zangaki adelphoi (18 risultati)

Folio. 14 x 15.5 inches. 48 original mounted professional photographs, each a full-page image. Modern half red morocco, cloth. A piece of the original cloth cover, with the title in German as shown, is mounted within the volume. Fine. 48 fine vintage photographs, 23 of which are signed by the photograph (19 by the Zangaki Brothers; 4 by Antoine Beoto). The images are taken in the southern Egyptian Luxor region, including images of the Valley of the Kings at Luxor temple, the Nile, Karnak temple, and Thebes. / The first photograph shows the Sphynx and in front are a couple (presumedly a husband & wife, perhaps German or Swiss-German), obviously tourists. This is their memory album of a visit to Luxor in southern Egypt, the place of the Valley of the Kings. The photographs, some of which are titled, are chiefly titled in French. Even though 23 of the photographs are signed, it is clear that the whole album is made up of images from these two photographers, meaning that 47 of the images should be either by the Zangaki Brothers or Antoine Beoto's studio. The only unique image should be the first one showing the two travelers and their guides.

Hardcover. First Edition. Oblong folio album (15" x 11") in morocco-backed olive wood panels with a carved Jerusalem cross and inlaid border containing a letterpress title and 48 large (@9" x 11") albumen photographs with caption and photographer's credit in the negative, mounted recto/verso to stiff printed album cards, all protected with tissue guards. Attractive Nineteenth-century tourist album of Zangaki brothers' photography compiled for sale at Boulos Méo's antique and souvenir shop at the Jaffa Gate of Old City Jerusalem. Best known for their photographs of Egypt, the Greek Zangaki brothers also documented the construction of the Suez Canal with their photographs as well as scenes in Palestine, as in this album. Images include the Wailing Wall, Jaffa Gate (Bab el-Khalil), Church of the Flagellation, Gethsemane, Mount Olive, Al-Aqsa Mosque, Mosque of Omar, and the Tower of David. Photographs Very Good to Near Fine with good contrast. Moderate wear to binding but front hinge is broken with cover still attached. Over all Very Good.

No Binding. Condizione: Good. A procession of drummers mounted on richly dressed camels passes through Cairo in celebration of a marriage. Local children look on. Undated, c1890s. Sheet and image size 276 x 208mm. Titled in French in the print. The photographer and publisher are not identified, but this well known image is generally credited to the Zangaki Brothers, who were active in Cairo c1860s-90s, possibly with a branch in Port Said. Good only, with a little loss to the corners, some light creasing and short closed tears.

Original albumen print (27 x 21 cm) of the Mosque of Sultan Hassan in Cairo. Image gently faded; some light spotting. Generally very good. The two Adelphoi Zangaki or Zangaki Brothers were Greek photographers active in Egypt in the latter half of the nineteenth century, selling photographs of the country's great sights and structures as souvenirs to tourists. They are individually known only as C. and G. Zangaki. Anything pertaining to their birth, upbringing, lives, and the particulars of their work is unclear. They do emerge, however, in legal proceedings brought against them by French photographer Hippolyte Arnoux in which they were convicted of stealing Arnoux's intellectual property. Whilst the Zangaki brothers' identities have drifted into obscurity, their photographs remain and are often considered amongst the finest taken of nineteenth century Egypt. No. 760.

Condizione: Good. Albumen-Silver print. 22 x 28 cm. Mounted on card 31 x 38 cm. Titled, numbered 1134 and signed in the image and on the mount in ink From a collection of photographs of the Middle East by the Adelphoi Zangaki = Zangaki Brothers.Thebes (Ancient Greek: ?????, Th?bai), known to the ancient Egyptians as Waset, was an ancient Egyptian city located along the Nile about 800 kilometers (500 mi) south of the Mediterranean. Its ruins lie within the modern Egyptian city of LuxorLittle is known about the Zangaki brothers, except their initials, C. and G., and that they worked out of Port Said and Cairo from around the 1860s through to at least the 1890s.]Many of the Zangaki photographs are signed with a brother's initial and/or a place of business, e.g., "C. Zangaki" or "Zangaki, Cairo" or occasionally "A.Zangaki".Until relatively recently it was believed that "A.Zangaki" was a single photographer. However, with the discovery of a signboard with the name "Adelphoi Zangaki", it was recognised that these were brothers.Ibn al Haithan Many scholars also believe that their names were George and Constantinos (or Costas). Some scholars believe that they were born on the island of Milos, while others have suggested that they were Cypriot. However, no definitive evidence pertaining to their place and date of birth is extant. How they came to learn photography is also unclear. However, shortly after their arrival in Egypt they had become established photographers with a studios in Cairo and Port Said.By the 1850s, tourist travel to Egypt created strong demand for photographs as souvenirs. A small group of early photographers, mostly of French origin, made their way to Cairo and the Nile Valley to capitalise on this demand. These pioneering photographers included Félix Bonfils (1831-1885); Gustave Le Gray (1820-1884), brothers Henri and Emile Bechard (active 1860-1890); the British-Italian brothers Antonio Beato (c. 1832-1906) and Felice Beato (1832-1909) and Hippolyte Arnoux (active between 1860 and 1890).[6]Photographs taken by the Zangaki brothers are commonly found in tourists' albums assembled in the Middle East in the second half of the 19th-century. From their Port Said studio, they were ideally situated to sell to Europeans visiting Egypt as part of a Grand Tour The Zangaki brothers traveled along the Nile accompanied by a horse-drawn darkroom wagon to document the Egyptian scenery, architecture and events.

