Shaw mrs bernard (44 risultati)

Hardcover. Condizione: Very Good -. Normal wear; a decent readable copy. 333 pages. Book.

Condizione: Fair. Acceptable condition. No Dust Jacket (Literature, fiction, Plays, Drama) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.…

Hardcover. Condizione: Very Good. No Dustjacket. First Edition. ISBN . Hardback. First Printing. Good to Very Good Condition. Tight sound unmarked copy with tipped in title on spine chipped around its edges, light brown spotting and slight staining on end papers front and back, minor rubs to edges and corners of covers. No Signature.…

Condizione: Good. Alfred A. Knopf New York 1952 8vo. 385 pages. dust jacket taped to pastedowns. crayon inscriptions to ffep. binding tight. dust jacket age toned and soiled.

Couverture souple. Condizione: Très bon. 310 p., 21 cm. Couverture légèrement défraîchie et papier jauni (1961.), sinon très bel exemplaire. Pages propres. Reliure solide.

Hardcover. Condizione: Very Good. First Edition. First edition. Very good minus/Hardcover no dust jacket Light browning, bookplate. Cover fading, light wear, rubbed.

Cloth. Condizione: G/NO DUSTJACKET. New York, NY: Brentano's. G/NO DUSTJACKET. 1911. . Cloth. Ink name on front endpaper, Alice Hubbard, wife of Elbert Hubbard and noted American Feminist . 12mo., 333 pp., cover rubbed, bumped, corners frayed, spine label chipped page toning . Frontispiece (illustratore).…

Hardcover. Condizione: Good. 1952 Hardcover. Likely Frist Edition. No former owner's name or marks. Text is clean. Binding is strong. Red cloth cover with gilt lettering on spine. Spine is faded. Good overall condition for 1952.

hardcover with dustjacket. Condizione: good. Prompt Shipment, shipped in Boxes, Tracking PROVIDED8vo; 385 pages; good hardcover with dustjacket; dustjacket price clipped by prevoius owner, nicks and tears to edges, tips fraying, chipped; tips bumped; spine slanting; tanning; deckled; clean pages; promptshipping with tracking. …

Octavo softcover (VG-); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage cost.

Hardcover. Condizione: Very Good. No Jacket. 1st Edition. There is an inscription saying that this book was compiled by Mrs Bernard Shaw.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Red Boards with gilt lettering to spine. Pages are clean and firm binding . Jacket is not clipped. Professional seller. All pictures are of the actual book that is for sale. Books are dispatched in cardboard packaging and dust jackets are placed in removable protective covers.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Red Boards with gilt lettering to spine. Pages are clean and firm binding . Jacket is not clipped.

8vo, 244pp. A fair paperback copy in chipped and worn limp wrappers, with price crossed out on the front. Binding loose at spine. Stamps and writing on prelims. Previous owner's initials and date.

Hardcover. Condizione: Good. A. C. Fifield January 1911 Binding: Hardcover soiling to boards. spine age toned. previous owner bookplate on front pastedown. previous owner inscription on ffep.

. Préface de J. Cocteau. bel exemplaire.

Hardcover. Condizione: Very Good. First American edition. Introduction by Brieux. Octavo. 330pp. Dark green cloth, publisher's printed paper spine label. Small price sticker on rear flyleaf, spine label is tanned, with small chip causing loss of one letter in author's printed name, else a very good copy.…

Condizione: Very Good. Third edition hard back binding in publisher's original butterscotch cloth covers, black title and author lettering to the spine and the upper panel, gilt to the upper panel, fore and lower edges uncut. 8vo. 7½'' x 5¼''. Contains 321 printed pages of text with monochrome illustrated frontispiece. Spine ends and corners turned-in and in near Very Good condition, no dust wrapper. Member of the P.B.F.A. PLAYS (Theatre Performance).…

First Edition. Good cloth copy in a good if somewhat edge-torn (with some loss) and dust-toned dust-wrapper; in a slightly worn and dust-toned slip-cast. Remains quite well-preserved overall; tight, bright, clean and strong. Physical description; 430 p., [3] pages of plates : ill. ; 19 cm. Notes; Translation of: Bernard Shaw and Mrs. Patrick Campbell. Includes name index. Genre; Illustrated. 1 Kg. …

Hardcover/Hardback. Condizione: Good. Condizione sovraccoperta: Poor. First Edition. Author to actor, back and forth, correspondence between 1899 and 1940; edited by Alan Dent. Good in poor dustwrapper. book.

