1709 1777 (40 risultati)

Paperback or Softback. Condizione: New. The Parrot, and Other Poems. Book.

Paperback or Softback. Condizione: New. uvres de Gresset; Tome 2. Book.

New Revised Edition. Very good paperback copy; edges slightly dust-dulled and nicked. Scatter foxing internally. Remains particularly well-preserved overall; tight, bright, and strong. Physical description; xxxii, 374 p ; 19 cm. Notes; Date is suggested. New edition, revised based on the best texts. Subjects; Drama. France. France Social life and customs 18th century Drama. Manners and customs. Parrots Poetry. Poetry. Poésie satirique française 18e siècle. Religious satire, French. Religious satire, French Poetry 18th century. Satire religieuse française Poésie 18e siècle. Verse satire, French. Verse satire, French 18th century. 3 Kg.

New Revised Edition. Very good paperback copy; edges slightly dust-dulled and nicked. Scatter foxing internally. Remains particularly well-preserved overall; tight, bright, and strong. Physical description; xxxii, 374 p ; 19 cm. Notes; Date is suggested. New edition, revised based on the best texts. Subjects; Drama. France. France Social life and customs 18th century Drama. Manners and customs. Parrots Poetry. Poetry. Poésie satirique française 18e siècle. Religious satire, French. Religious satire, French Poetry 18th century. Satire religieuse française Poésie 18e siècle. Verse satire, French. Verse satire, French 18th century. 1 Kg.

Condizione: MOLTO BUONO. Paris, au Bureau des Editeurs cm.9x14,3, pp.260,(2), rilegatura coeva in mezza pelle, titolo e fregi in oro al dorso Deuxième édition.

12°. Hldr. d. Zt. m. Rverg. u. goldgepr. Rt. 252 S. Mit gest. Frontispiz. (Kapitale bestoßen. Papier verbreitet etwas braunfl.).

Taschenbuch. Condizione: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

Couverture rigide. Condizione: Bon. 2ème Édition. Reliure demi-cuir, dos orné. Avec frontispice de l'auteur.

PARIS, Didier & Cie, 1869. - T. I seul - In-12 Broché - rousseurs - LIII & 409 pages Livres.

Condizione: Good / Bien. [1ª Ed. Española].- Madrid: Calpe, 1922.- 3 vols. (364; 319; 300 pp.); 8º menor (15,1 x 10,6 cm); Intonso; Rústica Ed.- (Col. Universal. Nos. 717 a 750). Dice el editor al comienzo. El viaje a Italia fue publicado en 1790; pero en una edición muy defectuosa. Publicóse otra edición, completa y excelente, en 1861. Sobre ésta ha sido hecha la traducción que ofrecemos al público. Libro en español VIAJES Y EXPLORACIONES POR EL EXTRANJERO.

IN-8 (14 X 21,5 CENTIMETRES ENVIRON) DE 3 FEUILLETS + 484 PAGES, RELIURE DE L'EDITEUR A LA BRADEL PLEINE PERCALINE GRISE, PLAT SUPERIEUR ORNE D'UNE COMPOSITION EN COULEURS, TITRE DORE SUR DOS LISSE. (ENGEL RELIEUR). ILLUSTRE DE 24 PAGES D'ILLUSTRATIONS HORS TEXTE, D'APRES DES DOCUMENTS DE LA BIBLIOTHEQUE NATIONALE. TIRAGE LIMITE ET NUMEROTE. EX-LIBRIS MANUSCRIT. BON EXEMPLAIRE.

Hardcover. Condizione: Very Good. 120, 32, 19, 34, 32, 20, 4, 7p. Contemporary Leather. 17 cm. Some splitting at ends of joints. Scattered foxing. Old bookplate. Name on blank page and title-page.

2 volumes, 16mo, 17.5cm. Vol. 1: pp. [iv],320, engr. frontisp. ("Editions de Cazin"); vol. 2: pp. 312. Contemp. half calf, sprinkled boards, uncut. Little rubbing to bindings, contents fine.

Hardcover. Condizione: Good. First edition. Full leather cover with five raised bands and gilt decoration to spine. 132 x 195 x 13mm. 60pp. Text in French. Top spine compartment but one has letters SIDNEY, arranged two across and three down; other compartments show small flowers in gilt, with decorative borders. Spine rubbed, with about 1cm loss at each end; edges of cover lightly rubbed/scuffed, though boards show little wear (some staining to rear); endpapers rather stained and browned at edges, though internal pages are largely clean and bright. A well-preserved first edition copy. NB: An extra shipping charge may be requested for heavier or more valuable items. All our 'Seller Images' show the actual item you will receive.