Albumin-Abzug der Zeit (Vintage). Format: 22 x 27 cm; montiert auf Trägerpappe (25 x 33 cm). -- Zustand: Pappe gebogen und etwas fleckig; Foto in gutem Zustand. Über die Fotografen (Quelle: engl. wikipedia): The Adelphoi Zangaki (Zangaki Brothers), known by their probable initials C. and G. Zangaki, were two brothers of Greek origin, active as photographers in Ottoman Egypt from the 1860s through to the 1890s. They specialized in photographing ancient monuments and scenes of everyday life, producing photographic prints for the tourist trade. They occasionally worked with the French photographer Hippolyte Arnoux in Port Said, documenting the works on the Suez Canal. Further, they were among the first commercial photographers to produce large scale images of late 19th- century Egypt. Background: Little is known about the Zangaki brothers, except their initials, C. and G., and that they worked out of Port Said and Cairo from around the 1860s through to at least the 1890s. Many of the Zangaki photographs are signed with a brother's initial and/or a place of business, e.g., "C. Zangaki" or "Zangaki, Cairo" or occasionally "A. Zangaki". For a long time, it was believed that "A. Zangaki" was a single photographer. However, with the discovery of a signboard with the name "Adelphoi Zangaki", it became clear that these were brothers. Scholars believe that their names were George and Constantinos (or Costas), and that they were born on the Greek island of Milos, while others have suggested that they were Cypriot. However, no definitive evidence pertaining to their place and date of birth extists. How they came to learn photography is also unclear. However, shortly after their arrival in Egypt they had become established photographers with studios in Cairo and Port Said. Early photographers in Egypt: By the 1850s, tourist travel to Egypt created strong demand for photographs as souvenirs. A small group of early photographers, mostly of French origin, made their way to Cairo and the Nile valley to capitalise on this demand. These pioneering photographers included Félix Bonfils (1831-1885); Gustave Le Gray (1820-1884), Emile Béchard (his brother Henri signed some of his photographs; active 1860-1890); the British-Italian brothers Antonio Beato (c. 1832-1906) and Felice Beato (1832-1909) as well as Hippolyte Arnoux (active between 1860 and 1890) and some years later, Gabriel Lekegian (1853-1920). -- Career: Photographs taken by the Zangaki brothers are found in tourists' albums assembled in the Middle East in the second half of the 19th century. From their Port Said studio, they were ideally situated to sell to Europeans visiting Egypt as part of a Grand Tour. The Zangaki brothers traveled along the Nile, accompanied by a horse-drawn darkroom wagon to document the Egyptian scenery, architecture and events. Images included views of the pyramids at Giza or the Sphinx and cities, such as Suez or Alexandria, as well of Egyptians going about their daily lives, e.g., a teacher and pupils, men working by the Nile or women at home. They may have worked with the French photographer Hippolyte Arnoux to document the construction of the Suez Canal. Most scholars believe that Arnoux was the official Suez photographer and that the Zangaki Brothers may have assisted him. However, the precise nature of their relationship is unclear, since Arnoux's biography is just as enigmatic as that of the Zangaki brothers. Their relationship soured in 1874, when Arnoux instigated litigation against the Zangaki Brothers and one Spiridion Antippa, accusing them of usurping his intellectual property. Arnoux was successful, as on 29 June 1876, the Court of Ismailia recognized them as "guilty of usurpation of artistic and industrial property and unfair competition." Recognition: Art historian John Hannavy acknowledged that the Zangaki brothers "produced some of the finest images" of the late 19th century in Egypt. Mainly produced for the expectations of the flourishing European tourist trade in Egypt, they are highly prized by historians and collectors for their representations of life at the time.

