Hardcover. Condizione: Good. . Satisfaction 100% guaranteed.
Condizione: new.
Lingua: Inglese
Editore: Yale University Press October 2012, 2012
ISBN 10: 0300185391 ISBN 13: 9780300185393
Da: A Cappella Books, Inc., Atlanta, GA, U.S.A.
Oversized Hardcover. Condizione: Very Good.
Hardcover. Condizione: Near Fine. Near Fine condition hardcover book, no dust jacket. Very slight shelf wear and shallow scratching to covers and spine. Very slight bumping to corners and spine edges. Slightest yellowing to text block edges. All of our books are individually inspected and described. Never X-library unless specifically described as such.
Da: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Hardcover. Condizione: Used-Very Good. Cloth, no dj. Minor shelf wear. Else a bright, clean copy.
Da: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Hardcover. Condizione: Used-Very Good. Cloth, no dj. Minor shelf wear. Else a nice, clean copy.
Da: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Hardcover. Condizione: Very good. Cloth, no dj. Minor shelf wear. Else very sound.
Hardcover. Condizione: New. New copy in publisher's shrink wrap. Location K125.
Condizione: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.
Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Hardcover. Condizione: Very Good. Condizione sovraccoperta: None Issued. Text and images are unmarked; pages are bright. Binding is tight and square. Covers show very little wear. No dust jacket, as issued. International/Priority shipping at cost. 208pp.
EUR 17,90
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Near Fine. No Jacket. In a hardcover with black titles to spine and sepia photograph to cover. No dust jacket. Illustrated end papers. 208 pp., extensively illustrated, mainly in colour. The book is in near fine condition with just very minor shelf-wear to the extremities of the cover. The binding is tight and the pages clean and unmarked.
Lingua: Inglese
Editore: Yale University Press, 2013., 2012
ISBN 10: 0300187475 ISBN 13: 9780300187472
Da: Sainsbury's Books Pty. Ltd., Camberwell, VIC, Australia
EUR 28,22
Quantità: 1 disponibili
Aggiungi al carrello4to, 208pp. Colour and black & white illustrations. A near fine hardback copy. Published in conjunction with the exhibition which displayed posters, props, wardrobe and ephemera from the American circus scene.
Da: WeBuyBooks, Rossendale, LANCS, Regno Unito
EUR 30,08
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.
Editore: Yale University Press, 2012
ISBN 10: 0300185391 ISBN 13: 9780300185393
Da: Tacoma Book Center, Tacoma, WA, U.S.A.
Prima edizione
Hardcover. Condizione: As New. Condizione sovraccoperta: No Dustjacket. First Edition. ISBN 0300185391. Oversized, Heavy, Hardback. No dustjacket as issued. Near Fine Condition. Tight, bright, attractive copy with no markings to the book. As new condition. No statement of later printing on copyright page. No Signature.
Editore: Bard Graduate Center and Yale University Press, 2012
Da: The Armadillo's Pillow, Chicago, IL, U.S.A.
Hard Cover. Condizione: Good. No Jacket. This is a Good condition hard cover with no dust jacket. It's an ex-library book with the usual library additions. The cover's head-side, fore-edge corners are bumped. isbn: 978-0-300-18747-2 Size: 4to - over 9¾" - 12" tall. Ex-Library.
Editore: New York New Haven; London: Bard Graduate Center: Decorative Arts, Design History, Material Culture; Yale University Press, 2012
Da: MW Books, New York, NY, U.S.A.