(Nur f. Mitgl.). Condizione: Gut. 1. edition. 462 S. : 16 Ill.; ; 20 cm Schönes, ordentliches, gutes Exemplar. Mit Originalschutzumschlag.Overall good, beautiful, tidy condition. With original dust jacket. Sprache: Deutsch Gewicht in Gramm: 550.

339 S., OPp. mit goldgepr. Rückentitel. Register mit einigen Bleistiftanstr., eine Seite mit einer kleinen Schweinchenzeichnung. EA.

First Edition. Good cloth copy in a good if somewhat edge-torn (with some loss) and dust-toned dust-wrapper; in a slightly worn and dust-toned slip-cast. Remains quite well-preserved overall; tight, bright, clean and strong. Physical description; 430 p., [3] pages of plates : ill. ; 19 cm. Notes; Translation of: Bernard Shaw and Mrs. Patrick Campbell. Includes name index. Genre; Illustrated. 1 Kg. …

Broché. Condizione: Très bon. 1 volume broché, couverture illustrée, 315 pages [1], non coupé. Préface de Jean Cocteau. Traduction française de Jean Bloch-Michel. Bel exemplaire.

Préface de Jean Cocteau, Calmann-Lévy, 1961, 315 pp., broché, couverture un peu défraîchie, partiellement non coupé, annotation en première page, état correct.

Exemplaire non coupé. [14363].

in-8, broché, 310 pages. Bon état.