Condizione: Good. Albumen-Silver print. 22 x 28 cm. Mounted on card 31 x 38 cm. Titled, numbered 1109 and signed in the image and on the mount in ink From a collection of photographs of the Middle East by the Adelphoi Zangaki = Zangaki Brothers.Little is known about the Zangaki brothers, except their initials, C. and G., and that they worked out of Port Said and Cairo from around the 1860s through to at least the 1890s.]Many of the Zangaki photographs are signed with a brother's initial and/or a place of business, e.g., "C. Zangaki" or "Zangaki, Cairo" or occasionally "A.Zangaki".Until relatively recently it was believed that "A.Zangaki" was a single photographer. However, with the discovery of a signboard with the name "Adelphoi Zangaki", it was recognised that these were brothers.Ibn al Haithan Many scholars also believe that their names were George and Constantinos (or Costas). Some scholars believe that they were born on the island of Milos, while others have suggested that they were Cypriot. However, no definitive evidence pertaining to their place and date of birth is extant. How they came to learn photography is also unclear. However, shortly after their arrival in Egypt they had become established photographers with a studios in Cairo and Port Said.By the 1850s, tourist travel to Egypt created strong demand for photographs as souvenirs. A small group of early photographers, mostly of French origin, made their way to Cairo and the Nile Valley to capitalise on this demand. These pioneering photographers included Félix Bonfils (1831-1885); Gustave Le Gray (1820-1884), brothers Henri and Emile Bechard (active 1860-1890); the British-Italian brothers Antonio Beato (c. 1832-1906) and Felice Beato (1832-1909) and Hippolyte Arnoux (active between 1860 and 1890).[6]Photographs taken by the Zangaki brothers are commonly found in tourists' albums assembled in the Middle East in the second half of the 19th-century. From their Port Said studio, they were ideally situated to sell to Europeans visiting Egypt as part of a Grand Tour The Zangaki brothers traveled along the Nile accompanied by a horse-drawn darkroom wagon to document the Egyptian scenery, architecture and events.

Condizione: Good. Albumen-Silver print. 22 x 28 cm. Mounted on card 31 x 38 cm. Titled, numbered 1109 and signed in the image and on the mount in ink From a collection of photographs of the Middle East by the Adelphoi Zangaki = Zangaki Brothers.Little is known about the Zangaki brothers, except their initials, C. and G., and that they worked out of Port Said and Cairo from around the 1860s through to at least the 1890s.]Many of the Zangaki photographs are signed with a brother's initial and/or a place of business, e.g., "C. Zangaki" or "Zangaki, Cairo" or occasionally "A.Zangaki".Until relatively recently it was believed that "A.Zangaki" was a single photographer. However, with the discovery of a signboard with the name "Adelphoi Zangaki", it was recognised that these were brothers.Ibn al Haithan Many scholars also believe that their names were George and Constantinos (or Costas). Some scholars believe that they were born on the island of Milos, while others have suggested that they were Cypriot. However, no definitive evidence pertaining to their place and date of birth is extant. How they came to learn photography is also unclear. However, shortly after their arrival in Egypt they had become established photographers with a studios in Cairo and Port Said.By the 1850s, tourist travel to Egypt created strong demand for photographs as souvenirs. A small group of early photographers, mostly of French origin, made their way to Cairo and the Nile Valley to capitalise on this demand. These pioneering photographers included Félix Bonfils (1831-1885); Gustave Le Gray (1820-1884), brothers Henri and Emile Bechard (active 1860-1890); the British-Italian brothers Antonio Beato (c. 1832-1906) and Felice Beato (1832-1909) and Hippolyte Arnoux (active between 1860 and 1890).[6]Photographs taken by the Zangaki brothers are commonly found in tourists' albums assembled in the Middle East in the second half of the 19th-century. From their Port Said studio, they were ideally situated to sell to Europeans visiting Egypt as part of a Grand Tour The Zangaki brothers traveled along the Nile accompanied by a horse-drawn darkroom wagon to document the Egyptian scenery, architecture and events.