Prima edizione
1st edition. Fine copy in the original colour printed boards. Particularly and uncommonly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. Physical description; 459 pages: illustrations (some color), portraits; 28 cm. Notes; Includes bibliographical references (pages 437-448) and index. Contents; Introduction / Kenneth L. Ames -- The circus Americanized / Janet M. Davis -- The transnational history of the early American circus / Matthew Wittmann -- The American circus in Victorian Britain / Brenda Assael -- American circus posters / Paul Stirton -- Shelburne Museum's Colchester posters and circus advertising / Kory W. Rogers -- The circus parade / Gregory J. Renoff -- Circus music in America / Leon Botstein -- The American circus tent / Fred Dahlinger, Jr. -- Elephants and the American circus / Susan Nance -- Horses and cat acts in the early American circus / Brett Mizelle -- Performed identities as circus illusions / Peter Tait -- The Americanization of the circus clown / Rodney Huey -- The American circus spectacle / Jennifer Lemmer Posey -- The circus in nineteenth-century American children's literature / Ellen Butler Donovan -- Circus toys in the gilded age / Eugene W. Metcalf -- The WPA circus in New York / Susan Weber -- Disability and the circus / Rachel Adams. Summary; The circus is a source of nostalgia for Americans of all ages, either from memories of attending P. T. Barnum's "Greatest Show on Earth," or through the colorful evocations in many movies, television programs, and books. Interest in the circus phenomenon is unflagging, yet there have been few publications that look closely at how the circus's European origins were refashioned for an American audience. Lavishly illustrated and carefully researched, this volume explores how American culture, values, demography, and business practices altered the fundamental nature of the European circus, and how, by the end of the 19th century, they had transformed it into a distinctly American pastime. At the peak of its cultural significance, the circus was a sophisticated combination of theater and business, and made effective use of advertising, train travel, and hyperbole. The subjects in The American Circus reflect this complexity, ranging widely from thematic explorations of circus music and elephants to more closely focused studies of objects such as circus toys, souvenirs, and performers' costumes. The book also explores the dark and even nefarious side of the circus, and its associations with marginalized dimensions of American life and culture. With contributions from leading scholars, this stylishly designed volume aims to identify the salient features of an Americanized cultural product and to analyze its appeal for American audiences. Subjects; Circus - United States - History - Pictorial works. PERFORMING ARTS / Circus. HISTORY / United States / General. ANTIQUES & COLLECTIBLES / Americana. ANTIQUES & COLLECTIBLES / Popular Culture. 4 Kg.
Editore: New York, Bard Graduate Center / New Haven and London, Yale University Press ., 2012
Da: Versandantiquariat Wolfgang Petry, Hannover, Germania
Prima edizione
EUR 30,00
Quantità: 1 disponibili
Aggiungi al carrello459 Seiten, zahlreiche Abbildungen, 4°, großformatiger Orig.-Pappband (Einband leicht bestoßen; sonst sehr gutes Exemplar). - Erste Ausgabe / First Edition. - Publishes by te Bard Graduate Center: Decorative Arts, Desighn History, Material Culture. - (SW: Zirkus; Kulturgeschichte; Amerika; amerikanischer Zirkus). - "The circus is a source of nostalgia for Americans of all ages, either from memories of attending P. T. Barnum's "Greatest Show on Earth," or through the colorful evocations in many movies, television programs, and books. Interest in the circus phenomenon is unflagging, yet there have been few publications that look closely at how the circus's European origins were refashioned for an American audience. Lavishly illustrated and carefully researched, this volume explores how American culture, values, demography, and business practices altered the fundamental nature of the European circus, and how, by the end of the 19th century, they had transformed it into a distinctly American pastime. - At the peak of its cultural significance, the circus was a sophisticated combination of theater and business, and made effective use of advertising, train travel, and hyperbole. The subjects in The American Circus reflect this complexity, ranging widely from thematic explorations of circus music and elephants to more closely focused studies of objects such as circus toys, souvenirs, and performers' costumes. The book also explores the dark and even nefarious side of the circus, and its associations with marginalized dimensions of American life and culture. With contributions from leading scholars, this stylishly designed volume aims to identify the salient features of an Americanized cultural product and to analyze its appeal for American audiences." (Verlag).
Da: Friends of Poughkeepsie Library, Poughkeepsie, NY, U.S.A.
Hardcover. Condizione: Near Fine. Near fine. Would be fine except for some waviness of pages.
Lingua: Inglese
Editore: The Bard Graduate Center, New York, 2012
ISBN 10: 0300187475 ISBN 13: 9780300187472
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Photo-illustrated boards; 208 pp.; richly illustrated. "Published in conjunction with the exhibition held at the Bard Graduate Center, Decorative Arts, Design History, Material Culture, New York, N.Y., Sept. 21, 2012- Feb. 3, 2013." -- WorldCat. VG (Light edge/shelfwear to boards; interior is clean; binding is solid.).
