Umar khayyam (15 risultati)

Hardcover. Condizione: Good. Later printing. 62p, translated from the Persian by Friedrich Rosen. Insel-Bücherei. Nr. 407 Printed paper boards, paper labels. Loss at spine.

Condizione: Buono (Good). Vidi ieri al mercato un vasaio / che menava gran colp sulla fresca argilla; / e quella argilla in suo muto linguaggio gli disse: / « Sono stata (un uomo) come te, trattami bene » (121, p. 57). I ed. Grandi Tascabili Economici Newton Divisione della Newton Compton editori s.r.l.: 10 aprile 1991 (I ed. originale: XI s. - I ed. Newton Compton editori s.r.l.: 1973). Grandi Tascabili Newton 96 (41 GTE 096). VIII/128 su carta Salaria Bouffant della Com Impex S.p.A./brossura patinata stampata su cartoncin Stromcard HB della Papyro S.p.A. (In copertina: Amanti seduti in giardino, miniatura attribuita a Muhammad Quasim periodo safavide, seconda metà del XVII secolo). Stato buono (copertina e pagine leggermente brunite). Book.…

Hardcover. Condizione: Good. No Jacket. Parchment spine and paper covered boards, rubbed and discoloured in places, endpapers and page edges a little browned, xl, 200pp, a reprint of the second edition with an introduction and notes by Edward Heron-Allen Size: 4to - over 9¾" - 12" tall.

Hardcover. Royal octavo. Pp. lxxix, 181. HARDCOVER, bound in the original publisher's full cloth with good dust-jacket, signature to half-title. Book is in fine condition. ~ Reprint. 010-10. ~ ~ NOTE: TOTAL REDUCTION SALE: THE PRICE OF THIS BOOK IS CURRENTLY REDUCED! ~ ~ (illustratore).

Hardcover. Condizione: Good. First Edition Thus. Oblong octavo, 71 pages, Roycroft watermarked laid paper, deckle-edged, Dard Hunter designed title-page and colophon -with a grape leaf motif; flexible leather with flaked white titles on top cover, lower right corner chipped. Scarce Curiously the Roycrofters issued two similar but distinct editions of OMAR KHAYYAM in 1908. This is the second, with the colophon in all capital letters [ McKenna 174 ]. It was issued in three variant bindings.…

Copertina rigida. Condizione: Ottimo. [84] p. : ill. ; 28 x 21 cm. Le «Rub?ayyat o Quartine» sono una raccolta di poesie composte nell'XI secolo dal matematico e poeta persiano ?Umar Khayyam. Questa versione di 75 quartine sono state tradotte in inglese da Edward Fitzgerald nel 1859, offrendo una interpretazione in chiave edonistica ed epicurea (sebbene l'etica epicurea, storicamente ed al contrario di quanto afferma la comune vulgata, sia in verità ascetica, volta all'azzeramento di quei fattori che tormentano la mente ed il corpo) ottenendo - malgrado la loro scarsa fedeltà al testo originario - una vasta popolarità che finì per oscurare la profonda attività scientifica di Khayyam. . Legatura editoriale, coperta illustrata a colori in cartone rigido, titolo in oro al dorso, muto il piatto. All'interno 8 tavole illustrate a colori. Frontespizio ornato con cornice di colore oro. Dorso in tela azzurra con qualche lieve segno del tempo. Firma di appartenza nell'anteporta con data (1954).…

Hardcover. Condizione: Very Good. 193pp. Quarto [27 cm] Tan cloth over boards with lettering in gilt and vignettes stamped in gilt, red, blue, and black on the backstrip and front board. Publisher's blue topstain. Fore and bottom edges deckled. Extremities very gently bumped, rubbed, and soiled. No dust jacket. All illustrations present. Text printed in English and French. Translated from the French of J. B. Nicolas by Frederic Baron Corvo, together with a reprint of the French Text. Edited with notes and a comparative study of the original texts, and an Introduction by Edward Heron-Allen, F.R.S. With Sixteen Illustrations in Colour by Hamzeh Carr. Not much is known about the mysterious artist Hamzeh Carr, however curator Terry Wilfong (Kelsey Museum of Archaeology, University of Michigan) speculates that although Carr was long thought to be a local Egyptian artist, Wilfong's preliminary research has indicated that he was an Englishman working under a pseudonym, a convert to Islam, and a follower of Theosophy. Small, Maynard & Company edition, printed after the edition published by John Lane, The Bodley Head in London.…