Condizione: Good. Albumen-Silver print. 22 x 28 cm. Mounted on card 31 x 38 cm. Titled in ink on the mount. From a collection of photographs of the Middle East by the Adelphoi Zangaki = Zangaki Brothers.Little is known about the Zangaki brothers, except their initials, C. and G., and that they worked out of Port Said and Cairo from around the 1860s through to at least the 1890s.]Many of the Zangaki photographs are signed with a brother's initial and/or a place of business, e.g., "C. Zangaki" or "Zangaki, Cairo" or occasionally "A.Zangaki".Until relatively recently it was believed that "A.Zangaki" was a single photographer. However, with the discovery of a signboard with the name "Adelphoi Zangaki", it was recognised that these were brothers.Ibn al Haithan Many scholars also believe that their names were George and Constantinos (or Costas). Some scholars believe that they were born on the island of Milos, while others have suggested that they were Cypriot. However, no definitive evidence pertaining to their place and date of birth is extant. How they came to learn photography is also unclear. However, shortly after their arrival in Egypt they had become established photographers with a studios in Cairo and Port Said.By the 1850s, tourist travel to Egypt created strong demand for photographs as souvenirs. A small group of early photographers, mostly of French origin, made their way to Cairo and the Nile Valley to capitalise on this demand. These pioneering photographers included Félix Bonfils (1831-1885); Gustave Le Gray (1820-1884), brothers Henri and Emile Bechard (active 1860-1890); the British-Italian brothers Antonio Beato (c. 1832-1906) and Felice Beato (1832-1909) and Hippolyte Arnoux (active between 1860 and 1890).[6]Photographs taken by the Zangaki brothers are commonly found in tourists' albums assembled in the Middle East in the second half of the 19th-century. From their Port Said studio, they were ideally situated to sell to Europeans visiting Egypt as part of a Grand Tour The Zangaki brothers traveled along the Nile accompanied by a horse-drawn darkroom wagon to document the Egyptian scenery, architecture and events. Images included views of the pyramids, e.g., Cheops or the Sphinx and the cities, e.g., Suez or Alexandria, as well of Egyptians going about their daily lives, e.g., a teacher and pupils, men by the Nile, or women at home.

Condizione: Good. Albumen-Silver print. 22 x 28 cm. Mounted on card 31 x 38 cm. Titled and signed in the image and on the mount in ink From a collection of photographs of the Middle East by the Adelphoi Zangaki = Zangaki Brothers.Little is known about the Zangaki brothers, except their initials, C. and G., and that they worked out of Port Said and Cairo from around the 1860s through to at least the 1890s.]Many of the Zangaki photographs are signed with a brother's initial and/or a place of business, e.g., "C. Zangaki" or "Zangaki, Cairo" or occasionally "A.Zangaki".Until relatively recently it was believed that "A.Zangaki" was a single photographer. However, with the discovery of a signboard with the name "Adelphoi Zangaki", it was recognised that these were brothers.Ibn al Haithan Many scholars also believe that their names were George and Constantinos (or Costas). Some scholars believe that they were born on the island of Milos, while others have suggested that they were Cypriot. However, no definitive evidence pertaining to their place and date of birth is extant. How they came to learn photography is also unclear. However, shortly after their arrival in Egypt they had become established photographers with a studios in Cairo and Port Said.By the 1850s, tourist travel to Egypt created strong demand for photographs as souvenirs. A small group of early photographers, mostly of French origin, made their way to Cairo and the Nile Valley to capitalise on this demand. These pioneering photographers included Félix Bonfils (1831-1885); Gustave Le Gray (1820-1884), brothers Henri and Emile Bechard (active 1860-1890); the British-Italian brothers Antonio Beato (c. 1832-1906) and Felice Beato (1832-1909) and Hippolyte Arnoux (active between 1860 and 1890).[6]Photographs taken by the Zangaki brothers are commonly found in tourists' albums assembled in the Middle East in the second half of the 19th-century. From their Port Said studio, they were ideally situated to sell to Europeans visiting Egypt as part of a Grand Tour The Zangaki brothers traveled along the Nile accompanied by a horse-drawn darkroom wagon to document the Egyptian scenery, architecture and events. Images included views of the pyramids, e.g., Cheops or the Sphinx and the cities, e.g., Suez or Alexandria, as well of Egyptians going about their daily lives, e.g., a teacher and pupils, men by the Nile, or women at home.

