong shaped book. The cream colored cloth boards are nice. The hinges and the spine are good. The inside pages are bright and look unmarked. Musical notations by Una Jeffers and illustrations by her husband Robinson Jeffers the noted poet. A project that showed the love the Jeffers had for all things Irish.

Limited to 500 copies. Printed at the Ward Ritchie Press. Oblong quarto. [12], 175 pp. Ecru linen with paper spine label. Fine in plain paper dust jacket. First edition.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. Limited Edition. 500 copies printed by Ward Ritchie,20.5 x 31 cm, oblong folio, [viii], 173, colophon pp., green bar at bottom of title page and all other pages each air hand written and illustrated reproduced by lithography, white cloth covered boards with green lettering on spine original plain white dust jacket [BCC191] "Una and Robin Jeffers began this book at Tor House, January 1922." part of frontispiece illistration,

Hardcover. Condizione: Near Fine. Landacre, Paul (illustratore). 1st Edition. One of 300 copies printed by Ward Ritchie (Anderson, Ritchie & Simon). Original publisher's light green patterned paper-covered boards backed with black cloth. Beige paper title label with black lettering on spine. 7 1/4" x 9 1/4." Fifty-six pages, complete. Two black-and-white engravings by Paul Landacre, complete. Pages are virtually pristine and intact except for age toning. Covers are very clean and intact except for some darkening at top and bottom edges, all-over light age toning, slight rubbing, and minuscule wear to extremities. Binding is tight. A Near Fine copy. A collection of printed diary entries by Una Jeffers (1884-1950) which she wrote when she revisited Ireland in 1929 with her husband and poet, Robinson Jeffers (1887-1962), and their twin sons, Donnan and Garth. The diary also comprises entries written by Robinson, Donnan, and Garth, which are distinguished by their initials printed in the side margins. Back colophon: "Three hundred copies printed in Los Angeles by Anderson, Ritchie & Simon in December, 1954. Designed by Ward Ritchie, with wood engravings by Paul Landacre." Ward Ritchie (1905-1996) was an American printer, book designer, book collector, and author. He was a noted member of the Los Angeles printing and arts communities. Paul Landacre (1893-1963) was an American printmaker who, like, Ritchie, was also a prominent figure of the Los Angeles arts community. Landacre is best-known for his linocuts and wood engravings. He was associated with Ritchie and the Los Angeles book dealer, Jake Zeitlin.

8vo, 56pp. A very good hardback with age toned covers. Foxing to endpages. Previous owner's signature. Edition limited to 300 copies.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. First edition. Oblong small 4to. Introduction by Dave Oliphant. Over 150 b/w illustrations by Robinson Jeffers; numerous musical examples. Original full white cloth, paper spine label printed green, forest green endpapers. Original plain white dust jacket (unclipped). Fine, fresh, as new. No signatures or bookplates. Facsimile reproduction of the manuscript (now in the Harry Ransom Humanities Research Center, University of Texas), containing Irish folk tunes and material collected by Una Jeffers from 1922 to 1925, and wonderfully illustrated by her poet husband. Book Club of California Publication Number 191. One of 500 unnumbered copies, designed by Ward Ritchie and bound by Bela Blau. Publisher's prospectus laid in loose.

Hardcover. Condizione: Very fine. Jeffers, Robinson (illustratore). First edition. A limited edition of 500 copies. Oblong quarto. 186pp. Designed by Ward Ritchie. Printed by the Premier Printing Corporation. Bound by Bella Blau. Introduction by Dave Oliphant. Illustrations by Robinson Jeffers. White linen, paper spine label printed in green. A very fine copy. A collection of gaelic songs Una Jeffers collected during her visits to Ireland. She compiled them in a notebook that Robinson Jeffers illustrated with more than one hundred drawings. The notebook is published here in facsimile. Book.

Condizione sovraccoperta: dj. First Edition. First edition. One of a designated 500 copies. Though not called for, this copy SIGNED BY WARD RITCHIE, the book's designer, at the colophon. Introduction by Dave Oliphant. "The manuscript consists of a collection of songs gathered and copied by Una Jeffers [while in Ireland], illustrated with more than one hundred original drawings by Robinson Jeffers, all published here in facsimile" (from the prospectus). 8vo oblong linen-covered boards measuring approximately 12.5 x 8.25"; 186 pages. Original prospectus laid in. Fine in fine, plain white dust jacket, as issued. Signed.

First Edition. First edition. One of only 300 copies printed. Compiled and with foreword by Robinson Jeffers. Recounts the Jeffers' family trip to Ireland in 1929 with entries by Una, husband Robinson, and sons Donnan & Garth. This was the trip that started Robinson Jeffers working on the series of poems that became DESCENT TO THE DEAD. Designed by Ritchie; wood-cut title page engraving by Paul Landacre (also appears at head of p.9). 8vo marbled green paper boards; black cloth spine with printed label. Near fine with faint offset on title page and spine label a little toned and very lightly rubbed. In original glossy black paper-covered slipcase which is intact but rubbed on all edges and showing some light chipping at corners.

Hardcover. Condizione: Fine. First Edition. Full peach cloth. A lettered paper label to the spine. #183/225, signed by the publishers, Carolyn and James Robertson. With several tipped-in reproductions of early photographs of Una and Robinson. With the publisher's prospectus laid in loose. A fine copy. In a fine board slipcase. ; 8vo 8" - 9" tall; 123 pages; Signed by Author.