Hardcover. Condizione: Very Good. First Edition. Duodecimo; xiv, 464 pages, variant linen-backed boards, paper label on spine, t.e.g., edges untrimmed, the extra paper spine label appears to have been used. Two Lane order brochures for other titles laid in. Bi-lingual. A John Lane book but printed in Boston. " [Omar] was an Oriental, and it is sadly difficult for a Westerner to interpret what an Oriental says. His words may have a specious sound, familiar to the ear, but may hide a meaning which he would not care for the uninitiated to understand. . It is plain, therefore, that one is at liberty to choose between the literal and the allegorical reading of 'Umar's graceful and often epigrammatic lines. Frederick Baron Corvo shows that he is a masterly translator. He often penetrates through the decorative filigree of the French style to something approaching 'Umar's own marvellous concentration condensation." - Introduction. J. B. Nicolas considered himself "Soufique". This edition was printed in Boston, and was issued one day before the British edition.…

Condizione: Sehr gut. Zustand: Sehr gut | Seiten: 269 | Produktart: Bücher | Keine Beschreibung verfügbar.

Translated from the French of J. B. Nicholas by Frederic Baron Corvo, together with a reprint of the French Text. Edited with notes and a comparative study of the original texts, and an Introduction by Edward Heron-Allen. xlviii [1] 193 pp. With Sixteen Illustrations in Colour by Hamzeh Carr. Folio, publisher's decorated cloth in dust jacket. Bookplate; a bright, fine copy in a dust jacket with some chipping (affecting lettering), tears, and creasing along the top edge. …

Calcutta: The Asiatic Society, 1986. Royal 8vo. Orig. cloth. Dustjacket. (viii, 92pp. text). With 57 plates of which 3 are coloured.

Jakarta, Pustaka Jaya, no date (1975),126,(2) pag., pocket.

368pp. With numerous illustrations to full page Very rare.

edizione originale. 28 cm. in 4°, rilegatura editoriale in tela verde, ricchi fregi e titoli in oro al piatto e dorso tagli superiori in oro, 120 pagine non numerate con 101 quartine prese dalla traduzione inglese di Fitzgerald del "Rubaiyat of Omar Khayyam", 20 splendinde tavole fuori testo a piena pagina, con le illustrazioni di Edmond Dulac applicate su cartoncino entro cornice editoriale litografica in oro e protette da carta velina con la quartina di riferimento a stampa. Frontespizio litografico, testo incorniciato e pagine stampate solo al recto. Esemplare senza data, quasi certamente pubblicato attorno al 1910 (cfr. Iccu). Ottimo stato di conservazione con minimi ingiallimenti limitatamente a pochi cartoncini di supporto alle tavole. Prima edizione italiana. Molto buono.…

Reliure de l'éditeur. George G. Harrap & Co. | Londres s. d. [1909 ?] | 20.8 x 26.1 cm | Reliure de l'éditeur | Edition illustrée par Willy Pogány de vingt-quatre planches en couleurs contrecollées. Ornements et encadrements décoratifs imprimés en couleurs. La première édition illustrée par Pogány paraît en 1909, mais l'ouvrage a ensuite été réimprimé sans date à de nombreuses reprises, sous des reliures différentes et avec un nombre de planches variable. Certains de ces tirages postérieurs comportent eux aussi vingt-quatre planches et le même nom d'imprimeur (Vincent Brooks, Day & Son Ltd), si bien que la date de cet exemplaire ne peut être établie avec certitude. Reliure de l'éditeur en pleine basane olive marginalement décolorée, filet d'encadrement et motif de pampre et de grappe estampés à froid sur le premier plat, dos plat, titre et nom de l'auteur dorés, contreplats illustrés. Frottements et salissures sur la reliure, coins inférieurs de trois feuillets froissés en marge, petit manque angulaire et petite déchirure sur deux autres feuillets, sans atteinte au texte ni aux planches. | [ENGLISH DESCRIPTION FOLLOWS] Illustrated by Willy Pogány with twenty-four mounted colour plates. Decorative ornaments and borders printed in colour. The first edition illustrated by Pogány appeared in 1909, but the work was subsequently reprinted many times without date, in various bindings and with a varying number of plates. Some of these later printings likewise contain twenty-four plates and bear the same printer's imprint (Vincent Brooks, Day & Son Ltd), so that the date of this copy cannot be established with certainty. Publisher's full olive sheep, slightly faded at the edges, upper cover with blind-stamped fillet border and vine-leaf and grape-cluster motif, flat spine with gilt title and author's name, illustrated pastedowns. Rubbing and soiling to binding, lower corners of three leaves creased in the margin, small marginal corner loss and small tear to two other leaves, not affecting text or plates. *.…