Condizione: Good. Albumen-Silver print. 22 x 28 cm. Mounted on card 31 x 38 cm. Titled and signed in the image and on the mount in ink From a collection of photographs of the Middle East by the Adelphoi Zangaki = Zangaki Brothers.Little is known about the Zangaki brothers, except their initials, C. and G., and that they worked out of Port Said and Cairo from around the 1860s through to at least the 1890s.]Many of the Zangaki photographs are signed with a brother's initial and/or a place of business, e.g., "C. Zangaki" or "Zangaki, Cairo" or occasionally "A.Zangaki".Until relatively recently it was believed that "A.Zangaki" was a single photographer. However, with the discovery of a signboard with the name "Adelphoi Zangaki", it was recognised that these were brothers.Ibn al Haithan Many scholars also believe that their names were George and Constantinos (or Costas). Some scholars believe that they were born on the island of Milos, while others have suggested that they were Cypriot. However, no definitive evidence pertaining to their place and date of birth is extant. How they came to learn photography is also unclear. However, shortly after their arrival in Egypt they had become established photographers with a studios in Cairo and Port Said.By the 1850s, tourist travel to Egypt created strong demand for photographs as souvenirs. A small group of early photographers, mostly of French origin, made their way to Cairo and the Nile Valley to capitalise on this demand. These pioneering photographers included Félix Bonfils (1831-1885); Gustave Le Gray (1820-1884), brothers Henri and Emile Bechard (active 1860-1890); the British-Italian brothers Antonio Beato (c. 1832-1906) and Felice Beato (1832-1909) and Hippolyte Arnoux (active between 1860 and 1890).[6]Photographs taken by the Zangaki brothers are commonly found in tourists' albums assembled in the Middle East in the second half of the 19th-century. From their Port Said studio, they were ideally situated to sell to Europeans visiting Egypt as part of a Grand Tour The Zangaki brothers traveled along the Nile accompanied by a horse-drawn darkroom wagon to document the Egyptian scenery, architecture and events. Images included views of the pyramids, e.g., Cheops or the Sphinx and the cities, e.g., Suez or Alexandria, as well of Egyptians going about their daily lives, e.g., a teacher and pupils, men by the Nile, or women at home.

Condizione: Good. Albumen-Silver print. 22 x 28 cm. Mounted on card 31 x 38 cm. Titled, numbered 1109 and signed in the image and on the mount in ink From a collection of photographs of the Middle East by the Adelphoi Zangaki = Zangaki Brothers.Giloh, or Gilo ??? is doubtlessly the large village Beth-Djalah, 1 English mile west of Bethlehem; the G, as usual with the Arabs, being changed into Dj, thus Galah, Djalah.Little is known about the Zangaki brothers, except their initials, C. and G., and that they worked out of Port Said and Cairo from around the 1860s through to at least the 1890s.]Many of the Zangaki photographs are signed with a brother's initial and/or a place of business, e.g., "C. Zangaki" or "Zangaki, Cairo" or occasionally "A.Zangaki".Until relatively recently it was believed that "A.Zangaki" was a single photographer. However, with the discovery of a signboard with the name "Adelphoi Zangaki", it was recognised that these were brothers.Ibn al Haithan Many scholars also believe that their names were George and Constantinos (or Costas). Some scholars believe that they were born on the island of Milos, while others have suggested that they were Cypriot. However, no definitive evidence pertaining to their place and date of birth is extant. How they came to learn photography is also unclear. However, shortly after their arrival in Egypt they had become established photographers with a studios in Cairo and Port Said.By the 1850s, tourist travel to Egypt created strong demand for photographs as souvenirs. A small group of early photographers, mostly of French origin, made their way to Cairo and the Nile Valley to capitalise on this demand. These pioneering photographers included Félix Bonfils (1831-1885); Gustave Le Gray (1820-1884), brothers Henri and Emile Bechard (active 1860-1890); the British-Italian brothers Antonio Beato (c. 1832-1906) and Felice Beato (1832-1909) and Hippolyte Arnoux (active between 1860 and 1890).[6]Photographs taken by the Zangaki brothers are commonly found in tourists' albums assembled in the Middle East in the second half of the 19th-century. From their Port Said studio, they were ideally situated to sell to Europeans visiting Egypt as part of a Grand Tour The Zangaki brothers traveled along the Nile accompanied by a horse-drawn darkroom wagon to document the Egyptian scenery, architecture and events.