Editore: New York New Haven; London: Bard Graduate Center: Decorative Arts, Design History, Material Culture; Yale University Press, 2012
Da: MW Books Ltd., Galway, Irlanda
Prima edizione
EUR 40,00
Quantità: 2 disponibili
Aggiungi al carrello1st edition. Fine copy in the original colour printed boards. Particularly and uncommonly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. Physical description; 459 pages: illustrations (some color), portraits; 28 cm. Notes; Includes bibliographical references (pages 437-448) and index. Contents; Introduction / Kenneth L. Ames -- The circus Americanized / Janet M. Davis -- The transnational history of the early American circus / Matthew Wittmann -- The American circus in Victorian Britain / Brenda Assael -- American circus posters / Paul Stirton -- Shelburne Museum's Colchester posters and circus advertising / Kory W. Rogers -- The circus parade / Gregory J. Renoff -- Circus music in America / Leon Botstein -- The American circus tent / Fred Dahlinger, Jr. -- Elephants and the American circus / Susan Nance -- Horses and cat acts in the early American circus / Brett Mizelle -- Performed identities as circus illusions / Peter Tait -- The Americanization of the circus clown / Rodney Huey -- The American circus spectacle / Jennifer Lemmer Posey -- The circus in nineteenth-century American children's literature / Ellen Butler Donovan -- Circus toys in the gilded age / Eugene W. Metcalf -- The WPA circus in New York / Susan Weber -- Disability and the circus / Rachel Adams. Summary; The circus is a source of nostalgia for Americans of all ages, either from memories of attending P. T. Barnum's "Greatest Show on Earth," or through the colorful evocations in many movies, television programs, and books. Interest in the circus phenomenon is unflagging, yet there have been few publications that look closely at how the circus's European origins were refashioned for an American audience. Lavishly illustrated and carefully researched, this volume explores how American culture, values, demography, and business practices altered the fundamental nature of the European circus, and how, by the end of the 19th century, they had transformed it into a distinctly American pastime. At the peak of its cultural significance, the circus was a sophisticated combination of theater and business, and made effective use of advertising, train travel, and hyperbole. The subjects in The American Circus reflect this complexity, ranging widely from thematic explorations of circus music and elephants to more closely focused studies of objects such as circus toys, souvenirs, and performers' costumes. The book also explores the dark and even nefarious side of the circus, and its associations with marginalized dimensions of American life and culture. With contributions from leading scholars, this stylishly designed volume aims to identify the salient features of an Americanized cultural product and to analyze its appeal for American audiences. Subjects; Circus - United States - History - Pictorial works. PERFORMING ARTS / Circus. HISTORY / United States / General. ANTIQUES & COLLECTIBLES / Americana. ANTIQUES & COLLECTIBLES / Popular Culture. 2 Kg.
Da: Phoenix Books/Joanne's Used Books, Los Banos, CA, U.S.A.
Prima edizione
Hardcover. Condizione: Good. 1st Edition. Circus and the City, New York 1783-2010 by Wittmann, Matthew Yale Univ. Press, 2012, lst. ISBN: 9780300187472 Hardback in good + condition, NO dust jacket. Text is clean and unmarked, binding tight. NO dust jacket. A history of the Circus and the City, New York City that is loaded with photos, history, circus stars, listings of famous posters, collectibles, costumes, animals etc. B&W as well as color photos and illustrations. Appendix, Bibliography, Index, 206 pages. Book.
EUR 213,66
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.
Hardcover. Condizione: New.
Hardcover. Condizione: New.
Lingua: Tedesco
Editore: New Haven and London Yale University Press, 2012
Da: Heinrich Heine Antiquariat oHG, Düsseldorf, NRW, Germania
EUR 25,00
Quantità: 1 disponibili
Aggiungi al carrello(28 x 22,5 cm); 4°; 459,(1) Seiten mit zahlreichen, teils farbigen Abbildungen; Orig.-Pappband. Published by the Bard Graduate Center: Decorative Arts, Design History, Material Culture / New York. Schönes Exemplar. * Customers from outside the EU ask please for real shipping costs! - Ask for more pics ! * 2100 gr.