Hardcover. Condizione: Fine. Condizione sovraccoperta: fine. First Edition. 56p octavo, 1/300 copies. A fine bright copy in original plain brown wrapper in publisher's very good black card slipcase with a little wear at the base of the case.

Hardcover. Condizione: Very Good. Landacre, Paul (illustratore). First Edition - Limited. With a foreword by Robinson Jeffers. One of 300 copies. Contains wood engravings by Landacre. Green marbled boards and black cloth binding, in black cardboard slipcase. Book fine, some edgewear and surface abrasions to slipcase surface.

No. 44 of 50 copies, signed by Stuart. Introduction by Ward Ritchie and signed by him in ink. With red printers' flowers used throughout and some ornaments of birds, butterflies printed in red and blue, line blocks of the areas of the house where the words were inscribed including a moveable flap on the 'Minstrel's Gallery'. Printed in Fabritius type in light blue, dark blue and red on Ingres Antique paper. The reproduced calligraphy of direct printed copies of Jeffers' own script. Oblong sq. 8vo., original ivory canvas with inset printed fleuron. Housed in the original ivory canvas Soldander box with inset cast paper design of the front door of Tor House by the book and paper artist Joseph D'Ambrosio. Extremely good. The imprint of Gloria Stuart, possibly best known for her role as the elderly Rose in the film Titanic. She began printing late in life, buying a Vandercook proof press and accumulating type including Bruce Rogers' Centaur type and Frederick Warde's Arrighi type. She was most enamoured by Rudolf Koch's Antiqua of which she acquired an almost complete range. She began printing broadsides but soon moved onto books, her first being Enishi. In Matrix vol. 8 Ward Ritchie describes her books as "ingenious in their concept and each one quite different". In her early life Gloria had lived in an artists' colony in Carmel and as Ritchie says, she began to revive some of her memories there in her projects for her press Imprenta Glorias. She was especially exercised by Robinson Jeffers who had lived in and wrote about the area, and his poetry had held great importance in her life. Jeffers had painstakingly built a stone house called 'Tor' as well as tower he called 'Hawk' on a point overlooking the coast, personally dragging up the boulders he used from the shore. On the beams and archways he painted or carved quotations which appealed to him for his wife and twin sons. Gloria Stuart gathered these together for this book which give an insight into Jeffers and his inspirations.

[Edited by Gloria Stuart] Oblong square 8vo, publisher's buckram with inset printed fleuron, in publisher's folding box with inset cast paper design of the front door of Tor House by Joseph D'Ambrosio. First edition; one of 50 copies signed by Gloria Stuart and Ward Ritchie. Fine.

Condizione sovraccoperta: dj. First Edition. First edition of each of the three volumes. VOLUME ONE (2009) covers 1890 to 1930 (700 copies printed); VOLUME TWO (2011) covers 1931 to 1939 (525 copies printed); and VOLUME THREE (2015) covers 1940 to 1962 (only 425 copies printed). A duplicate set from the collection of Allen K. Mears, who is included in the acknowledgements for Volume I. He's also noted as the source of letters in Vol. I (p. 933); Vol. II (p. 988); and Vol. III (pp. 47 & 454). This set has a copy of an inscription from Karman to Mears in a mailing envelope laid into Vol. I. Mears' extensive penciled notations to the front endpaper of Vol. 2, which also has a printout of an email from Karman to Mears ("Here's the jacket for Volume 3") laid in along with a large color printout of proposed jacket for Vol. 3. (The only difference we note between the printout and the eventual dust jacket is that the background photos of Robinson and Una on the front and back panels are much clearer in the printout.) Volume 3 has a copy of a different inscription from Karman to Mears pasted to the front endpaper. Near fine to fine in fine dust jackets.

Fine original condition. Also present are family photographs including original silver prints by Johan Hagemeyer of Doman and Garth at age 20; a printed portrait of Robinson Jeffers signed and inscribed for for Fraser Drew; a printed portrait of Robinson and Una Jeffers inscribed and signed with a memoir of a visit with Edma Millay; a portrait inscribed on verso by Una Jeffers, "Robin & the bronze bust by Jo Davidson"; and a large photographic portrait of Una Jeffers seated outside on stone steps.

Includes two 2-page letters, six half- to full-page letters, and 12 postcards (one of which appears in COLLECTED LETTERS OF ROBINSON JEFFERS: WITH SELECTED LETTERS OF UNA JEFFERS, Vol. 3, p. 454). All are entirely handwritten and quite legible. Nineteen are to Robert Gros; one is to a Mr. Getz. They cover a wide range of topics including social events, invitations to visit, acknowledgements for items received, travel plans, WWII concerns (for sons Garth and Donnan), family trips for Robinson's readings, the "new" play (MEDEA), and Una's own medical concerns. Robert R. Gros (1914-1997) was a corporate executive and government adviser on international affairs. He twice rode the military airlift supply operations into blockaded Berlin after World War II, served several U.S. presidents and was personally commended by President Dwight Eisenhower in 1956 for his services to the American Council on NATO. Altogether very good to near fine. Signed.