Condizione: Good. Albumen-Silver print. 22 x 28 cm. Mounted on card 31 x 38 cm. Titled, numbered 1134 and signed in the image and on the mount in ink From a collection of photographs of the Middle East by the Adelphoi Zangaki = Zangaki Brothers.Bethany has traditionally been identified with the present-day West Bank city of al-Eizariya (Arabic ???????? "place of Lazarus"), site of the reputed Tomb of Lazarus, about 1.5 miles (2.4 km) to the east of Jerusalem on the south-eastern slope of the Mount of Olives. The oldest house in present-day al-Eizariya, a 2,000-year-old dwelling reputed to have been (or which at least serves as a reminder of) the House of Martha and Mary, is also a popular pilgrimage site.[2]Little is known about the Zangaki brothers, except their initials, C. and G., and that they worked out of Port Said and Cairo from around the 1860s through to at least the 1890s.]Many of the Zangaki photographs are signed with a brother's initial and/or a place of business, e.g., "C. Zangaki" or "Zangaki, Cairo" or occasionally "A.Zangaki".Until relatively recently it was believed that "A.Zangaki" was a single photographer. However, with the discovery of a signboard with the name "Adelphoi Zangaki", it was recognised that these were brothers.Ibn al Haithan Many scholars also believe that their names were George and Constantinos (or Costas). Some scholars believe that they were born on the island of Milos, while others have suggested that they were Cypriot. However, no definitive evidence pertaining to their place and date of birth is extant. How they came to learn photography is also unclear. However, shortly after their arrival in Egypt they had become established photographers with a studios in Cairo and Port Said.By the 1850s, tourist travel to Egypt created strong demand for photographs as souvenirs. A small group of early photographers, mostly of French origin, made their way to Cairo and the Nile Valley to capitalise on this demand. These pioneering photographers included Félix Bonfils (1831-1885); Gustave Le Gray (1820-1884), brothers Henri and Emile Bechard (active 1860-1890); the British-Italian brothers Antonio Beato (c. 1832-1906) and Felice Beato (1832-1909) and Hippolyte Arnoux (active between 1860 and 1890).[6]Photographs taken by the Zangaki brothers are commonly found in tourists' albums assembled in the Middle East in the second half of the 19th-century. From their Port Said studio, they were ideally situated to sell to Europeans visiting Egypt as part of a Grand Tour The Zangaki brothers traveled along the Nile accompanied by a horse-drawn darkroom wagon to document the Egyptian scenery, architecture and events. Images included views of the pyramids, e.g., Cheops or the Sphinx and the cities, e.g., Suez or Alexandria, as well of Egyptians going about their daily lives, e.g., a teacher and pupils, men by the Nile, or women at home.

Condizione: Good. Albumen-Silver print. 22 x 28 cm. Mounted on card 31 x 38 cm. Titled and signed in the image and on the mount in ink From a collection of photographs of the Middle East by the Adelphoi Zangaki = Zangaki Brothers.Little is known about the Zangaki brothers, except their initials, C. and G., and that they worked out of Port Said and Cairo from around the 1860s through to at least the 1890s.]Many of the Zangaki photographs are signed with a brother's initial and/or a place of business, e.g., "C. Zangaki" or "Zangaki, Cairo" or occasionally "A.Zangaki".Until relatively recently it was believed that "A.Zangaki" was a single photographer. However, with the discovery of a signboard with the name "Adelphoi Zangaki", it was recognised that these were brothers.Ibn al Haithan Many scholars also believe that their names were George and Constantinos (or Costas). Some scholars believe that they were born on the island of Milos, while others have suggested that they were Cypriot. However, no definitive evidence pertaining to their place and date of birth is extant. How they came to learn photography is also unclear. However, shortly after their arrival in Egypt they had become established photographers with a studios in Cairo and Port Said.By the 1850s, tourist travel to Egypt created strong demand for photographs as souvenirs. A small group of early photographers, mostly of French origin, made their way to Cairo and the Nile Valley to capitalise on this demand. These pioneering photographers included Félix Bonfils (1831-1885); Gustave Le Gray (1820-1884), brothers Henri and Emile Bechard (active 1860-1890); the British-Italian brothers Antonio Beato (c. 1832-1906) and Felice Beato (1832-1909) and Hippolyte Arnoux (active between 1860 and 1890).[6]Photographs taken by the Zangaki brothers are commonly found in tourists' albums assembled in the Middle East in the second half of the 19th-century. From their Port Said studio, they were ideally situated to sell to Europeans visiting Egypt as part of a Grand Tour The Zangaki brothers traveled along the Nile accompanied by a horse-drawn darkroom wagon to document the Egyptian scenery, architecture and events. Images included views of the pyramids, e.g., Cheops or the Sphinx and the cities, e.g., Suez or Alexandria, as well of Egyptians going about their daily lives, e.g., a teacher and pupils, men by the Nile, or women at home.