Condizione: Wie neu. Octavo. 339 pages. Original Hardcover with original dustjacket in protective collector's mylar. Very good condition with only minor signs of wear. Beatrice Rose Stella Tanner (9 February 1865 9 April 1940), better known by her stage name Mrs Patrick Campbell or Mrs Pat, was an English stage actress, best known for appearing in plays by Shakespeare, Shaw and Barrie. She also toured the United States and appeared briefly in films. Campbell was born Beatrice Rose Stella Tanner in Kensington, London, to John Tanner (18291895), son and heir of a wealthy British Army contractor to the British East India Company, and Maria Luigia Giovanna ("Louisa Joanna") née Romanini (18361908), daughter of Italian Count Angelo Romanini. Her father John Tanner (18291895), a descendant of Thomas Tanner, Bishop of St Asaph, was a Consul and merchant who "managed to get through two large fortunes", in part through losses in the Indian Mutiny. Her mother, Louisa Joanna Romanini, was one of the eight daughters of Angelo Romanini of Brescia and Rosa née Polinelli of Milan. Angelo had joined the Carbonari and, as a result, had to leave Italy. He and his family travelled over Eastern Europe aided by a firman from the Sultan of Turkey. Six of his eight daughters, all under eighteen, married Englishmen. She studied for a short time at the Guildhall School of Music. Campbell made her professional stage debut in 1888 at the Alexandra Theatre, Liverpool, four years after her marriage to Patrick Campbell. In March 1890, she appeared in London at the Adelphi, where she afterward played again in 189193. She became successful after starring in Sir Arthur Wing Pinero's play, The Second Mrs Tanqueray, in 1893, at St. James's Theatre where she also appeared in 1894 in The Masqueraders. As Kate Cloud in John-a-Dreams, produced by Beerbohm Tree at the Haymarket in 1894, she had another success, and again as Agnes in The Notorious Mrs. Ebbsmith at the Garrick (1895). Among her other performances were those in Fédora (1895), Little Eyolf (1896), and her notable performances with Forbes-Robertson at the Lyceum in London's West End in the rôles of Juliet in Romeo and Juliet, Ophelia in Hamlet, and Lady Macbeth (189598) in Macbeth. Once established as a major star, Campbell assisted in the early careers of some noted actors, such as Gerald Du Maurier and George Arliss. In 1900, "Mrs Pat", having become her own manager/director, made her debut performance on Broadway in New York City in Heimat by Hermann Sudermann, a marked success. Subsequent appearances in New York and on tour in the U.S. established her as a major theatrical presence there. Campbell would regularly perform on the New York stage until 1933. Other performances included roles in The Joy of Living (1902), Pelléas et Mélisande (1904; as Melisande to the Pelleas of her friend Sarah Bernhardt), Hedda Gabler (1907), Electra (1908), The Thunderbolt (1908), and Bella Donna (1911). In 1914, she played Eliza Doolittle in the original West End production of Pygmalion, which George Bernard Shaw had expressly written for her. Although forty-nine years old when she originated the role opposite the Henry Higgins of Sir Herbert Beerbohm Tree, she triumphed and took the play to New York and on tour in 1915 with the much younger Philip Merivale playing Higgins. She successfully played Eliza again in a 1920 London revival of the play. A couple of "Mrs Pat"'s later significant performances were as the title role in the 1922 West End production of Henrik Ibsen's play Hedda Gabler and Mrs. Alving in the "Ibsen Centennial" (1928) staging of Ghosts (with John Gielgud as her son Oswald). Her last major stage role was in the Broadway production of Ivor Novello's play A Party, where she portrayed the cigar-smoking, Pekingese-wielding actress "Mrs. MacDonald" a clear takeoff on her own well-known persona and made off with the best reviews. In her later years, Campbell made notable appearances in films, including One More River (1934), Riptide (1934), and Crime and Punishment (1935). Her tendency, however, to reject roles that could have vitally helped her career in later years caused Alexander Woollcott to declare ".she was like a sinking ship firing on the rescuers". In the late 1890s Campbell first became aware of George Bernard Shaw the famous and feared dramatic critic for The Saturday Reviewwho lavishly praised her better performances and thoroughly criticised her lesser efforts. Shaw had already used her as inspiration for some of his plays before their first meeting in 1897 when he unsuccessfully tried to persuade "Mrs Pat" to play the role of Judith Anderson in the first production of his play The Devil's Disciple. Not until 1912, when they began negotiations for the London production of Pygmalion, did Shaw develop an infatuation for "Mrs Pat" that resulted in a passionate, yet unconsummated, love affair of mutual fascination and a legendary exchange of letters. It was Campbell who broke off the relationship although Shaw was about to direct her in Pygmalion. They remained friends in spite of the break-up and her subsequent marriage to George Cornwallis-West, but Shaw never again allowed her to originate any of the roles he had written with her in mind (e.g. Hesione Hushabye (Heartbreak House), the Serpent (Back to Methuselah), etc.). When Anthony Asquith was preparing to produce the 1938 film of Pygmalion, Shaw suggested Campbell for the role of Mrs Higgins, but she declined. In later years, Shaw refused to allow the impoverished Campbell to publish or sell any of their letters except in heavily edited form, for fear of upsetting his wife Charlotte Payne-Townshend and the possible harm that the letters might cause to his public image. Most of the letters were not published until 1952, two years after Shaw's death. (Wikipedia).…

Condizione: BUONO USATO. IED. Da revisionare INGLESE Legatura editoriale in cartoncino rigido ruvido. Buonissimo lo stato complessivo del volume e delle pagine, ben tenute e leggermente velate da tonalità seppia, come i tagli. Ritratto fotografico di due degli Autori all' antiporta. Numero pagine 95.…

Couverture souple. Condizione: bon. RO30324162: 1961. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 315 pages. Papier légèrement jauni. Rhodoïd correct. . . . Classification Dewey : 846-Lettres, correspondance littéraire.