IN-18 (9 X 15 X 2 CENTIMETRES ENVIRON) DE 174 PAGES, RELIURE POSTERIEURE A LA BRADEL PLEIN CARTONNAGE VERT, TITRE DORE SUR ETIQUETTE MAROQUIN ROUGE. ILLUSTRE D?UN PORTRAIT EN FRONTISPICE ET DE 5 JOLIES FIGURES DE MOREAU HORS TEXTE GRAVEES PAR DUHAMEL, DUPREEL ET SIMONET EN PREMIER TIRAGE (COHEN. 462). PETITS DEFAUTS EXTERIEURS, SANS GRAVITE, SINON BON EXEMPLAIRE.

IN-16 (8,5 X 13 X 2,5 CENTIMETRES ENVIRON) DE XV + 287 ET (1) PAGES, RELIURE D?EPOQUE 1/2 VEAU VERT, DOS A QUATRE NERFS ORNE DE FLEURONS DORES, TITRE DORE (BRIGANDAT RELIEUR). ILLUSTRE D?UN FRONTISPICE GRAVE PAR LECLERC D?APRES MENDO. RELIE AVEC : - JUNQUIERES (JEAN-BAPTISTE DE. 1713-1786). CAQUET-BONBEC, LA POULE A MA TANTE. POEME BADIN, PAR JUNQUIERES. PARIS. DE L?IMPRIMERIE DE RIGNOUX. 1824. IN-16 DE (6) + 112 PAGES. ILLUSTRE D?UN FRONTISPICE GRAVE PAR DERBY D?APRES CHASSELAT.« BRIGANDAT, RELIEUR PARISIEN DE LA PREMIERE MOITIE DU XIX° SIECLE. SON ATELIER ETAIT SITUE 10 RUE NEUVE-SAINT-AUGUSTIN A PARIS » (FLETY. 34).PETITS DEFAUTS EXTERIEURS, SANS AUCUNE GRAVITE, SINON BEL EXEMPLAIRE.

gr. in-4°, VIII (titre en rouge et en noir) + 127 p., avec de beaux ornements typographiques gravés sur bois ainsi que 4 planches en sanguine (dont 1 en frontispice) de Hubert Robert, grand de marges, typographie soignée, brochure originale illustrée, quelques rousseurs sur les tranches, bel exemplaire. Edition limitée à 125 exemplaires. Un des 120 exemplaires numérotés (n° 27) sur papier vergé d'Auvergne à la forme. Extraits choisis de lettres d'un voyage entrepris en 1739-1740 par Charles de Brosses, historien et archéologue français, premier président au Parlement de Bourgogne et membre de l'Académie des Inscriptions en 1746. Sans ambitions littéraires, ces lettres qui furent envoyées à des familiers n'en sont que plus intéressantes puisqu'elles nous informent sur les goûts d'un honnête homme bourguignon du XVIIIe siècle, qui entreprend l'incontournable voyage d'Italie. Hoefer NBG VII/509.Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.

Condizione: Bueno. 2 volúmenes en 8º mayor, LXXII+383+444+120 p. Bonita encudernación neoclásica, aunque bastante fatigada; plena piel muy rozada, tejuelo, greca dorada en ambos planos, lomo cuajado de pequeños hierros, hilo dorado en cantos, guardas en papel de aguas, cortes tintados; bisagra plano anterior V. II parcialmente rasgada. Interior en buen estado, aunque con papel moteado y levemente tostado en algunas hojas, leves manchas esporádicas. Retrato y 8 láminas fuera de texto a partir de dibujos de J. M. Moreau. Gresset, poeta y dramaturgo, fue miembro de la Academia Francesa y autor de obras de gran celebridad como Vert-Vert o Le Mechant. La presente está considerada como una de las mejores ediciones de sus obras. Poesía Teatro Francia.

Hardcover. Condizione: Very Good. No Jacket. 12mo. New Edition. Two Volumes in one. Full Vellum. Spine lettered. Edges in red. Book I: [10] 262 p.p.; Book II: [4] 272 p.p. Frontispiece portrait of Gresset. Vignette on title-page, plus head and tailpieces throughout text. The first book contains poems and the second book contains comedies and tragedies by the French poet and playwright Jean-Baptiste-Louis Gresset [1709-1777]. Text in French. Some soiling to boards and spine. Corners slightly bruised and curled. Red and yellow spots to rear board. Chipping to front joint. Upper rear hinge cracked slightly. Sporadic foxing. Interior clean, crisp. A very good copy.