Condizione: Good. Albumen-Silver print. 22 x 28 cm. Mounted on card 31 x 38 cm. Titled, numbered and signed in the image and on the mount in ink From a collection of photographs of the Middle East by the Adelphoi Zangaki = Zangaki Brothers.Bethany has traditionally been identified with the present-day West Bank city of al-Eizariya (Arabic ???????? "place of Lazarus"), site of the reputed Tomb of Lazarus, about 1.5 miles (2.4 km) to the east of Jerusalem on the south-eastern slope of the Mount of Olives. The oldest house in present-day al-Eizariya, a 2,000-year-old dwelling reputed to have been (or which at least serves as a reminder of) the House of Martha and Mary, is also a popular pilgrimage site.[2]Little is known about the Zangaki brothers, except their initials, C. and G., and that they worked out of Port Said and Cairo from around the 1860s through to at least the 1890s.]Many of the Zangaki photographs are signed with a brother's initial and/or a place of business, e.g., "C. Zangaki" or "Zangaki, Cairo" or occasionally "A.Zangaki".Until relatively recently it was believed that "A.Zangaki" was a single photographer. However, with the discovery of a signboard with the name "Adelphoi Zangaki", it was recognised that these were brothers.Ibn al Haithan Many scholars also believe that their names were George and Constantinos (or Costas). Some scholars believe that they were born on the island of Milos, while others have suggested that they were Cypriot. However, no definitive evidence pertaining to their place and date of birth is extant. How they came to learn photography is also unclear. However, shortly after their arrival in Egypt they had become established photographers with a studios in Cairo and Port Said.By the 1850s, tourist travel to Egypt created strong demand for photographs as souvenirs. A small group of early photographers, mostly of French origin, made their way to Cairo and the Nile Valley to capitalise on this demand. These pioneering photographers included Félix Bonfils (1831-1885); Gustave Le Gray (1820-1884), brothers Henri and Emile Bechard (active 1860-1890); the British-Italian brothers Antonio Beato (c. 1832-1906) and Felice Beato (1832-1909) and Hippolyte Arnoux (active between 1860 and 1890).[6]Photographs taken by the Zangaki brothers are commonly found in tourists' albums assembled in the Middle East in the second half of the 19th-century. From their Port Said studio, they were ideally situated to sell to Europeans visiting Egypt as part of a Grand Tour The Zangaki brothers traveled along the Nile accompanied by a horse-drawn darkroom wagon to document the Egyptian scenery, architecture and events. Images included views of the pyramids, e.g., Cheops or the Sphinx and the cities, e.g., Suez or Alexandria, as well of Egyptians going about their daily lives, e.g., a teacher and pupils, men by the Nile, or women at home.

Condizione: Good. Albumen-Silver print. 22 x 28 cm. Mounted on card 31 x 38 cm. Titled, numbered and signed in the image and on the mount in ink From a collection of photographs of the Middle East by the Adelphoi Zangaki = Zangaki Brothers.Little is known about the Zangaki brothers, except their initials, C. and G., and that they worked out of Port Said and Cairo from around the 1860s through to at least the 1890s.]Many of the Zangaki photographs are signed with a brother's initial and/or a place of business, e.g., "C. Zangaki" or "Zangaki, Cairo" or occasionally "A.Zangaki".Until relatively recently it was believed that "A.Zangaki" was a single photographer. However, with the discovery of a signboard with the name "Adelphoi Zangaki", it was recognised that these were brothers.Ibn al Haithan Many scholars also believe that their names were George and Constantinos (or Costas). Some scholars believe that they were born on the island of Milos, while others have suggested that they were Cypriot. However, no definitive evidence pertaining to their place and date of birth is extant. How they came to learn photography is also unclear. However, shortly after their arrival in Egypt they had become established photographers with a studios in Cairo and Port Said.By the 1850s, tourist travel to Egypt created strong demand for photographs as souvenirs. A small group of early photographers, mostly of French origin, made their way to Cairo and the Nile Valley to capitalise on this demand. These pioneering photographers included Félix Bonfils (1831-1885); Gustave Le Gray (1820-1884), brothers Henri and Emile Bechard (active 1860-1890); the British-Italian brothers Antonio Beato (c. 1832-1906) and Felice Beato (1832-1909) and Hippolyte Arnoux (active between 1860 and 1890).[6]Photographs taken by the Zangaki brothers are commonly found in tourists' albums assembled in the Middle East in the second half of the 19th-century. From their Port Said studio, they were ideally situated to sell to Europeans visiting Egypt as part of a Grand Tour The Zangaki brothers traveled along the Nile accompanied by a horse-drawn darkroom wagon to document the Egyptian scenery, architecture and events. Images included views of the pyramids, e.g., Cheops or the Sphinx and the cities, e.g., Suez or Alexandria, as well of Egyptians going about their daily lives, e.g., a teacher and pupils, men by the Nile, or women at home.

