Smeijers fred (23 risultati)

Trade Paperback. Condizione: Very Good. A Very Good copy with light edgewear and an unmarked interior. Out of Print.

Soft cover. Condizione: Near Fine. 1st Edition. First Edition, Near Fine Paperback. Very minimal shelf wear. Small spot of residue from price sticker on back. A manifesto by Smeijers followed by a sample of typeface designs in b&w and color. Book.

paperback. Condizione: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

2003, 142 pp., paperback, as new.

Soft cover. 8vo. Pp: 142. ISBN: 0907259243. Paperback with stiff card wraps. A manifesto by Smeijers followed by a sample of typeface designs in b&w and colour. Very Good. Minor shelf wear to bottom of spine, some slight rubbing to the edges of wraps, and light reading wear to covers including a few light pen lines and scratches (probably from someone resting on book to write or draw) and one faint blotch.…

Condizione: Neuf.

Soft cover. Condizione: Fine. 144 pp., paperboard wrappers. Light shelf wear, fine copy. Ills. in colour. 22 x 14 cm.

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condizione: Good. Ringband, veel illustraties in kleur, uitvouwbaar herdrukt affiche van 'Sweet Smoke' door Biddle (1973), met bijbehorend los klein geniet boekje "Mijnheer Jansen in het kwadraat"; Gesigneerd voor Liesbeth [Brandt Corstius] door Johan Slaghuis en Kees de Bruin onder de introductie.

London, Hyphen Press, 2003 22 x 14,5 cm. Paperback / Softcover. With illustrations in color and b/w. 142 pages. AS NEW [Typografie / Typography [Typografie] Bijzonder / Special [Bijzonder] ].

Trade Paperback. Condizione: Good. Surface tear on spine from sticker removal, edges a bit rubbed with 1 inch closed tear on back corner, spine faded and lightly creased. Binding tight and square, pages clean, bright, and unmarked. 1996 Trade Paperback. 191 pp. Counterpunch is both an explanation of the 16th-century method ofcutting metal type and an impassioned plea for contemporary designers to incorporate the lessons of history as a means of creating typography in our digital age. Smeijers sees the counterpunch technique as essential for ensuring the regularity of form, repeatability, and speed of production necessary for rational design. Smeijers traces the history of letterform design to discover how technique influenced the shape of type, whether the metal punches of the past or today's computer-generated forms. Counterpunch is generouslyillustrated with drawings by the author, examples of early type specimens, and detailed photographs of punches.…

stiff paper wrappers. small 8vo. stiff paper wrappers. 191 pages. Making Type in the Sixteenth Century, Designing Typefaces Now. First edition. A fine copy of this rare book. A detailed analysis of the work of the sixteenth-century French and Flemish punchcutters, whose work in the early years of printing still dominates Western typography. The author, a well-known Dutch graphic and typographic designer, discusses the aesthetic as well as practical aspects of contemporary type design. Lavishly illustrated with photographs, drawings and examples of type, this is a must for anyone interested in type or book design.…

Trade Paperback. Condizione: Very Good. Edges a bit rubbed with a couple blemishes along bottom edge of rear wrapper. Binding tight and square, pages clean, bright, and unmarked. 1996 Trade Paperback. 191 pp. Counterpunch is both an explanation of the 16th-century method ofcutting metal type and an impassioned plea for contemporary designers to incorporate the lessons of history as a means of creating typography in our digital age. Smeijers sees the counterpunch technique as essential for ensuring the regularity of form, repeatability, and speed of production necessary for rational design. Smeijers traces the history of letterform design to discover how technique influenced the shape of type, whether the metal punches of the past or today's computer-generated forms. Counterpunch is generouslyillustrated with drawings by the author, examples of early type specimens, and detailed photographs of punches.…

paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

Trade paperback. Condizione: Very good. Trade paperback (US). 191 p. Contains: Illustrations. Audience: General/trade.

Paperback.

Paperback. Condizione: Brand New. 191 pages. 9.00x6.00x0.75 inches. In Stock.

Trade paperback. Condizione: Very good. 2nd edition. 200 p. Contains: Unspecified. Includes Unspecified. Audience: Professional and scholarly.

Paperback. Condizione: New. Typography is still dominated by letterforms from the first one hundred years of European printing. Where were the processes and attitudes that lie behind these forms? Fred Smeijers is a type desinger who learn to design and cut punches: the key instruments with which metal type is made. This book is a work of practical history, with much contemporary relevance.…

Tankobon Softcover. Condizione: Brand New. Japanese language. 8.19x5.83x0.87 inches. In Stock.

Hardcover. Condizione: Sehr gut. 1. Auflage. Z : 270 Seiten, mit hunderten meist farbigen Abbildungen geben die Herausgeber einen subjektiven, oft überraschenden Blick auf die Entwicklung und Vielfalt der in Europa und den USA seit 1890 verwendeten Alphabetschriften. Die Beispiele stammen aus der Buch- und Zeitschriften-Typographie, aber auch aus Bedienungsanleitungen, von Verpackungen, Schaufensterbeschriftungen, Leuchtwerbung, jeglicher Art von Beschilderungen und Plakaten, von amtlichen Formularen und aus der Propaganda und reichen bis zu Schallplatten, animierter Schrift und Schrift im Film.…

191 Seiten, OKart. (Klappen-Kart.), 22 x 14,5 cm. Über klassisches Schriftschneiden. Der niederländische Schriftdesigner Fred Smeijers ist 1961 geboren. - Hg. von Robin Kinross. - In englischer Sprache. - "Western typography is still dominated by letterforms designed in the first hundred years of printing. What are the processes that lie behind these forms? This book provides a close-up view of the sixteenth-century French and Flemish punchcutters. On the basis both of his own experience in making type and a hard look at the surviving evidence, Fred Smeijers blows away the antiquarian dust that now covers the topic" (Klappentext). - Provenienz: Zeichen der Zeit (Bucheignerzeichen einer nicht genannten Typografin auf der vorderen Umschlaginnenklappe). - Gutes Exemplar.…

280 Seiten auf weißem und schwarzen Kunstdruckpapier mit Schriftsatz in grün und schwarz, durchgehend typographisch bebildert. - Fester grauer Originaleinband mit schwarz und grün geprägtem Deckel- und Rückentitel sowie typographisch gestaltetem - zu einem Plakat mit der 'Geographie' des Institutes ausfaltbaren - Orig.-Schutzumschlag und Lesebändchen; gr.-4to.(ca. 33 x 23 x 2,5 cm; ca. 2 kg.). ~~~ 1. AUFLAGE, GROSSFORMATIGE GEBUNDENE ORIGINALAUSGABE DER AUFWÄNDIGEN JUBILÄUMSSCHRIFT. - Schutzumschlag mit leichtem Knitter, vorderseitig leicht berieben und rückseitig mit großem grauen Schatten; DAS BUCH SELBST TADELLOS. --- ''Die Leipziger Hochschule für Grafik und Buchkunst spielt seit Beginn des 20. Jahrhunderts eine besondere Rolle innerhalb der Schriftentwicklung und Schriftforschung in Deutschland. Neben deren erster umfassender historischer Aufarbeitung findet sich im Buch ein reicher Abbildungsteil mit historischen Schriftmustern.''(Verlagstext) isbn 393286557x.…