4 OUVRAGES IN-8 DE (2) + XVI + (2) + 80, (4) + 46, 72, ET 22 + (2) PAGES, EN UN VOLUME (12,5 X 19,5 CENTIMETRES ENVIRON), RELIURE D'EPOQUE PLEIN VEAU MARBRE, DOS A CINQ NERFS ORNE DE CAISSONS A FLEURONS DORES, TITRE DORE SUR ETIQUETTE MAROQUIN ROUGE, TRANCHES ROUGES. EDITION ORIGINALE, POUR CHACUN DE CES 4 OUVRAGES. (BARBIER. IV. 509). PETITS DEFAUTS EXTERIEURS, DONT COINS USES, SINON BON EXEMPLAIRE.

Halbleder. Condizione: Sehr gut. Groß-8°, 21,9 x 15,2 cm. 1918 [C°1917] / 1922. XXXII, 518 Seiten, 1 Blatt; 555 Seiten, 2 Blatt. Helles Original-Sämischleder (Schafsleder ?) mit reicher, ornamentaler Rückenvergoldung und Kopfgoldschnitt (Band I) resp. Original-Halbleder mit reicher Rückenvergoldung, ornamentiertem Bezugspapier und Kopffarbschnitt (Band II). (Band I: etwas fleckig und lichtspurig, nur gering berieben, innen nur Vorsätze und erste und letzte Blätter etwas braunfleckig, sonst schön; - Band II: vordere Rückenkante eingerisssen, beschabt und bestossen, Kapitale etwas lädiert, . . innen wenige Flecken, sonst sauber, insgesamt passabel erhalten): - Erste deutsche Ausgabe. De Brosses war Historiker, Geograph und Politiker. Von seinen Werken sind die "Italienischen Briefe" lebendig geblieben. Das Werk wurde seit Stendhal zu einem beliebten Führer für gebildete Italienreisende. Band I in der Vorzugsausgabe: eines von 100 - unseres aber NICHT - numerierten Exemplaren auf Maschinenbütten ! Band II in der Normalausgabe. Zur Einbandart beider Ausgaben sagt das Colophon nichts, es kommen bei der Normalausgabe auch Original-Leinwand und Halbpergament / Halbpergamin vor. Der erste Band war zwar schon Ende 1917 fertiggestellt, erschien laut HJV aber erst in der zweiten Hälfte des Jahres 1918. Der zweite Band ist in den Halbjahrsverzeichnissen 1918-23 nicht angezeigt. - Fromm 4206.

Hardcover. Condizione: Very Good. 8vo (235 x 175mm). [2], 207pp., [index misnumbered 108]. Engraved vignette to title, headpieces, printed in double column, decorative initials on p. [1] and 3. Contemporary vellum, marbled edges; (lacks frontispiece portrait, slightest dampstaining at bottom right corner). Early ownership inscription, "Ex libris 1850." Pictorial wood-engraved ex-libris by Leo Wyatt for Lord Norwich on front free endpaper. Important study on the nature of hypochrondriasis by Fracassini. Today, hypochondriasis is a mental disturbance characterized by unfounded fear of serious illness, but in the seventeenth and eighteenth centuries, it was a common physical condition. In this first edition, Antonio Fracassini, doctor of Verona, wrote upon the nature, cause, and cure of the hypochrondriacal affection. He acknowledged the symptoms of fear and dejection and considered them two of the main characteristics of the hypochrondriacal melancholy; melancholy being one of the four main directions a personality could tend toward. Patients were seen as having anxiety that caused stomach problems and an intensive need to ruminate over their illness. Fraccasini believed that when a patient is feeling melancholic, he is filled with anxiety and distress, as is manifested by great lowness of spirits, silence and aversion to society. These symptoms are succeeded by a solicitous desire of life and sometimes by an equal desire of death. They all prefigure insanity. Over time, this diagnosis had not changed much owing from the long studied claims by Greek physician Galen of Pergamon, the basis of Fracassini's work, and until the time of Robert Burton and his infamous book "The Anatomy of Melancholy" in 1621. Burton was the first physician to give relief and hope to sufferers of hypochondria through his sound advice and genuine concern for those who claimed affliction. With Burton and Fracassini's contributions the science of the disorder was transformed. What had once been an affliction of abdominal organs became a disorder of the nervous system and brain, and finally the mind. Two factors contributed to this change. One was a shift in the social context of emerging medical knowledge. As medical practice moved from bedside to hospital, illnesses that had involved the whole person came to reside in bodily organs. Hypochondriasis became illness without somatic disease. The other was a change in English society that altered the disorder's social significance. During the Enlightenment, hypochondriasis became, on the one hand, a mark of distinction conferring class status, and on the other, an object of social disapproval.