Lotto di 11 fotografie seppiate, cm. 22x29 c.ca. montate su grande cartoncino eseguite dal fotografo Adelphoi Zangaki o F.lli Zangaki Brothers, attivi dal 1870 al 1890 circa, fotografi greci specializzati in vedute e personaggi dell'Egitto, luogo dove lavorarono, tra Port Said e il Cairo. Le foto portano didascalia descrittiva direttamente annotata sulla lastra. Le foto raffigurano vedute e il popolo egiziano còlto nei loro usi e costumi. Grand Hotel Ghezirech (Alessandria?); Fort Napoleon Alessandrie; Sfinge e Piramide animata; Sfinge e Piramide; Piramidi con cammelli e cammellieri; Mulini di Alessandria; Oasi con cammellieri; Commelliere con portatore; (Veduta di Alessandria?); Gruppo di fratelli; Danzatrici turche. Ben tenute. Interessante e raro insieme.

None. Condizione: None. Oblong Folio ca. 30,5x38 cm (12x15 in). With 16 large original albumen photographs each ca. 21x27,5 cm (8 ¼ x 10 ¾ in), mounted on recto of stiff card leaves, with ten photographs captioned, signed and/or numbered by the studio in negative (including nine Arnoux prints and one Zangaki print). Period style black half sheep with marbled papered boards and red title label pasted on the front cover with a printed title "Ansichten von ÄGYPTEN / H. KLOPP / phot. Amat."; all edges gilt. Several leaves with very minor chipping of the corners, a couple of photos mildly faded, otherwise a very good album. Attractive album with sixteen early views of the Suez Canal, Port Said and British-controlled port of Aden (modern-day Yemen). Taken by the Port Said photographers Hippolyte Arnoux and Adelphoi Zangaki, the photos show Port Said's streets and harbor, featuring several early establishments, i.e. "Hotel des Pays Bas," store of "James Slavick, shipchandler," "Nederlandsche Bazaar," "Grand Hotel du Louvre," portraits of European travelers on mules, Arab camel and mule riders, banks of the Suez Canal with the ships bassing-by, et al. The album ends with five unsigned photograph views of Aden, showing the Cisterns of Tawila (designed to collect and store rain water that flows down from the Shamsan massif through Wadi Tawila), buildings and camels in the Crater district, and a review of a British military unit with camels. Overall a very good album with large well-preserved photos. Photographs include: Rue du Commerce à Port Said. No. 7 (Arnoux); No. 222 [Port Said, Village and Arab Mosque] (Arnoux); Place de Lesseps à Port Said (Arnoux); [Europeans on mules] (Arnoux); Caravane de Syrie, Kantari. No. 138 (Zangaki); 649. Groupe de Boudets de Roucciquiers (Arnoux); [Port Said, with Hotel de France]; No. 284. [Suez Canal]; Dragues au Kilometre 40 (Arnoux); No. 123. [Suez Canal] «Gare» (Arnoux); 139. [Suez Canal]. Gare de Kantara (Arnoux); 71. [Suez Canal] (Arnoux); [Aden, Cisterns of Tawila] (2); [Aden. British Military Training]; [Aden, the Crater] (2). Hippolyte Arnoux documented the excavation of the Suez Canal in the 1860s and published the resulting photographs. He occasionally worked with the Port Said photographic studio, Adelphoi Zangaki. In the late 1860s, Arnoux was a partner of Antonio Beato. (Duke Libraries).