Hardcover. Condizione: Siehe Bild/Beschreibung. Histoire Des Empereurs Romains, Depuis Auguste Jusqu'A Constantin. Par Mr. Crevier. 12 Teile in 11 Bänden. Amsterdam, J. Wetstein, 1750-1756. 17 x 10,5 cm. Lederbände d. Zt. mit RVergoldung und RSchild, marmorierten Vorsätzen, Titelblätter in Rot- und Schwarzdruck mit gestochener Druckermarke. Gestochenes Frontispiz (T. 1) und 6 Faltkarten (Germanie (T. 1), Empire de Parthes (T. 2), Grand Bretagne (T. 3), Armenie (T. 4), Palestine (T. 6), Dace (T. 7)). - Text französisch. - Einbände beschabt, Rücken brüchig, Seiten leicht gebräunt, Besitzeintrag auf Titel "C. G. Bose 1758" im ersten Band.

BOOK HARDCOVER. aux Editions Mignardise à Paris,1855, minuscule (5,8 x 4,2 cm), 2 ff + 161 pages. Reliure Plein maroquin brun, dos à nerfs avec filets à froid, titre doré, plats avec deux filets à froid en encadrement, roulette dorée sur les coupes, fine roulette intérieure dorée, contre-plats doublés de maroquin vert bronze, toutes tranches dorées. +++++++ Charmante édition minuscule des oeuvres de Jean-Baptiste-Louis Gresset (1709-1777) dans une belle reliure sobre - Reliure en très bon état, légère décoloration des contre-plats en cuir vert sur les gardes, intérieur avec quelques rousseurs en marge, Bon exemplaire.

Condizione: Good. Small 8vo. 12.5 x 19.3cm. Contemporary calf, unrestored. 21 hors texte plates at end. Later, much enlarged edition of Bosse's influential treatise first published in 1645 , with textual additions by Charles-Nicolas Cochin. This edition contains four headpieces illustrating scenes in printmaking studios, engraved by Fessard and Soubeyran after Cochin and Bosse. .OCLC Number / Unique Identifier:1152932308: [4], xxxii, 205 p., [21] leaves of plates (some folded) : ill. ; 21 cm. In-8° de 1 f. (frontispice gravé), xxxij - 208 pp. et 21 planches dépliante . Reliure du temps plein veau dos lisse., état d'usage.

Hardcover. Condizione: Very Good. 12mo. pp. 285. with half-title. woodcut title vignette, headpiece & initial. 19th century half calf (corners bumped, joints cracked, some foxing & browning throughout). First Edition. "De Brosses was a pioneer of the science of comparative religion. In his memoir Du culte des dieux fétiches., reprinted in the Encyclopédie, he combated the then prevailing tendency to interpret ancient mythologies and religious systems, notably that of Egypt, as profound symbolism and upheld the thesis that ancient Egyptian religion did not differ substantially from the primitive cults of native Africa. The work, which the French Academy refused to print in its transactions and which gave rise to violent attacks, anticipates the modern anthropological method of approach to the history of religions." (Robert Briffault, Encyc. of Social Sciences) Brunet I 1277.

In-8. Due volumi con legatura coeva in cartonato muto e titolo manoscritto al dorso, interno con barbe, stato ottimo. Pagg. 12 nn, 262 + 6 nn, 272. RN3.

Die Ausgabe enth. u.a.: Abhandlungen, Briefe, Theaterstücke. 336 / 360 S. 1050g. Sprache: fr Rücken, Deckel, Kanten leicht beschabt, kl. Rückeneinriss, komplett, Bindung intakt; Rückenschild Bd. 1 mit partieller Fehlstelle. Led. d. Z., Rücken mit Goldornamentik, Bücher.

Couverture souple. Condizione: Très bon. 1729 - UN PARCHEMIN IMPRIMÈ de 26 x 39,5 cm avec son SCEAU dans une coupelle ovale [ SCEAU INCOMPLET ] LETTRE de LICENCE de DROIT à l'UNIVERSITÈ de VALANCE ( VALENCE )en DAUPHINÈ pour Claude DE SOUBEYRAN DE SAINT - PRIX [ 1709 - 1777 ] . Mention manuscrite de CERTIFICATION au verso , en 1732 , C'est le pére d' Hector DE SOUBEYRAN de SAINT - PRIX de SAINT PERAY , également Docteur en Droit ,sous la Révolution membre du Directoire , puis député de l'ARDECHE , Conventionnel , puis au conseil des Cinq-Cents . RARE.

[4], 60 p. : (21 cm) : enc. Bom exemplar, encadernação meia de pele encarnada com nervos e titulo a ouro na lombada. Rara edição, não encontrada nas bibliografias consultadas, desta tradução uma das muitas que o poeta fez como forma de ganhar a vida no exílio em Paris. Inocêncio 2, 453.